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I have to admit: Goldsmith´s comedy scores do not work so well for me. I prefer him in action, drama or scifi/fantasy mode.
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I have to admit: Goldsmith´s comedy scores do not work so well for me. I prefer him in action, drama or scifi/fantasy mode. While I agree that his comedy scores don't compare to his bigger efforts, I think you should give Fierce Creatures a listen (or relisten). I was pleasantly surprised by the fun energy he brought to this score. While the movie leaves a lot to be desired, Goldsmith's score left a smile on my face.
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I'm not really into John Powell when in 'Bourne' mode, but I recognize his Bourne work is at least a step above other minimalist scores of the same caliber nowadays.
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Posted: |
Sep 21, 2018 - 6:21 AM
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By: |
Thor
(Member)
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As to the topic at hand, for me it has less to do with 'genres' and more to do with particular sounds or soundscapes. For example: Love Morricone in thematic/melodic/bittersweet mode, but generally detest his more dissonant efforts. Same with Delerue. Love Barry's broad, romantic themes, but can't stand his staccato suspsense and action writing. Don't like Shore's "Cronenberg sound" (in general), but like a lot of his other stuff; like LOTR, ROSEWATER, MAPS TO THE STARS (yeah, I know, that's Cronenberg). Etc.
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