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 Posted:   May 12, 2018 - 10:42 AM   
 By:   Morricone   (Member)

FAREWELL MY LOVELY
PETER GUNN
THE PLAYER




And of course THE number that has been used in a number of films including NAKED GUN and DOWN AND OUT IN BEVERLY HILLS:

 
 
 Posted:   May 12, 2018 - 10:49 AM   
 By:   OnyaBirri   (Member)

Black Dahlia

The one by Bob Belden, not the Mark Isham score.

 
 Posted:   May 12, 2018 - 11:07 AM   
 By:   RcM   (Member)

Playing by Heart (John Barry)

I’ve never seen the movie, so I have no idea if it is set in Los Angeles - but the score is certainly is the most evocative of the city I can think of.

 
 Posted:   May 12, 2018 - 12:43 PM   
 By:   Jim Phelps   (Member)

Yeah, yeah the movie was filmed in England, but Jerry Fielding's main title for 1978's THE BIG SLEEP belongs in Los Angeles:

 
 
 Posted:   May 12, 2018 - 1:20 PM   
 By:   leagolfer   (Member)

Fright Night. Fiedel
Escape from L.A. Walker
Heat. Goldenthal
Double Indemnity. Rozsa
Speed-2 Mancina
Die-hard. Kamen
The Long Goodbye. Williams
Less than Zero. Newman
The Limey. Martinez
Terminator. Fiedel

I remember these because they had some iconic action - decent scores.

 
 
 Posted:   May 12, 2018 - 1:31 PM   
 By:   Hurdy Gurdy   (Member)

MIRACLE MILE by Tangerine Dream is one I enjoy.
And L.A. STORY by Peter Melnick is quirky/lovely, but that score is only available on a promo CD of his.

 
 
 Posted:   May 13, 2018 - 12:53 PM   
 By:   Howard L   (Member)

James Newton Howard: GRAND CANYON

First one that came to m'mind. Especially the scene/cue (one of my all-timers) when Steve Martin watches the sunrise. Nurse chimes, "City of the angels." Great transition from young lady staring up at ceiling to this.

 
 Posted:   May 13, 2018 - 7:25 PM   
 By:   Smokey McBongwater   (Member)

Commando or The Terminator, and definitely Less Than Zero, especially for some nighttime listening

Blue Thunder is also recommended

 
 
 Posted:   May 13, 2018 - 7:29 PM   
 By:   villagardens553   (Member)

For when your mood seems too perky . . . try a little Day of the Locust.

 
 Posted:   May 13, 2018 - 8:00 PM   
 By:   Viscount Bark   (Member)

We need some Steiner here, Max Steiner.



The 1946 BIG SLEEP is a must.

 
 Posted:   May 13, 2018 - 8:21 PM   
 By:   Dr. Nigel Channing   (Member)

A timely thread, as I am about to move to LA as well. Fun suggestions.

 
 
 Posted:   May 13, 2018 - 8:29 PM   
 By:   townerbarry   (Member)

I'm moving to LA and bringing the family with me.
Trying to come up with a good Playlist of music that evokes the city.


When I moved to LA I was struck by the distinctive Latino (particularly Mexican) cultural influence which pervades the city. Movies and TV seem to intentionally play this down (in lieu of the image of Porsches in Beverly Hills and suntanned blondes playing volleyball in Santa Monica) but the dominant culture of LA county is Latino.

So, for me, these are the scores that evoke Southern California...

The Milagro Beanfield War
A Walk in the Clouds
The Magnificent Seven
Extreme Prejudice
Raggedy Man
Under Fire
The Mask of Zorro



Even Jerry Goldsmith would strongly disagreed with your thoughts on his score to Under Fire. I can’t remember which concert he was conducting, but when it came to Under Fire..Jerry said that only one person who came up to him and said...Chilean and Pan Flutes of Andes.

 
 Posted:   May 13, 2018 - 8:40 PM   
 By:   Viscount Bark   (Member)

Another L.A. Marlowe tale: (mentioned earlier in this thread)

 
 Posted:   May 13, 2018 - 8:49 PM   
 By:   Tom Maguire   (Member)

Yeah I think there's a reason the city felt so familiar last year.
Grand Canyon, Miracle Mile, Chinatown, Blade Runner, Die Hard, Commando, Blue Thunder and The Terminator are all discs I've owned and listened to for years.

 
 Posted:   May 13, 2018 - 8:58 PM   
 By:   Burk Whittenburg   (Member)

Surprised Basil Poledouris' No Man's Land hasn't been mentioned yet - a great LA score

Then there's Tangerine Dream's Thief which was filmed in Chicago too but I feel it has more of an LA flavor

 
 
 Posted:   May 13, 2018 - 9:48 PM   
 By:   .   (Member)

Helter Skelter (Mark Snow)

 
 Posted:   May 13, 2018 - 10:56 PM   
 By:   Paul MacLean   (Member)


Even Jerry Goldsmith would strongly disagreed with your thoughts on his score to Under Fire. I can’t remember which concert he was conducting, but when it came to Under Fire..Jerry said that only one person who came up to him and said...Chilean and Pan Flutes of Andes.


He used to tell that story at a lot of his concerts (I first heard it back in 1989).

The film was temped with music featuring South American zampoñas (or "pan flutes" as they are sometimes referred to), which Goldsmith admitted worked well, and integrated into his score.

That does not change the fact that, despite the use of zampoñas, the score for Under Fire is also rooted heavily in the music of Central America -- whose cultures, customs (and music) have played a significant role in Californian (particularly Los Angeles) history.

Goldsmith also utilizes Flamenco guitar in Under Fire (most notably on the track "Bajo Fuego") which is certainly not Andean, but Spanish in origin (of course Iberian music played an enormous role in the evolution of Latin music -- in both Central and South America, Cuba, etc.).

 
 Posted:   May 14, 2018 - 1:25 AM   
 By:   dtw   (Member)

And L.A. STORY by Peter Melnick is quirky/lovely, but that score is only available on a promo CD of his.

...which is a shame, but in the meantime there's always Trenet's 'La Mer' from the opening credits...

 
 
 Posted:   May 14, 2018 - 6:28 AM   
 By:   Cruikshank   (Member)

Tom, just try

The Hard Way - Arthur B. Rubinstein - 1991

It has everything and more.

 
 Posted:   May 14, 2018 - 7:15 AM   
 By:   Valiant65   (Member)

All of the above.

I'd also include.....

To Live and Die in L.A. by Wang Chung
Body Double by Pino Donaggio
Lethal Weapon by Michael Kamen with killer sax by David Sanborn
Devil in a Blue Dress by Elmer Bernstein
Valley of the Dolls by Andre Previn (but mostly just the Dionne Warwick vocal).

 
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