Compilations: Rants, Ravings and Reviews 2
by Dennis Logsdon
See
Dennis's earlier article.
One of the reasons I like instrumental compilations is because I grew
up in the 50's. Orchestral instrumental hits were common and I could go
to sleep with the sea gulls, waves, and lush arrangements of Ebb Tide.
In the early '60s a new instrumental wave was beginning: The Great Motion
Picture Themes LP. United Artists (UAL) had a string of LPs with a
mix of Original themes and studio recordings and used their stable of artists
like Ferrante and Teicher, Don Costa, Al Caiola and others. It's a rare
film music fan who does not have a copy in their collection of Great
Motion Picture Themes with Exodus, Vikings, Unforgiven, On the Beach,
The Apartment and others or Great Western Themes with Magnificent
Seven, Scalphunters, One Eyed Jacks, True Grit, Mclintock, etc. It
wasn't long that the '60s was awash with compilations from every well known
orchestra such as Ray Coniff, Percy Faith, Boston Pops, and not to forget
those great sounds out of England with the likes of Stanely Black. Movie
scores were out there but movie themes were everywhere.
I would like to mention a few from the era and they represent how mixed
and wonderful a selection was available.
1. Route 66 - Nelson Riddle Capitol Records. Light and breezy
are most of the TV themes from this LP. Route 66, Alvin Show, Andy Griffth
Show, Ben Casey, Dr Kildare, My Three Sons, Untouchables, Naked City, Sing
Along (Mitch Miller), Defenders, Sam Benedict, This Could Be the Start
of Something New. This is low key arrangements from the innocent '50s
but life was changing and it shows in this selection.
2. The British Labels of London and Command put out some heavy sounds
in the mid '60s to mid '70s and one of the best was Bond Themes and
Other Spy Themes by Roland Shaw. This double LP set had Bond themes
on one LP and Spy Themes on the other. Great big band or Orchestra arrangements
on Bond themes up to Diamonds Are Forever and great sounds on themes
like The Avengers, The Saint, I Spy, Mission: Impossible, Peter Gunn
and one of the best arrangements of Our Man Flint anywhere.
Another fabulous Command LP was The Man from Organ with themes done
on... you guessed it.
3. Inspired Themes from Inspired Films. Felix Saltkin on the
Liberty Label. This was the kind of LP that made you guilty you didn't
go to church last week. If you wanted all those lift your head up high
themes done in lush strings and shouting trumpets then this was the LP
to have. There was a good dose of heavy organ in the arrangements to really
put the heaven on earth feeling in your bones. El Cid, Francis of Assisi,
King of Kings, The Robe, Ben Hur, Quo Vadis, The Prodigal, Song of Delilah.
I get goose bumps everytime.
4. I'll finish by mentioning the above UAL LPs. They had the
well known themes but to fill out an LP they had themes that are harder
to find. There are not to many places except the scores to find, God
Litte Acre, The Wonderful Country, Mclintock, One Eyed Jacks, Some Like
It Hot, Hour of the Gun, Big Gundown, Duel at Diablo, In the Heat of the
Night, The Corrupt Ones, The Birds and Bees and the Italians, Honey Pot,
The Way West, Horse Soldiers and On the Beach.
I love compilations, where else could you find the Music of Jean
Harlow movies. As Butch and Sundance would say, "Who are those
guys?" who would produce or buy such a compilation?
Here some letters in response to Dennis's first column:
From: "Maarten van Herpt" <maartenvanherpt@hotmail.com>
My Favorite Compilations.
Reaction to the article by by Dennis Logsdon
The Film Music of Alex North (Nonesuch 7559-79446-2)
A beautiful compilation, with pieces from "The Bad Seed,"
"The Misfits," "Viva Zapata!," "A Streetcar Named
Desire" and "Spartacus." Brilliantly performed by the London
Symphony Orchestra (conducted by Eric Stern), although track 6, "Gathering
of Forces" could be a bit slower, like the version on the Varese re-recording
of "Viva Zapata!"
The 6 tracks from "Spartacus" on this album are all I
own of that film, so I can't compare it with other recordings. But I love
this music. The track "Camp at Night" has moved me to tears a
couple of times. I don't want to state that a piece of music is a good
one if it makes you cry. I think there's a big difference between crying
by manipulation and crying because of the beauty of something). Listen
to this piece at night, when the whole world is asleep and experience what
happens...
P.S. : I recently asked the Royal Scottish National Orchestra if
they had any plans for a Spartacus re-recording with Jerry Goldsmith. This
was the answer:
"Plans have been made to re-record Spartacus with Jerry Goldsmith
some time in the future, but as yet, no time or place has been confirmed."
Georges Delerue - The London Sessions Vol. II (Varese Sarabande
5245)
This is the second volume of three CDs and the only one I own. I
play it very often. The highlight is a 12+ minutes during suite "Hommage:
Francois Truffaut," which features music from 10 Delerue/Truffaut
collaborations, among which are: "Shoot the Piano Player," "Jules
et Jim," "The Woman Next Door," "Love at 20,"
etc. It's a very varied suite, with jazzy piano tunes, melancholic melodies
and haunting themes for strings. Also very beautiful is a suite from "Steel
Magnolias," a warm, moving score which melodies carry you up and put
you down gently. The theme from "Interlude" is, to quote the
liner notes, "one of the composer's most haunting melodies."
Other suites on this album: "The Escape Artist," "Maxie"
and "Salvador." Georges Delerue moves me with his beautiful,
sometimes simple and straightforward melodies that are often played by
the xylophone, flute and piano.
The Truman Show - Original Soundtrack (Milan 60822-2)
As this soundtrack is a mixture of Burkhard Dallwitz's score, music
from Philip Glass, Wojciech Kilar and Frederic Chopin, I think it fits
in the category "best compilation." Dallwitz's score is very
original and perfect for the film it accompanies. "Trutalk" is
a great Vangelis-like piano theme, and "Reunion" is a beautiful
slow melody performed by strings and synthesizer, against another piano
melody. I'm an admirer of Philip Glass' compositions, his music works great
in "The Truman Show" and I think that's why I also like it on
this CD. Track 8 of the album is the second movement from Chopin's "Piano
Concerto No 1 in E-Minor". This work made me realize that it's film
music in the first place that learned me to discover and love classical
music. The piece is very romantic. When I listen to it, I sit for about
10 minutes in my chair, breathlessly. Beautiful.
OTHER RECOMMENDATIONS:
- The Young Indiana Jones Chronicles (all volumes)
- Jean Claude Petit: "Le meilleur des bandes originales de films"
(feat. music from "Cyrano de Bergerac, 1990)
- Journey To the Stars (Hollywood Bowl Orchestra, John Mauceri)
- The Classical Filmmusic of Bernard Herrmann (NPO, Charles Gerhardt)
- Bernard Herrmann: Great Filmmusic (The DECCA/LONDON Phase 4 stereo-series)
- Frontiers (Jerry Goldsmith Sci-Fi classics)
From: "L. Rob Hubb" <blackrose@valise.com>
On the compilation article... I agree that the RCA/Gerhardt compilations
are a must for anyone. Some other good ones are:
The Valley of Gwangi: The Film Music of Jerome Moross - invaluable
for anyone who wondered what else Mr. Moross accomplished besides THE BIG
COUNTRY. Very well done - and on Silva!
Silva's Horror film compilations: HORROR! which has great, but short
suites from THE HAUNTING (Humprey Searle's score), CURSE OF THE DEMON,
KONGA, many others; and THE DEVIL RIDES OUT - Music by James Bernard for
Hammer Films - suites from SHE, The Quatermass Trilogy,...
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