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Hell of a nice scene, but I wish there would be only one monster.
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One of the best scores of the year, definitely. Desplat carries the torch of a bygone era, bringing it into today with marvelous self-confidence and inventiveness.
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Posted: |
May 10, 2014 - 8:43 AM
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By: |
desplatfan1
(Member)
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:Facepalm: Looks like nowanddays a composer's score will be always regarded as generic no matter how unique the composer's approach can be, or how if it's orchestral, thematic, or just electronic. That shows how tone deaf people can be today if they aren't able to discern the music on how does it gets developed and the kind of instruments on it. Hell, even Desplat's Monuments Men was regarded as generic, when it was Desplat's tribute to old fashioned scores from the 60's. Even this one, which reminds me on certain parts to Jurassic Park, Young's Drag Me To Hell, and some of the most powerful passages from Desplat's Hostage, Zero Dark Thirty, Rise of the Guardians, and the japanese instruments from the Harry Potter scores. This score (and Monument's Men and Budapest Hotel) shows Desplat writing something different from his comfort zone and it's refreshing because it shows how he's able to write for different genres. How that can be generic?
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I love GODZILLA 1954 and have no excitement over any sequel since but I just heard that the new film plot will be ` linked to the Fukishima disaster. if true, this could capture some of the essence of the original Brm
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Why is there always a school bus on a bridge?
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Ordered. Looking forward to this one!
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