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Ford,
And I wish you would shut your yap and do the following:
And that is your clever comeback?
Just accept your defeat and don't keep making a fool of yourself.
Ford A. Thaxton
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You can always count on me to give a thread a reality check when it needs it.
Ford A. Thaxton
What reality check was needed in this thread, Ford? I posted very clear programming and editing instructions for those that wanted to hear some of the Bond scores in chronological order. There was no bad mouthing of these albums. There was no complaining about the lack of music on some of them. There were absolutely no "fanboy" complaints anywhere. I just wanted to provide a little section on this board for people to post the chronological order for these albums. Is that so outrageous? Am I living in some sort of dream world?
So far I've received very constructive comments from everyone who has posted in this thread, except for you. If you're willing to help with sequencing the Bond albums, great. I would love your input. But all you seem to want to do is put others down. I'm sure it makes you feel good, but I don't appreciate you cluttering up the thread that I started with useless comments. Please consider this before you reply. If you have nothing constructive to add, please don't say anything.
Neil
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I don't know how you could any clearer, Neil. I had "trouble" with Ford the very first time I posted here. He IS an ass.
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Neil, don't worry about Ford. You did a great job on your sequencing and I appreciate it (I'm one who prefers to hear these scores in film order). You obviously enjoyed putting this together, so it was time well spent. Who cares if Ford thinks it's a waste of time. I think most of us in this thread appreciate your effort.
As with any bully, the best tack is to ignore them.
Roger Feigelson
What reality check was needed in this thread, Ford? I posted very clear programming and editing instructions for those that wanted to hear some of the Bond scores in chronological order. There was no bad mouthing of these albums. There was no complaining about the lack of music on some of them. There were absolutely no "fanboy" complaints anywhere. I just wanted to provide a little section on this board for people to post the chronological order for these albums. Is that so outrageous? Am I living in some sort of dream world?
So far I've received very constructive comments from everyone who has posted in this thread, except for you. If you're willing to help with sequencing the Bond albums, great. I would love your input. But all you seem to want to do is put others down. I'm sure it makes you feel good, but I don't appreciate you cluttering up the thread that I started with useless comments. Please consider this before you reply. If you have nothing constructive to add, please don't say anything.
Neil
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Posted: |
Mar 5, 2003 - 3:31 AM
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By: |
RobotSam
(Member)
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For you LALD fans, here's a more detailed breakdown since some of the cues are mini-suites, portions of which play before and after other cues:
15a - Gunbarrel
2 - jazz funeral murder
15b - Snakebit
1 - title tune
16ab - first two parts of this multi-cue track (the sheer magnetism unzipping scene followed by the 747 scene)
4 - Bond's car crash in NY
16c - Oh Cult Voodoo shop scene
14 - Bond's taxi ride into Harlem
8c - Fillet of Soul Harlem
3 - Bond meets Solitaire
16d - very short cue at the end of this track occurs when CIA man gets the drop on Bond in Harlem back alley
6 - Baron Samedi's dance performance
7 - Bond debugging San Monique hotel while this "source" music plays outside at Baron Samedi's show
5 - snake in Bond's bathroom
18 - combination of scenes, from Rosie in Bond's hotel room, followed by hiring Quarrel Jr.'s boat, to Bond & Rosie lovemaking, and finally Rosie's death
9a - first 45-50 seconds as Bond hangglides down to Solitaire's island home
19 - Bond & Solitaire's lovemaking
10 - Bond & Solitaire walking across island
20ab - first two parts of this multicue track (doubledecker bus scene & New Orleans airport scene)
2 - insert this one a second time here if you really want to be complete, since the jazz funeral scene in N.O. is more or less repeated in the film
8ab - Fillet of Soul New Orleans / Live & Let Die by B.J. Arnau
20c - scene where Teehee nearly snips Bond's finger in Mr. Big's underground hq in New Orleans
12 - Solitaire slapped around by Mr. Big
11 - croc farm
21 - boat chase bits
13 - island voodoo sacrifice scene w/Solitaire
22 - actually the very first bit of this happens midway in cue 13, when the sacrifice scene halts momentarily for Baron Samedi's arrival from the grave--I found it tricky to insert this and decided not to; remainder of cue is in Mr. Big's cavern lair, culminating in Mr. Big's death; very end bit plays over Baron Samedi's appearance on front of train
1 - for completion you can include this a second time, since a shortened version of the title track plays over the end credits
Two cues not in film:
9b - at about the 45-50 second mark through to the end, the majority of this groovy cue is not in the film
17 - alt version of San Monique cue
Fun bonus trax from other cd's:
LALD radio promo from 30th anniversary Bond CD set
Chrissie Hynde version of title track from David Arnold's Shaken & Stirred CD
And there you have it. Now what we need is a similar breakdown of FYEO, which is another jumble of cut and paste cues.
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Posted: |
Mar 5, 2003 - 3:48 AM
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By: |
BJN
(Member)
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RobotSam, TMWTGG: you're right, I was wrong. I really thought I heard Track 4 1:13 -1:26 in this scene without actually double-checking it. I watched the movie yesterday again, and of course it's not "The Man with the Golden Gun".  I think it was just kind of "wishful listening" from my part...
Yeah, your sequence is absolutely correct! 
Octopussy: luckily for me there aren't any extra tracks I could claim to have heard on the wrong spots...  Sequencing is simple - the whole album is in chronological order, except the pretitle scene and the main title, which are reversed.
AlphaSigOu, FRWL: There are 21 unpublished cues! Fortunately many of them are very short (60 secs or less) and you're right: the album includes most of the music - but only till Bond boards the Orient Express. Lots of train music and nearly all of the action cues from the end (helicopter, SPECTRE boats) is missing. If you count Silva's Bond Back in Action, it has "The Zagreb Express" which should be sequenced between "Death of Kerim" and "Man Overboard - Smersh in Action".
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AlphaSigOu, FRWL: There are 21 unpublished cues! Fortunately many of them are very short (60 secs or less) and you're right: the album includes most of the music - but only till Bond boards the Orient Express. Lots of train music and nearly all of the action cues from the end (helicopter, SPECTRE boats) is missing. If you count Silva's Bond Back in Action, it has "The Zagreb Express" which should be sequenced between "Death of Kerim" and "Man Overboard - Smersh in Action".
The two action cues for the helicopter and SPECTRE boat sequences are tracked in from DR. NO. The cheesy style is unmistakable. They also contain the portions of the James Bond theme that are attributable to Monty Norman.
FRWL boasts a great gun barrel. It's too bad the masters were missing, if only to rescue that one. The train music is exceptional as well. Damn. Where are those masters?
Roger
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RobotSam, great list for the LALD album. Would it be possible to list track times, so we can edit this a little more precisely?
The ABC broadcast of YOLT did in fact jumble Bond's death and the capsule in space, but you hardly described the horror of it. It started with the gunbarrel, then went to the first shot of the space capsule. Then instead of cutting to the interior of the capsule, it cut to the shot of Bond dead in bed and went into the credits. After the credits, we have the shot of the coast line, and instead of cutting to Bond's funeral, we go back to the capsule. The pre-titles play normally, but after the line, "He'd of wanted it that way" it cuts right to his funeral.
Neil
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