|
|
|
|
|
|
|
|
|
|
|
|
Shut up, Stroppy. Sorry, I just really wanted to write that.
|
|
|
|
|
Shut up, Stroppy. Sorry, I just really wanted to write that. I read it as St. Roppy. As in, "Shut up, St. Roppy."
|
|
|
|
|
|
|
|
|
|
|
Desplat really nailed it. Definitely a score for my top ten list this year.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: |
May 6, 2014 - 2:21 PM
|
|
|
By: |
Solium
(Member)
|
Maybe it will work in the film but couldn't be more generic sounding. A total bore. It's certainly nice to hear something that isn't totally infused with Zimmeresque ostantinos and heavily infused with obnoxious electronics, though I must confess that much of the score passed me by without jumping out at me much. The one thing I did notice was Desplat's attempt to mimic some of the Ligeti choral material used in the trailer in one of the tracks. To be honest though, while I almost always find Desplat's scores technically well written, they frequently leave me pretty cold. Chris. This film is a bit of a bait and switch. Early on it appeared to be dead serious, now it looks a bit more like Pacific Rim. The score would work fine in a very grim serious setting, but if your gonna have a monster mash then it would have been nice if themes were created for the various characters. (Zilla, monsters, hero's, military, etc.) I'll stick with Akira Ifukube.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DESPLAT IS A MUSICAL GENIUS.
|
|
|
|
|
|
|
|
Shut up and TAKE MY MONEY!
|
|
|
|
|
|
|
|
|
|