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 Posted:   Mar 1, 2011 - 2:08 PM   
 By:   Scott Bettencourt   (Member)

The only downloads I've been really tempted to buy are the Cloverfield end title suite and the complete Arnold Casino Royale, because both of those seem comparatively justifiable as download-only releases (no one expects a ten-minute Cloverfield CD, and the released Casino Royale CD is long and very well sequenced). But for Disney to not release Up and Toy Story 3, especially after both scores are Oscar and Grammy winners, is just plain chintzy.

 
 
 Posted:   Mar 1, 2011 - 3:14 PM   
 By:   Bond1965   (Member)


You're right. $12.99 and not even a friggin digital booklet included. Welcome to the future of music.

No wonder people are just file sharing.

James


Well that didn't take long.

James

 
 
 Posted:   Mar 1, 2011 - 4:19 PM   
 By:   AJ   (Member)

Criminy, w/in six months, the album download will most likely be reduced to $9.99 (or less) and potentially lossless to boot. Pay the premium now. Or wait and save three bones.

But so many people here are rarely if ever satisfied. Maybe we can change the name of the board to "The Complaint Bureau."

AJ

 
 
 Posted:   Mar 1, 2011 - 4:42 PM   
 By:   nxbusby   (Member)

I agree about the price, but theres just a few composers that I will buy blind, without seeing the film, no matter what. And Newman is one of them. I can go without that unneeded fast food run smile Its not the point I know...but I'm justifying my purchase.

 
 
 Posted:   Mar 2, 2011 - 5:43 AM   
 By:   Robert0320   (Member)

Aside from THE GOOD GERMAN, I have been unable to get into Thomes Newman. Unfortunately, this score is another case where I just don't get it.

 
 
 Posted:   Mar 2, 2011 - 6:59 AM   
 By:   TerryLee   (Member)

Aside from THE GOOD GERMAN, I have been unable to get into Thomes Newman. Unfortunately, this score is another case where I just don't get it.

Taste in music is like taste in anything else - art, food, literature. You either like it or you don't. My wife loves Brussels sprouts. I would rather eat dirt. If there was universal agreement about composers the soundtrack scene would be pretty dull, don't you think?

 
 Posted:   Mar 2, 2011 - 8:39 AM   
 By:   Moonie   (Member)

Its 9.80 if you have a emusic account.


http://www.emusic.com

 
 Posted:   Mar 2, 2011 - 8:42 AM   
 By:   mastadge   (Member)

If there was universal agreement about composers the soundtrack scene would be pretty dull, don't you think?

I thought there was universal agreement among fans that it already was. . . wink

 
 Posted:   Mar 2, 2011 - 10:20 AM   
 By:   DavidCoscina   (Member)

I listened to a couple tracks- didn't do much for me but I will listen again before I decide to buy. At least we're given the luxury of previewing before buying. I remember in the record days where you just had to hope in some cases (more for pop albums than scores mind you)

 
 
 Posted:   Mar 6, 2011 - 9:40 AM   
 By:   TerryLee   (Member)

Well, I bit the bullet and downloaded the score (a first for me, Mr. Old School-I-Still-Prefer-CDs).
It's pretty much what I expected, which is good. I can't say I'd recommend it to everyone, especially those who don't especially care for Newman's signature style. My initial impression hasn't changed since I first saw the film (and was trying not to focus on the music): It's a combination of "Angels in America", "Road to Perdition" and "Shawshank Redemption", probably in that order. I've enjoyed the dialogue. Thanks again for responding to my original post.

 
 
 Posted:   Mar 6, 2011 - 10:40 PM   
 By:   MClayton   (Member)

I saw the film, which was good. Sadly, Newman's score for me didn't add anything to the film. It's just there -- the only thing Newman effectively nailed is the sequence at the end where Matt Damon and Emily Blunt are being pursued by the Adjustment guys throughout New York. That's it.

T. Newman is a composer that just doesn't gel for me. I loved his score for Wall-E, his quirky orchestrations and writing elevated the film tenfold for me. But that's pretty much it. I would've loved to hear what Horner came up with for this film -- even if he regurgitated Sneakers and The Forgotten.

 
 
 Posted:   Mar 6, 2011 - 10:52 PM   
 By:   Bob Bryden   (Member)

This score works fantastically with the film!!!

