An EXPENDABLES-type score - and by that I mean a solid main theme and energetic action cues - will help this series tremendously. Tyler is an excellent choice.
Not thrilling or exciting news but it's better than any of Zimmer's cronies scoring this. Hopefully this score will be an improvement over the last two scores b/c the Iron Man scores have been nothing special or impressive, imho.
Eh. There are worse choices but with Tyler, we know exactly what we'll get. Several exciting action pieces, not a whiff of melodic inspiration and a soundtrack release that's about thirty minutes too long.
On the other hand, he scores so much trash that maybe a good film (fingers crossed) will inspire him.
Expected great things from Debney and got more senseless noise. As far as Tyler it won't matter if the producers or director insists on heavy metal music, because after all he is an "Iron" Man.
WOW ! This is great news ! Brian Tyler will give the producers what they want, but hopefully he will be able to shape what they want. I have not cared for either of the first two Iron Man scores. What the films have needed IMHO is an EXPENDABLES type of film score. Modern sounding, but still retain themes and orchestra. Hopefully Mr Tyler will be allowed to go in this type of direction. I know he can deliver. There are not many film scores these days that I look forward to, but Iron Man 3 will be one of them.
I was wondering that as well. Tyler's fine, but leaves me a bit cold mostly, so I was hoping Ottman would get this. Even if the studio would have allowed it (I'm certainly not saying they wouldn't!) he'd likely be too busy editing and scoring Jack the Giant Killer for its March release to get involved with this one.
Eh. There are worse choices but with Tyler, we know exactly what we'll get. Several exciting action pieces, not a whiff of melodic inspiration and a soundtrack release that's about thirty minutes too long.
On the other hand, he scores so much trash that maybe a good film (fingers crossed) will inspire him.
Not true... I cite his Rambo score, in the fine footsteps of Goldsmith. His AVP work was good too (even if the Requiem movie *did* suck. And it DID suck.).
