Listening through the various samples provided, I'm not hearing anything brilliant, kinda Beltrami-lite as far as level of musical quality goes, but I'll keep her on my radar because who knows... Maybe with the right project and filmmaker, she can really spread her wings and give us something truly amazing. You never know.
"Simon and the Oaks" definitely sounds the most muscular and adept musically, from the lone sample provided here, so I might check that one out first...
This March we will get yet another installment (the fourth) of Ostwind - Aris Ankunft, with a score by Annette Focks on Alhambra. 50 minutes of new score (although with familiar themes). Details here;
Focks also recently scored Bille August's new movie EHRENGARD: THE ART OF SEDUCTION, which I haven't seen, but I have the score and it's gorgeous. Deserves a release.