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Posted: |
Jul 20, 2013 - 11:17 PM
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By: |
facehugger
(Member)
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I disagree because I can hear the difference. It's a much more assure melodic line than Nick's. Yes there is subtle difference, but both tracks are of the same "Zimmer power anthem" style. The difference is as big as "Superman March" and "Indiana Jones March". Where did you source this information from? Klaus Badelt's soundcloud. https://soundcloud.com/klausbadelt/sets/gladiator That's actually written by Geoff Zanelli using Zimmer's theme. It's a great interpretation though and Zanelli is extremely talented, albeit very underrated. Again, Klaus Badelt listed this cue under his name: https://soundcloud.com/klausbadelt/sets/pirates-of-the-caribbean That's a strong assertion once you realize that the score is 95% electronic and most of the orchestration involves "Eternal Father, Strong to Save". The main theme of Crimson Tide is quite orchestral. As for Leebo M and Lion King, I admit I don't really know the behind-the-scene story. Yet, Leebo M carries his style into any score featuring him (Power of One, Dinosaur, Congo, etc.), no matter who he is collaborating with.
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If the Gladiator thing is true (it seems to be based on Badelts soundcloud page) then it's Badelt whose music I like from Gladiator not Zimmer's. Now We Are Free is my favourite track. All the noisy action tracks I skip over and which seem to be Zimmer's.
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If the Gladiator thing is true (it seems to be based on Badelts soundcloud page) then it's Badelt whose music I like from Gladiator not Zimmer's. Now We Are Free is my favourite track. All the noisy action tracks I skip over and which seem to be Zimmer's. Zimmer never claimed he composed "Now You Are Free". In the credits of the booklet it says he co-wrote it with Badelt and Gerrard. Also in the notes of the "More Music From..." album, Zimmer says that "Now You Are Free" is Badelt's creation by combining Zimmer's "Earth" theme and Gerrard "Elysium" into an uplifting track for the end credits. So this isn't some great conspiracy unmasked or anything.
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After Batman lost his gothic edge and Superman lost his sweeping glory, what is Spider-Man going to loose? His virginity.
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If the Gladiator thing is true (it seems to be based on Badelts soundcloud page) then it's Badelt whose music I like from Gladiator not Zimmer's. Now We Are Free is my favourite track. All the noisy action tracks I skip over and which seem to be Zimmer's. Zimmer never claimed he composed "Now You Are Free". In the credits of the booklet it says he co-wrote it with Badelt and Gerrard. Also in the notes of the "More Music From..." album, Zimmer says that "Now You Are Free" is Badelt's creation by combining Zimmer's "Earth" theme and Gerrard "Elysium" into an uplifting track for the end credits. So this isn't some great conspiracy unmasked or anything. Good to know thanks. Also I wasnt going to make a big deal about it, i just observed that the tracks that I enjoy the most from that score are apparently Badelt's and not Zimmer's. No conspiracy- just didn't know this info. I normally don't look at individual tracks to see who wrote what when I buy a soundtrack and the composer's name is on the front of the CD... Okay that was a little facetious.
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Posted: |
Jul 21, 2013 - 4:04 PM
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By: |
lp
(Member)
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[ Yes there is subtle difference, but both tracks are of the same "Zimmer power anthem" style. The difference is as big as "Superman March" and "Indiana Jones March". Of course. But the point is that Zimmer's version is better, less Ethnic sounding, and more appropriate for the score. Klaus Badelt's soundcloud. https://soundcloud.com/klausbadelt/sets/gladiator Did the idea come from Klaus or did he just wrote according to some specifications. I think people tend to forget that, as a person who's headlining the score, he's directly responsible for what get into the movie, and Hans is as responsible for all of the tracks that Klaus has attributed assumed the "written by". Again, Klaus Badelt listed this cue under his name: https://soundcloud.com/klausbadelt/sets/pirates-of-the-caribbean I don't have the source available, but I've read differently. Too bad. The main theme of Crimson Tide is quite orchestral. And of course, you've also know the extent of how orchestrating Hans' scores really mean? As for Leebo M and Lion King, I admit I don't really know the behind-the-scene story. Yet, Leebo M carries his style into any score featuring him (Power of One, Dinosaur, Congo, etc.), no matter who he is collaborating with. Lebo M's style isn't unique to Lebo, AFAIK.
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