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 Posted:   Sep 25, 2013 - 11:08 PM   
 By:   Basil Wrathbone   (Member)

My last question for tonight... Is Horner involved?

 
 
 Posted:   Sep 25, 2013 - 11:15 PM   
 By:   haineshisway   (Member)

My last question for tonight... Is Horner involved?

He is not. Where are our guessers? On Kickstarter? smile

 
 
 Posted:   Sep 25, 2013 - 11:24 PM   
 By:   morrifan   (Member)

Are these two scores for the same film, with both used and rejected versions?

Oh, you're too smart, confound you!


After The Fox at last?

http://www.filmscoremonthly.com/board/posts.cfm?threadID=82166&forumID=1&archive=0

 
 
 Posted:   Sep 25, 2013 - 11:26 PM   
 By:   haineshisway   (Member)

Are these two scores for the same film, with both used and rejected versions?

Oh, you're too smart, confound you!


After The Fox at last?

http://www.filmscoremonthly.com/board/posts.cfm?threadID=82166&forumID=1&archive=0


Nope.

 
 Posted:   Sep 26, 2013 - 12:14 AM   
 By:   DeviantMan   (Member)

Okay,
Is the previously released score of this upcoming 2CD set being expanded upon or same presentation?

 
 
 Posted:   Sep 26, 2013 - 12:53 AM   
 By:   haineshisway   (Member)

Okay,
Is the previously released score of this upcoming 2CD set being expanded upon or same presentation?


The previously released score is the same presentation.

 
 
 Posted:   Sep 26, 2013 - 6:16 AM   
 By:   TerraEpon   (Member)



He is not. Where are our guessers? On Kickstarter? smile


Ironically, I had a dream that he was the rejected composer, Williams the final one and the answer was The Patriot.

Dreams are weird.

 
 Posted:   Sep 26, 2013 - 6:31 AM   
 By:   Peter Greenhill   (Member)

dp

 
 Posted:   Sep 26, 2013 - 6:32 AM   
 By:   Peter Greenhill   (Member)

I agree that the rather slow meticulous pacing of that picture seems better now, maybe because we get so little of it. It is well crafted.

I do have the DVD. Must dig it out and have another look, this weekend. (Rising Sun, that is!)

 
 
 Posted:   Sep 26, 2013 - 6:37 AM   
 By:   captain_avis   (Member)

Is Michel Legrand or John Barry one of the composers?

Chris

 
 
 Posted:   Sep 26, 2013 - 9:23 AM   
 By:   Ado   (Member)

I agree that the rather slow meticulous pacing of that picture seems better now, maybe because we get so little of it. It is well crafted.

I do have the DVD. Must dig it out and have another look, this weekend. (Rising Sun, that is!)


Yes, Connery could read the phone book and I would watch him. Any picture is better with him, although Zardoz and The Avengers 1998 are pretty awful. If I were forced to watch one it would be The Avengers 98 though. I did not entirely realize how dreadful it was till I later read what people said about it, it does not have a nice score though.

Rising Sun does have some lovely camera work, tell us what you think after you watch it.

 
 Posted:   Sep 26, 2013 - 10:02 AM   
 By:   Jason LeBlanc   (Member)

Rejected score, you say?

Someone get Justin Boggan in here, he'll figure it out!

 
 
 Posted:   Sep 26, 2013 - 10:04 AM   
 By:   haineshisway   (Member)

Is Michel Legrand or John Barry one of the composers?

Chris


Neither.

 
 
 Posted:   Sep 26, 2013 - 10:05 AM   
 By:   haineshisway   (Member)

I must say, we've had much tougher ones than this smile

 
 
 Posted:   Sep 26, 2013 - 10:52 AM   
 By:   cody1949   (Member)

Bruce, would this release be from either the 20CF or Paramount vaults?

 
 Posted:   Sep 26, 2013 - 11:10 AM   
 By:   Justin Boggan   (Member)


Rejected score, you say?

Someone get Justin Boggan in here, he'll figure it out!

It's a bird! It's a plane! It's a guy stuffing Little Caesars bread sticks in his mouth between posting! Well, yes, but it's also Justin Boggan!

(trumpet theme music)


Okay, so we got enough clues to narrow this down. We have composers it's not, a used score that has been rleased before, it's a period film (at least I assume he meant somthing like days of old, but incase not I have just included some older films anyway); not from the '50's, '60's or '70's (and likewise by comments earlier; likely not from the '90's), that one of the composer's has been on Kritzerland before, and that we can rule out any film with two rejected scores or more, so the following titles fit the bill (assuming the title is something not on my site):

1981
CHU CHU AND THE PHILLY FLASH -- Maurice Jarre. [Pete Rugolo.]
THE BUNKER -- John Barry. [Brad Fiedel.]
LOOKER -- Pino Donaggio. [Barry DeVorzon.]

