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Posted: |
Aug 20, 2016 - 11:11 PM
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By: |
JB Fan
(Member)
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My vote (if LLL ever wanted to know my opinion) is for separate BB & BB:TRotJ.
First of all - I'll buy all of them in first day and support LLL (yes I know that right now MV get information about 3 potential customers, but maybe our number will grow?  )
And second - if they will be released as separate editions, we can get MORE music from BB. I know, it not the same style as my beloved B:TAS... But as I know some day mood could be so bad & depressive, that we just NEED to listen something hard-techno-futuristic-cyberpunk-rock, with it's energy 
Plus who knows - maybe sales will not be as good as with B:TAS, so in any cases on 4 CDs, dedicated just for BB we will get MORE music, than on 3 CDs... But I hope that they WILL sell good and in next 5-10 years we will get ALL music from DC Animated Universe (C&C of course!), including TONES music from Justice League, which was omitted this time.
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Posted: |
Aug 21, 2016 - 7:30 AM
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By: |
Johnny
(Member)
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La-La Land should bear in mind that the Cadmus arc and the Legion of Doom arc might be too much to tackle in one release. I can see one volume ending with Epilogue and another one ending with Destroyer, but I can't see both story arcs getting squeezed into one volume.
The Cadmus Arc produced some really excellent music: the Galatea/Kara fight in "Fearful Symmetry", with the electric guitar and wordless choir working seamlessly in tandem; the roundtable discussions underscore in "Doomsday Sanction", and more great electric guitar (I think?) later in the episode when Batman throws the nuke off-course; the powerful piano that underscores Question's assassination attempt in "Question Authority"; the Atom/Supes standoff music that ends quite somberly in "Flashpoint", with great cues also coming up with the Watchtower cannon being activated as well as when the Ultimen are revealed; the menacing cues accompanying the second Kara/Galatea brawl (does the bit where the Watchtower turns back on remind anyone else of Horner's score for a similar scene in "Star Trek II"?) in "Panic in the Sky"; and of course who could forget the simply astounding work for "Divided We Fall", with the JLU soundscape reverberating throughout the episode, particularly in the Brainiac spaceship fight and both of Flash's big moments (I particularly love the piano accompanying Flash's first attempt to outrun Luthor/Brainiac). And I don't think there's a single cue in "Epilogue" that can safely be left on the cutting room floor! Not one!
(Sorry, I just needed an excuse to shout out all my favorite JLU musical moments!)
For those who don't remember, Bruce Timm loved the music for "Destroyer" so much that he lobbied for the home video guys to give the episode an isolated score track on its DVD release, so if you own that you can listen to the wall-to-wall action score right now.
By the way - no JLU set would be complete without the "corporate pre-packaged pop" in "Fearful Symmetry!" 
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