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...and finally THE PELICAN BRIEF. I'm glad to see someone mention this IMO underacknowledged score. The main title is stunningly beautiful, particularly when accompanied by the photography of the opening credit sequence. I find it to be very moving. A fine score (with a great finale that unfolds in a way similar to Field of Dreams, but in vibe rather than notes).
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Re: "Pelican Brief has that great chaos, in addition to floor-rattling bass." I've always been a fan of Horner's score for "Pelican Brief," and my favorite cue is the last one, "Airport Goodbye," and I used to include it in many of the compilation tapes I was making back then with my Nakamichi. But even with the best metal tape and Dolby C, I was forever setting the volume level too high and in the case of that "Airport Goodbye" cue, frequently overloading it and getting distortion when that "floor-rattling bass" suddenly came in. So it sometimes took me 2 or 3 times to get that one cue recorded right, not like now, when we can easily burn it to CD-Rs without any worries about overloading. And I've always loved my CD of the very interesting "Gorky Park" -- and the thrilling juxtaposition in the "Main Theme" of Horner's very anxious music and Tchaikovsky.
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