"Go"-Ing Nowhere
Plus: The Long-awaited Restored Legend?
An Aisle Seat Entry
By Andy Dursin
STAR WARS mania is picking up--as if you needed to hear that again.
Seriously, there are several excellent publications now out devoted to
the upcoming EPISODE ONE film that are well worth catching if you haven't
done so already. This month's MOVIELINE features two revealing interviews
with Liam Neeson and James Earl Jones, who makes some pointed comments
not only about his career but also Spike Lee and African-American filmmakers
in general. PREMIERE, meanwhile, contains a plethora of WARS related material,
the most revealing aspect being a Q&A with George Lucas himself. I
don't usually mention magazines in this column (you just know FSM will
be having a STAR WARS blowout this summer, as will every other film-related
mag), but I thought I'd draw your attention to these two among others,
in case you are feverishly awaiting this movie, as are most folks out there.
There was some news about a possibly restored video release of LEGEND
out and about this week on the net--check out our Home Video Round-Up below
for details, and remember to send all comments to dursina@att.net
for discussion and debate!
In Theaters
GO (**1/2): Director Doug Liman's follow-up to his cult favorite SWINGERS
is already the most wildly overpraised movie of 1999, for although it is
mildly entertaining and always watchable, GO plays like "Pulp Fiction
Lite," or a teen Tarantino-wannabe where nobody gets killed.
Liman and screenwriter John August employ a three-pronged narrative
structure that begins and ends with 17-year-old supermarket clerk Sarah
Polley (former child star of ADVENTURES OF BARON MUNCHAUSEN and AVONLEA)
needing to cough up some rent money or be evicted from her apartment. Stepping
in to feed narcotics (actually pharmaceuticals like aspirin and allergy
medication) to unsuspecting teens thinking it's the ultimate high, Polley
is soon flung right into the middle of trouble with a real drug dealer
and the picture moves forward with its two other, barely interconnected
stories: the first involving Polley's coworker pal Desmond Askew and a
group of friends causing havoc in Las Vegas, the second revolving around
soap opera stars Jay Mohr and Scott Wolf going undercover to expose a drug
ring for a strange cop played by William Fichtner.
Although Liman paces the film extremely well and August's dialogue is
occasionally amusing, the trouble with GO is that it just isn't very compelling,
nor hysterically funny. The film's first act, establishing Polley's inner-circle
of friends (including Katie Holmes) selling ersatz-drugs, isn't particularly
interesting and never becomes the integral focal point that the movie needs
to ground the story; after Liman and August leave the bookending plot for
the other two tales of reckless teens, there doesn't seem to be much motivation
to return to the opening sequences with characters who weren't all that
interesting to begin with. As for the following stories, both are more
amusing though neither achieves (comically or dramatically) the high-pitched
level of manic energy Liman infuses in his direction--the Vegas portion
is freewheeling but derivative (and culminates in a car chase, naturally),
while the more unabashedly comic final narrative strand lacks a punchline.
The cast tries hard and GO does manage to raise several smiles, but
so much of the movie feels like warmed-over Tarantino--from its flashback
framework to its "hip" dialogue and ambivalent characters-- that
the movie ultimately misses the bullseye by a fairly wide margin, despite
being modestly entertaining throughout. (R)
Home Video: LEGEND news, SLUMS OF BEVERLY HILLS and HEATHERS reviews
Fans of Ridley Scott's botched 1985 fantasy LEGEND received some potentially
great news this past week when a couple of fairly reliable internet sites
noted that the movie--long due for a restoration--is allegedly high on
Universal's priority list for a Special Collector's Edition DVD and laserdisc
release.
If you're a champion of Jerry Goldsmith's outstanding original score
for this movie (thrown out of the butchered North American version and
replaced with an inappropriate and also comprised synth score by Tangerine
Dream), this comes as news that listeners have been waiting for since the
film's disastrous American release in the Spring of '86.
Of course, nothing official has been announced, but it does seem that
the timing is right for a restored version: it has been said that Ridley
Scott's involvement was key to a possible Special Edition, and now that
Scott has completed work on the upcoming Fox DVD of ALIEN ($34.95, due
June with both Goldsmith's unedited score and the film soundtrack isolated
on separate channels!), it appears that Scott has the availability necessary
to perform the needed adjustments to the picture.
The thinking is that the hang-up has always been Scott's involvement,
as well as some possible copyright issues with Goldsmith's score (I'm not
clear as to the specifics of this problem, since if Universal owned the
movie in the U.S. and Canada, wouldn't they own the rights to the original
score as well since their TV edits included a scene that still contained
Jerry's score?). The murmurs (and rumors) going around is that Universal
and Scott will be attempting to include both versions of the movie on the
DVD along with additional supplemental materials, something that could
cause delays in clearing all the rights and undertaking the proper restoration--issues
that could push this release back until next year.
