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Hopefully it's the first Williams score not to feature leitmotif since who knows when. (Actually, it probably hasn't been all too long.) Dan
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Hopefully it's the first Williams score not to feature leitmotif since who knows when. (Actually, it probably hasn't been all too long.) Dan You just can't bring yourself to say something nice about Williams, can you...?
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Hopefully it's the first Williams score not to feature leitmotif since who knows when. (Actually, it probably hasn't been all too long.) Dan You just can't bring yourself to say something nice about Williams, can you...?
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Hopefully it's the first Williams score not to feature leitmotif since who knows when. (Actually, it probably hasn't been all too long.) Dan You just can't bring yourself to say something nice about Williams, can you...?
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Sorry, triple post. Been having a lot of trouble with the site today.
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OK... let's focus on more important stuff than this bullshit. No kidding. Will the pointless bickering in this part of the film music world ever end? This bickering is pointless.
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Lokutus already posted this, Lokutus.
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Posted: |
Oct 19, 2013 - 9:37 PM
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By: |
skyy38
(Member)
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"It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. By her brother's graveside, Liesel's life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger's Handbook, left there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordion-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor's wife's library, wherever there are books to be found. But these are dangerous times. When Liesel's foster family hides a Jewish fist-fighter in their basement, Liesel's world is both opened up, and closed down. The Book Thief is a story about the power of words to make worlds. In superbly crafted writing that burns with intensity, award-winning author Markus Zusak has given us one of the most enduring stories of our time" ----------------------- I'm guessing some Stanley & Iris meets Schindler with the accordion thrown in How about just tossing THE IMPERIAL MARCH on this and forget about it! Every time a movie about "Nazi's" comes out-no matter how WELL intentioned-it just inspires ANOTHER generation of "haters"...of ALL stripes... I am fucking TIRED of "Nazis" and all that they stood for! MOVE ON!!!
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The Oscar committee really would have to decide upon the ultimate tough question: "who is your favorite victim of historical atrocity?" Wouldn't that be us, if we see Zimmer and Gustavo up for nomination?
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I am fucking TIRED of "Nazis" and all that they stood for! MOVE ON!!!
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