The Online Magazine
of Motion Picture
and Television
Music Appreciation
Film Score Monthly Subscribe Now!
film score daily 

More Composers as Actors

Compiled by Lukas Kendall

The input keeps coming in regarding composers' cameos in movies and TV shows--whether they've scored them or not. Also see our first column on the subject.

Stewart Copeland

From: Eric Aron, earon@javanet.com

    Does TV count? If so, include Stewart Copeland, who I saw recently appear working at a newspaper stand in a syndicated episode of "The Equalizer".

Alexander Courage

From: Movie Fan

    What about Alexander Courage as the conductor in Luciano Pavarotti's regrettable YES, GIORGIO?

Frank De Vol

From: yvain@ix.netcom.com (Robert Delaney)

    In case this hasn't been posted yet on the message board: Frank De Vol appeared for several years as bandleader Happy Kein (of Happy Kein and the Mirthmakers) on the talk show spoof, Fernwood Tonight (later America Tonight).

Georges Delerue

From: Gary Chu <garychu@netvigator.com>

    How can we missed our late Mozart of Cinema, Georges Delerue who's also played in one of supporting role as "Musical Director" and "Lawyer" during his lifetime with frequent partner Francois Truffaut's DAY FOR NIGHT and TWO ENGLISH GIRLS.

Patrick Doyle

From: Karl Scott <karl_scott@opcode.com>

    Patrick Doyle is also in Much Ado About Nothing.

Henry Mancini

From: jdh@socialstudies.com (Jeffry Heise)

    An addition to the Henry Mancini section: he appeared at the end of a Pink Panther cartoon in which the panther is trying to get the Hollywood Bowl orchestra to play his theme, much to the frustration of another musician. At the very end, a lone person is heard clapping from the audience, and the camera sees a single person sitting out there-it is Mancini, clapping! Can anyone remember the name of this cartoon?

Michael Nyman

From: Alan Andres <aeandres@ma.ultranet.com>

    Here is one more that I'll bet no one has mentioned:

    Michael Nyman appears in two short films:

    LETTERS, RIDDLES AND WRITS in which he appears as "Composer" in a fantasy courtroom scene about musical plagerism.

    THE FINAL SCORE where he is seen in the viewing stands watching the Queens Park Rangers football club.

Mike Post

From: Michele Lellouche <mdanl@ibm.net>

    How about a television appearance: Mike Post is leading the band in the final episode of the late, pretty much unlamented series Cop Rock.

Marc Shaiman

From: Jason Foster <jf14704@appstate.edu>

    Marc Shaiman was also in "Hot Shots." He was the piano player during the bar scene and, if I recall correctly, had a close-up shot. The interesting part is that he didn't score that film; Sylvester Levay did.

John Williams

From: yvain@ix.netcom.com (Robert Delaney)

    The liner notes for "Bell, Book and Candle" (George Duning) include the following:

    "The score was recorded mostly in Munich,...but all the jazz sequences were done at the Columbia studio in Hollywood, since the film called for several on-camera jazz sequences in a nightclub....Also worthy of note is that the pianist on these sessions was John Williams, then in the early stages of what would soon become a distinguished career as a film composer."

    I'm not sure if this should be interpreted to mean that Williams appears on screen in the nightclub scenes or if he just performed in the recording. The film doesn't give a close up shot of the band, so I can't tell if he's there.

From Jeffrey Wheeler:

    John Williams regularly played a pianist for the '60s TV series "Johnny Staccato." He never spoke, but he had that cool cat act down pat (say that ten times fast!). Groovy... eh, daddy-o?

And Lots of Stuff from the Memory of Guy...

From: Guy McKone <guymck@cims.net>

    The Subterraneans (1960): Andre Previn appears as himself at the piano in a party scene.

    Valley of the Dolls (1967): Marvin Hamlisch appears as Neely O'Hara's accompanist in Valley of the Dolls (tho' you'll never notice him in the pan-and-scan video version!). This was made before The Swimmer, so this might not count. (...could that be Johnny Williams, sans mustache, at the piano during Tony Polar's (Tony Scotti) nightclub scene?)

    Paris Was Made For Lovers (A Time for Loving; Tempo d'amare, etc., etc.) (1971): Michel Legrand (who scored it as well) co-stars.

    Sunday in New York (1964): music by Peter Nero.

    Peter Nero appears as himself. Since this was his only scoring assignment, this one might not count.

    Frasier: Henry Mancini (voice only) was one of the callers.

    The actor Sheldon Allman (the sleazy hotel manager in Good Neighbor Sam; Rev. Post in 1967's In Cold Blood) - is he - could he be - the same gent who gave us "George of the Jungle"?

    Dudley Moore proved he could break our hearts with his film music (Six Weeks), as well as to make us laugh with his antics (Arthur). I'd love to have a full album of Six Weeks...

    Anthony Hopkins, the actor, wrote the music for August. (There was another Anthony Hopkins - could've been Antony - who scored 1962's Billy Budd)

    I'm not sure about this one - but - isn't that Johnny Mandel as the bandleader in the talk show sequence in Being There? It looks like him anyway...

If there are still some we're missing, let us know! Thanks! (Keep in mind a lot were listed in the aforementioned earlier column.) MailBag@filmscoremonthly.com


Past Film Score Daily Articles

Film Score Monthly Home Page
© 1997-2012 Lukas Kendall. All rights reserved.