 
 
 Posted:   Mar 10, 2011 - 10:36 AM   
 By:   Hurdy Gurdy   (Member)

This is easily my favourite film for quite a while.
I just absolutely loved it.
The main reason is the two main characters, played by Matt Damon and Emily Blunt, who have the best on-screen chemistry I've seen in quite some time.
I was instantly sold on their romance, despite the almost ridiculous first kiss in the gents.
Even when some major plot holes started to appear in the film, their situation and the brilliantly realised agents of the bureau kept me tagging along.
I also appreciated Thomas Newman's score.
Sure, it was nothing new under the sun from him, but it had HIS character. HIS style. It made the film somehow more unique. Not just some phoned-in droned-in.
I could easily watch this film again, and probably will.
There are obvious comparisons with INCEPTION, a film I admired technically, but pretty much hated on an emotional level, but it just highlighted the influence of Philip K Dick on a lot of recent/past sci-fi. Even Stephen Kings epic DARK TOWER series seems to be taken straight from the pages of Philip K.

 
 Posted:   Mar 10, 2011 - 11:00 AM   
 By:   foxmorty   (Member)

i'm most impressed by this release in that the songs don't want to make me want to blow my brains out. i think they actually jive pretty well with the score. i don't think it's anything that new for newman but once i saw the movie, which i really enjoyed, it helps to elevate the music. solid work all around.

 
 Posted:   Mar 10, 2011 - 11:03 AM   
 By:   drivingmissdaisy   (Member)

I listened to the :30 clips on amazon or somewhere and the score didn't catch me at all. Hopefully I'll see the film soon and the score will grab me. I'm more of a fan of Thomas's Fried Green Tomatoes, Green Mile, Shawshank kind of scores.

 
 Posted:   Mar 10, 2011 - 12:43 PM   
 By:   Jon Broxton   (Member)

I wasn't a huge fan:
http://moviemusicuk.us/2011/03/08/the-adjustment-bureau-thomas-newman/

 
 
 Posted:   Mar 13, 2011 - 11:42 AM   
 By:   Hurdy Gurdy   (Member)

24 hours in a day.
24 beers in a crate.
Coincidence?
I think not.
smile

 
 
 Posted:   Mar 13, 2011 - 11:58 AM   
 By:   tarasis   (Member)

Saw the film on Friday (11th) here in Hamburg (cinema screens English movies in English) and thought it was great. Trailer looked fun but wasn't expecting quite what I got.

Newman's music was pleasant and helped carry things along, though little of it stayed with me beyond the music towards the end when they are escaping the agents. Definitely wasn't taken by the song during the end titles. Not sure if I will pick the score up or not.

 
 
 Posted:   Mar 13, 2011 - 12:02 PM   
 By:   haineshisway   (Member)

I think they're making a mistake with this pricing. And I say that fully acknowledging that the cost of making the physical CD, as important as that is to many of us, is a very small part of the cost of the production of a CD. They're in business to make money, and that's fine. But I do think many will balk at this price.

Steve Jobs argued for years to keep the 99¢/song pricing across all songs, and under $10 for albums, because he felt instinctively that that was a price point people were emotionally willing to go for. But in the face of a full-scale revolt from the labels (who are deeply suspicious of Apple, and not without reason given Apple's power), he had no choice but to give in to a three-tiered pricing model. At least at first, the extra 30¢ a label gets from a hit song priced at $1.29 was more than off-set by lower sales of the higher-priced songs. (I haven't read any more recent reports on this, so that may have changed.)

I work in television, and have watched powerlessly as the shows we make get shorter and shorter as the networks sell more commercials, to the point where a show is fully one-third commercials. I realize that these commercials pay my salary, but I also believe that the shows have become swiss cheese, too short to tell a compelling story and too full of interruptions to get any momentum going. I know that giving up commercial time is anathema to a network, but I choose to believe that if the shows were longer, the ratings would be higher, and they could charge more for each of the fewer commercials.

Similarly, I believe that a lot of downloadable music would sell sufficiently more copies at a lower price point to off-set the lower price.

That said, it's not my money I'd be gambling with. They are welcome to charge what they think they can get, even if I find it misguided. I'll probably get "The Adjustment Bureau," because I'm a big Thomas Newman fan. But the $12.99 has given me pause. (At $9.99, I probably would have bought it already.)


Is a thirty minute show now twenty-one and change? I think that's what I remember these days.

 
 
 Posted:   Mar 13, 2011 - 12:13 PM   
 By:   John Mullin   (Member)

Yes, most half hour programs are actually only 21:30 now. And THAT usually includes 36 seconds or so that are built-in for end credits and logos!

 
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