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THE UNKNOWN - Music by Dominic Frontiere - written for an Outer Limits episode that was marked as a possible pilot for another series.
The score has several pretty melodies, in particular 'The Toy Dancer' cue.
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Yes he often used that melodic touch.
Indeed, that melodic touch that is all too often lacking in many contemporary scores, not out of lack of talent from the newcomers, but more out of an apparent fear from producers (and some directors) of being overpowered by a beautiful and bold piece of music.
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THE FOREST-83-Pretty main theme that also get's a vocal rendition, composed by RICHARD HIEROYMOUS
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THE DEVIL AND DANIEL WEBSTER (1941) - Bernard Herrmann
The Miser's Waltz is a very pretty piece of music, almost unexpected considering the subject matter.
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THE DEVIL AND DANIEL WEBSTER (2007? - not quite sure of the actual title that was retained for the film)
The Temptation Waltz - Christopher Young can write classy and elegant scary with the best of them, but when he writes pretty he's in a class all by himself. Great artist!
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Like that incredible main theme from SPECIES, so melodic and haunting.
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Like that incredible main theme from SPECIES, so melodic and haunting.
Indeed. And 1984's THE POWER. The first time I heard that score, I knew Young was seriously going places.
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TINTORERA, BLOODY WATERS-77-A early BASIL POLEDOURIS score, with some pleasant pretty music along the way, nice song called UNTIL GOODBYE, sung by CAROL CONNERS who sung MORRICONE'S beautiful theme from ORCA[WE ARE ONE]
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THE LOVE BUTCHER-75-RICHARD HIERONYMUS gives us a very pretty main theme here.
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WARGAMES - 1983 - Music by Arthur Rubenstein.
Falken's House: A quiet and somber of piece of music reflecting Falken's sense of loss, the dire circmstances the young characters find themselves in and after a brief, exciting flourish, the cue ends on a delicate but omnious note.
Rubenstein captured every nuance and subtlety of the scene, underscoring every moment with the most delicate of gossamer threads.
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THE REINCARNATION OF PETER PROUD - 75 - Music by Jerry Goldsmith
A score filled to the brim with pretty, haunting, moments.
Edit: Only recently got around to giving my Addison CD a serious listen Mr. TheMan. I concur!
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THOSE FANTASTIC FLYING FOOLS-67-JOHN PATRICK SCOTT as usual delivers a nice score for this JULES VERNE scifi effort. Main theme is a addictive tuneful delight.
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TAM LIN-72- STANLEY MYERS at times, very pretty placid score.
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CHILDREN OF THE CORN NO 2-93-Some pretty themes from DANIEL LICHT,
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CHILDREN OF THE CORN NO 3-98- Again DANIEL LICHT delivers some pretty music along the way mixed in with his effective mood cues.
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