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Another vote for "Part II" from PACIFIC HEIGHTS, especially the middle section. Runners-up: "Going To Mexico" from THELMA AND LOUISE "Light" from THE THIN RED LINE "9am Central Park" from GREEN CARD The credit for Thelma & Louise belongs to the amazing guitarist Pete Hancock. Pete Haycock is even more amazing.
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Another vote for "Part II" from PACIFIC HEIGHTS, especially the middle section. Runners-up: "Going To Mexico" from THELMA AND LOUISE "Light" from THE THIN RED LINE "9am Central Park" from GREEN CARD Going To Mexico? Is that from a bootleg?
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BURN IT ALL from Backdraft is his best followed by Nick & Masa from Black Rain Journey to the Line from A Thin Red Line Hate from Point of No Return The Descision from Thelma & Louise
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The cue when THELMA & LOUISE look from their car to the old women, sitting bored behind a window, and see the future they don't want. Their main theme plays mournfully on electric guitar. It still gives me chills. It's the first half of "The Robbery" on the version that, of course, none of us owns.
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Another vote for "Part II" from PACIFIC HEIGHTS, especially the middle section. Runners-up: "Going To Mexico" from THELMA AND LOUISE "Light" from THE THIN RED LINE "9am Central Park" from GREEN CARD Going To Mexico? Is that from a bootleg? Mea culpa! I meant to call it the "Main Title" from THELMA AND LOUISE, featured on the Prague Philharmonic collection: http://www.amazon.com/Film-Music-Hans-Zimmer/dp/B000PAU032/ref=sr_1_1?ie=UTF8&s=music&qid=1254185721&sr=1-1 This is a terrific rendering of the main theme, by the way; arguably more satisfying than the version heard in the film's opening credits, because it repeats that wonderful moody melody at least three times. The other tracks people have mentioned here are also wonderful. THELMA AND LOUISE is my favourite Hans Zimmer score. I can certainly see how people would 'credit' Pete Haycock for the score track on the MCA release ("Thunderbird") because it consists mostly of guitar solo, but surely Zimmer deserves the credit for the wonderful melodies elsewhere in the score? Or is there something I don't know about the way this score was written? Please inform if so.
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"A Cold Day in NY" from "Regarding Henry" - one of my favorite Zimmer scores.
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The shortest, most quiet one.
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