1982
FIVE DAYS ONE SUMMER -- Carl Davis. [Elmer Bernstein, R.I.P.]
TWO OF A KIND -- Bill Conti. [Patrick Williams.]

1984
THE COTTON CLUB -- Ralph Burns, R.I.P.. [John Barry; Bob Wilber (instrumental re-workings of period songs); Ralph Burns (leftovers?).]
SLAPSTICK OF ANOTHER KIND -- Michel Legrand. [Morton Stevens, Berrington Van Campen (additional.]
STREETS OF FIRE -- James Horner. [Ry Cooder.]

1986
HARD TO BE GOD -- Georges Delerue, R.I.P. [Jurgen Fritz.]

1988
AREN'T YOU EVEN GONNA KISS ME GOODBYE? (AKA: A NIGHT IN THE LIFE OF JIMMY REARDON) -- Elmer Bernstein, R.I.P. [Bill Conti; Elmer Bernstein (two leftover source cues).]

1989
TO DIE FOR -- John Addison. [Cliff Eidelman.]
TRUST ME -- Elmer Bernstein, R.I.P. [Gary Brown, James Woody, Dan Wool - as the group "Pray For Rain"]

(My site: www.RejectedFilmScores.150m.com/list.html)



Yes, I could have made some mistakes, as I did go through it quickly. My assumption is that it's the 1980's and nothing from the 1940's and lower since releases were rarer back then and tapes likeloy as much as well.

 
 
 Posted:   Sep 26, 2013 - 11:42 AM   
 By:   haineshisway   (Member)

Bruce, would this release be from either the 20CF or Paramount vaults?

Yes.

 
 
 Posted:   Sep 26, 2013 - 11:44 AM   
 By:   haineshisway   (Member)


Rejected score, you say?

Someone get Justin Boggan in here, he'll figure it out!

It's a bird! It's a plane! It's a guy stuffing Little Caesars bread sticks in his mouth between posting! Well, yes, but it's also Justin Boggan!

(trumpet theme music)


Okay, so we got enough clues to narrow this down. We have composers it's not, a used score that has been rleased before, it's a period film (at least I assume he meant somthing like days of old, but incase not I have just included some older films anyway); not from the '50's, '60's or '70's (and likewise by comments earlier; likely not from the '90's), that one of the composer's has been on Kritzerland before, and that we can rule out any film with two rejected scores or more, so the following titles fit the bill (assuming the title is something not on my site):

1981
CHU CHU AND THE PHILLY FLASH -- Maurice Jarre. [Pete Rugolo.]
THE BUNKER -- John Barry. [Brad Fiedel.]
LOOKER -- Pino Donaggio. [Barry DeVorzon.]

1982
FIVE DAYS ONE SUMMER -- Carl Davis. [Elmer Bernstein, R.I.P.]
TWO OF A KIND -- Bill Conti. [Patrick Williams.]

1984
THE COTTON CLUB -- Ralph Burns, R.I.P.. [John Barry; Bob Wilber (instrumental re-workings of period songs); Ralph Burns (leftovers?).]
SLAPSTICK OF ANOTHER KIND -- Michel Legrand. [Morton Stevens, Berrington Van Campen (additional.]
STREETS OF FIRE -- James Horner. [Ry Cooder.]

1986
HARD TO BE GOD -- Georges Delerue, R.I.P. [Jurgen Fritz.]

1988
AREN'T YOU EVEN GONNA KISS ME GOODBYE? (AKA: A NIGHT IN THE LIFE OF JIMMY REARDON) -- Elmer Bernstein, R.I.P. [Bill Conti; Elmer Bernstein (two leftover source cues).]

1989
TO DIE FOR -- John Addison. [Cliff Eidelman.]
TRUST ME -- Elmer Bernstein, R.I.P. [Gary Brown, James Woody, Dan Wool - as the group "Pray For Rain"]

(My site: www.RejectedFilmScores.150m.com/list.html)



Yes, I could have made some mistakes, as I did go through it quickly. My assumption is that it's the 1980's and nothing from the 1940's and lower since releases were rarer back then and tapes likeloy as much as well.


It's not a period film, i.e. a film taking place in days of old. And it's none of the above smile

 
 Posted:   Sep 26, 2013 - 11:47 AM   
 By:   Basil Wrathbone   (Member)

13th Warrior, with Revell's rejected score would be good.


Update: I see now from other posts above it's definitely not that.

 
 Posted:   Sep 26, 2013 - 11:50 AM   
 By:   Justin Boggan   (Member)

Since we now know it's one of those two studios, here is the new list:

1982
TWO OF A KIND -- Bill Conti. [Patrick Williams.]


Hum. Could we be talking about the 1940's and lower? Could we be talking about the 1990's and onward? Is it even on my site (or maybe on the unsolved mysteries page, Supposedly Rejected)?

 
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