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Gods and Monsters by far. THIS is the kind of score that I go weak in the knees for, this is my type of music! I only really like three tracks from Conspiracy Theory, 1, I think it's 4 and then the last one. I also found on itunes the song used in the film that I liked as well. A really beautiful score by his which is unreleased is The Celluloid Closet, there are samples on his site.
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There is a lot more Burwell I need to hear before I can honestly list my favorites, but for now I'll give a shout-out to two mid-1990s scores - ROB ROY and FARGO.
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My favourite Burwell score would be MILLER'S CROSSING followed by AND THE BAND PLAYED ON.
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The final two cues of CONSPIRACY THEORY are my favorite Burwell compositions, and in my top 10 favorite score pieces ever. However my favorite complete Burwell score (and I have everything he's released) would be: IT COULD HAPPEN TO YOU Only two tracks from the score made it on the soundtrack CD, but nearly the complete score is up at Burwell's website. http://carterburwell.com/projects/ICHTY.html When you listen to the clips, don't choose the links marked "MP3," they're just brief samples. Choose the links with arrows, they're the complete cues.
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Just seen "In Bruges" this week... The melancholy score really stood out and makes me wish i could get that soundtrack. One of Burwell's best, IMHO....
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No Country For Old Men But there basically is no score in NCFOM, except an end credits piece and various tones that come in at key moments. (Unless it's how spare the score is that you're giving kudos for, like CLOVERFIELD, in which case I agree )
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Psycho 3 Fear The Jackal
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1. Kalifornia 2. The Jackal
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I also like a lot of the scores mentioned here, but I'm surprised no one has mentioned DOC HOLLYWOOD. It's a great score and that last big cue, Back To The Interstate, Ben Stone defines the sound of Carter Burwell to me.
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