 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Great! Anyone around here know when Quartet will be releasing Tom at the Farm?
|
|
|
|
|
|
|
 |
Posted: |
Mar 20, 2014 - 10:45 AM
|
|
|
|
By: |
Flo
(Member)
|
I found this little presentation which sums up the genesis of the encounter between Patrice Leconte and Gabriel Yared
"A Promise had a series of parameters that were new to me; they were a long series of 'firsts': it was shot in English, it was adapted from a Stefan Zweig novel, and its dramatic setting was the Great War." Filmmaker Patrice Leconte was summing up the unusual place occupied by his 28th full-length feature film A Promise. Another "first" to add to the list: the film A Promise also marks his incandescent encounter with composer Gabriel Yared, the great alchemist of lyricism. "I love the way his writing translates the complexity there is in movements of the heart; his music has propriety and restraint," comments Leconte. Their association — a state of grace — produced a vast score for chamber orchestra that is at once delicate and intense, and it functions like the characters' inner voices in that the score reveals sentiments which the characters dare not express… Listening to this highly original soundtrack confirms the obvious: A Promise is no conclusion but a point of departure, a beginning for two creative brothers who are bound to continue. And the music, following after The Moon in the Gutter, The English Patient or The Talented Mr Ripley, is destined to become a Gabriel Yared classic.
Fglmusic / Play-Time :
http://www.fglmusic.com/produit.php?id=1454
…Can't wait to watch the movie and also to hear the whole OST !!
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The samples do sound nice, but total length time only 35 minutes is a disappointment.
You shouldn't judge a score by its length; many of the great film scores out there only average 30 minutes.
Also I would much rather have a perfect score at 35 minutes than a forgettable hour + score full of filler.
AMEN. Truer words were never spoken.
SCOTT
|
|
|
|
|
|
Agree as well. meanwhile the more YARED the better, fine composer.
|
|
|
|
|
|
|
|
|
|
How true, as they say often, SHORT BUT OH SO SWEET.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
)