Still, if that's what it will take to finally see an unexpurgated, letterboxes
version of LEGEND in this country, then so be it. Fans have waited long
enough that another few months won't be a problem if this release is performed
with the right care and includes the extra materials viewers have been
waiting for. Given Universal's outstanding restoration of 1941 among others
in their "Signature Collection" series over the last few years,
LEGEND is undoubtedly in the right hands, and we'll post updates as soon
as they become available to us.
In the meantime, for specific links to the gossip and all sorts of definitive
info on the movie, the music, and the myriad versions of LEGEND out there,
be sure to check out the essential "LEGEND FAQ" (one of my favorite
links) at http://www.figmentfly.com/legend/index.shtml
Other news--Columbia's June DVD of GHOSTBUSTERS is supposed to contain
a bounty of all-new supplements, including plenty of deleted scenes not
even contained on Criterion's old deluxe laserdisc release. Commentary
and all sorts of goodies round out what should be one of '99's most anticipated
DVD releases, which will hit store shelves in early June. Also, Universal's
long-planned Special Edition release of THE LAST STARFIGHTER hits shelves
in a laserdisc edition this week, later on DVD. (Neither release has any
music-intensive content as far as we can tell). Image, meanwhile, has scheduled
both V and V-THE FINAL BATTLE for domestic laserdisc premieres this June.
Image recently released one of last year's better indie films, SLUMS
OF BEVERLY HILLS (***), on laserdisc. Writer-director Tamara Jenkins has
fashioned an unique coming-of-age story featuring a gypsy- like family
traveling around Beverly Hills and assorted Cali locales during the 1970s.
As the blossoming teen daughter of father Alan Arkin, Natasha Lyonne (once
one of the little tykes on PEE-WEE'S PLAYHOUSE) gives a terrific starring
performance as a girl growing up in a jumbled era with a motherless family
recently complimented by wacky cousin Marisa Tomei, a would-be nurse in
training who just got out of rehab. The film's finale feels a bit awkward
(as they are in most movies of this sort), but most of the picture is well-written
and thoroughly well performed, with Lyonne, Arkin, and Tomei each giving
memorable performances. The movie may not be a "CLUELESS for the '70s,"
as one reviewer's comment notes on the cover (it's too disjointed and erratically
paced for that), but SLUMS OF BEVERLY HILLS is nevertheless strangely affecting
and contains plenty of laughs, with a star-making performance by Lyonne,
soon to be seen in this summer's vulgar, raunchy (and highly anticipated)
teen comedy AMERICAN PIE.
Just released from Anchor Bay on DVD is HEATHERS (***), a movie that
needs no introduction to most viewers. This 1988 teen comedy, while almost
completely lacking a bona-fide high school atmosphere as such (the extras
look like they're about 40!), has one of the largest cult followings of
any film released during the last twenty years, and made stars out of Winona
Ryder, Christian Slater, and Shannen Doherty. A pitch-black comedy about
teen suicide and murder in the "in crowd," HEATHERS has aged
fairly well, with its pointed observations of high school cliques and social
relationships still relevant to any high school education. Even if director
Michael Lehmann and screenwriter Daniel Waters never topped their effort
here (their next big movie was HUDSON HAWK, though at least Waters also
co-wrote DEMOLITION MAN and BATMAN RETURNS), HEATHERS stands as enough
of an achievement for most filmmakers' dossiers. Anchor Bay's DVD looks
a whole lot better than Lumivision's Special Edition laserdisc from a couple
of years ago, although the source materials still don't appear as if they're
in the greatest of shape. The trailer (with its obnoxious "Three Blind
Mice" musical backing) and a featurette are both included on the DVD,
although the interesting commentary track found on the laser is disappointingly
absent here.
Finally, if you're a laserdisc fan still hunting for bargains, Image
reduced the price on hundreds of titles. Check out the full listing at
http://www.laserviews.com/laser-news.html
and if you happen to see something of interest, find it and buy it soon--many
titles are low in stock and unlikely to be repressed, given the fragile
state of the industry now. Also worth checking out is Ken Crane's, which
recently reduced many other excellent lasers on their website--goodies
like the restored DANCES WITH WOLVES among others for $10! Visit www.kencranes.com
and click on the Specials link for the complete listing.
BACK NEXT TIME... With more reviews and releases. Be sure to keep your
comments coming in to dursina@att.net
and we'll see you next time! Excelsior!
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