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its not like anything i've heard before from Zimmer and Company truth be told...it seems like that "new" take that will soon spread over the film score world in about 2 months after the release of this film [if its a hit!]
so far I am digging it truth be told but then again I dug Bear McCreary's DARK VOID!
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I retract my scepticism about this score based on the samples. The samples for AFTER EARTH were lackluster as well but the score turned out very well.
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Here's a Zimmer quote.
"For instance, the scene where Krypton explodes — I don’t think it’s giving anything away, we all know that — the idea was huge, epic orchestral, because that’s what the images are, and I suddenly thought what if we go the other way. What if we stay focused on Mom. What is that? To save the world, to save your child, to give your child away, to send your child across the universe. What must you be feeling? I went for the smallest, just a single violin, middle e stradivarious, but that violin going for the epicness, we kept focusing in on the small, the personal. I try to just keep my eye on that, don’t ever let go of that, don’t ever let go of the characters. Quite honestly my way into this movie, having grown up with Superman and knowing that Kryptonite can kill him, I never thought about what else could kill him. I finally figured it out, it’s very simple: he has feelings. You can break his heart. That’s his vulnerability. He’s a decent man, or Kryptonian. This idea of wanting to be a part of the human race, that struggle that people have go through."
It does sound like Zimmer has some decent thoughts on the subject. We'll see if he can pull it off.
I never get tired of hearing Williams' Destruction of Krypton.
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Looks like no orchestra...all drums. lol and I couldnt help but notice the download code at the bottom. LOL
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