|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
And those people from Tadlow went through all that trouble to do a rerecording?
|
|
|
|
|
Well now. I guess Roger decided to spill the beans! I already knew that Intrada was working on both Barbarian and Destroyer since early May, after I had a private conversation with Roger about the IMDb posting... primarily to tell him to brace himself for an onslaught of e-mails. Still, it's very exciting news, and I'm likely going to set aside at least $200 for both of these releases. Barbarian is among my all-time favorite scores, and I'll be buying up five or six copies for friends of mine who don't visit FSM. Destroyer is not a score that I've yet heard, unfortunately. I lack any of the existing releases. Still, I just WANT to hear that remastered and remixed Riders of Doom - as well as orchestral-only and choir-only versions, if those even exist as separate recordings. Bravo, Intrada! What IMDB posting?
|
|
|
|
|
|
|
|
And those people from Tadlow went through all that trouble to do a rerecording? Rather a kick in the teeth for them, eh whot?
|
|
|
|
|
This is the best film score news I have read all year! WOO HOO! MV
|
|
|
|
|
|
|
|
This is the best film score news I have read all year! WOO HOO! MV You're being modest.
|
|
|
|
|
|
|
|
This is the best film score news I have read all year! WOO HOO! MV Um, screw Conan. What about Dennis the Menace?
|
|
|
|
|
This is the best film score news I have read all year! WOO HOO! MV You're being modest. No, really -- 1941 is cool, but a complete and restored Conan is just about the greatest news I can possibly imagine. And yes, Basil did in fact dislike his original recording. I heard it with my own two ears. The amusing thing is, after spending a good hour over lunch telling me how much he disliked the score, I awkwardly asked him if he could sign my copy of Conan. lol With a raised eyebrow, he graciously signed it and handed it back to me. It was quite amusing actually. The cd is a highlight of my collection. I often think artist are their harshest critics. An artist will always find something wrong with their work. However, at the end of the day, with all of todays modern mastering technologies at hand, I think Basil would have been happy with both the originals and the rerecordings being out there. . .letting his fans experience the best of both worlds. MV
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|