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Saw the film last night. It was a lot better than I thought it would be based on the trailers, but had some weird tonal shifts. There was more of the wonderful emotional interplay between Andrew Garfield and Emma Stone, and Garfield and Sally Field, from the last film. Some genuinely emotional moments. But then there are horribly campy performances from Jamie Foxx (terrible as a nerdy loner), Paul Giamatti and particularly Marton Csokas (who seems to be channelling Vincent Schiavelli’s turn from TOMORROW NEVER DIES), which completely jar against the more naturalistic styles of Garfield, Stone and Field, and feel more like something more suitable for a Joel Schumacher Batman film. It also has what I feel to be one of the worst scores I have heard in a long time. Zimmer’s main Spider-Man theme is basically Fanfare For The Common Spider-Man, and sounds like a parody (it’s like a cross between the Copland piece and Zimmer’s Going For Gold theme), and the action music just came across as obnoxious noise. I didn't feel the "whisper-rapping" to characterise Electro, worked at all either. The score is the very antithesis of Horner’s finely crafted, dramatically astute, and emotionally rich score for the previous film. He is sorely, sorely missed. I'm sure I'll be branded a Zimmer-hater for that assessment, but I'm really not. From his recent work, I love his Batman and Robert Langdon scores, and I think INCEPTION was genius, but on the other hand I only liked the emotional stuff in MAN OF STEEL and didn't take to the action music at all. In AMAZING SPIDER-MAN 2 even the emotional material was pretty by-the-numbers, and barely made an impression on me, unlike the other elements I have mentioned which sadly made a negative impression. Perhaps he had too many collaborators on this one. Too many cooks, etc. Despite all this, I did enjoy the film a lot. A mixed bag, but the good stuff was very good indeed.
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