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Hmmm...gave the score two listens so far and found it really...exhausting. There's some good material but like Iron Man 3 the score is waaaaaay to long on CD. They should trim it down to 40-45 minutes. Tyler's an interesting case. His style sounds somewhere between old and new school. I still prefer Doyle's score but then I also prefer the first film. Right now, I'm gonna remedy my headache by listening to 'Romeo and Juliet' and 'The Book Thief'.
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Why in the world do people think the composer can just walk in and do whatever he wants and take whatever approach he wants with a score? Or more specifically, some tend to be righteously indignant when the composer doesn't supply the kind of score THEY want. And THAT'S why people like Bernard Herrmann, Miklós Rózsa, Jerry Goldsmith, Alfred Newman, John Williams and scores of others are memorable, and Brian Tyler and Paddy Doyle (so far) are not: because the former had a recognizable voice, and the latter don't.
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Hmmm...gave the score two listens so far and found it really...exhausting. There's some good material but like Iron Man 3 the score is waaaaaay to long on CD. They should trim it down to 40-45 minutes. Tyler's an interesting case. His style sounds somewhere between old and new school. I still prefer Doyle's score but then I also prefer the first film. Right now, I'm gonna remedy my headache by listening to 'Romeo and Juliet' and 'The Book Thief'. I completely agree. If I may, here's my cut down playlist. I took out most of the unmemorable action cues. (1) Marvel Studios Fanfare (2) Thor: The Dark World (3) Battle of Vanahelm (4) Sword and Council (5) Vortex (6) Journey to Asgard (7) A Universe from Nothing (8) Uprising (9) Into Eternity (10) An Unlikely Alliance (11) Escaping the Realm (12) Deliverance (13) As the Hammer Falls (14) Thor, Son of Odin (15) Lokasenna (16) Asgard (17) Legacy Total Time 44:25 That sounds about right. I could do without all the Dark Knight stuff.
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Seriously, is Brian Tyler your meal ticket?
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Yes
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