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 Posted:   Jun 22, 2014 - 10:41 AM   
 By:   Rollin Hand   (Member)

Gilbert left C.B.S as their West Coast Music Director because of corporate meddling, and didn't score a feature film until 1969 ("Sam Whiskey"). The end title theme was actually a new arrangement of the music composed by Russell Garcia that opened every episode in the previous seasons.

I think filmusicnow is referring to season 8 in his posting above.




I double-checked and I found it was during the first three seasons under Warren Marquis and the fourth season under Bohem. Now the question is: who re-arrange Garcia's theme during season 8? Morton Stevens?

 
 
 Posted:   Jun 22, 2014 - 10:43 AM   
 By:   Rollin Hand   (Member)

Episode #4: Walk Into Terror
written by Joanna Thompson and Jerry Adelman
story by Jerry Adelman
directed by Thomas Carr
music composed and conducted by Harry Geller
guest: IMF Claude Akins, Bruce Dern, Roy Barcroft

Yates orders Quince and Blake to scout the inside of a coal mine to warn workers of the crossing of the canyon by the herd when a bear attacks Quince and therefore Blake guns the animal down and provokes the collapse of the mine. Yates summons his outfit to rescue both drovers before they suffocate. Ed, one of the two new lousy recruits, provides a solution: blowing up the blocked entrance.

It's a simple drovers stuck in a coal mine intrigue. As in future episodes ("Nitro", "Terror") of Mission: Impossible, there is some nitro involved that rises up the suspense during a long and perilous journey. Even tough, the story has no potential because of the fixed scene of the drama, guest actor Bruce Dern's mean trouble-maker performance is a good asset. Character Jed Colby returns and not Ian Cabot.


 
 
 Posted:   Jun 23, 2014 - 1:37 AM   
 By:   Rollin Hand   (Member)

Disc #2

Episode #5: Escort to Doom
written by Walter Black
directed by Alan Crosland
edited by Robert Sparr
music composed and conducted by Richard Shores
guest: Rip Torn, Christopher Dark, Tom Reese

Jim Quince and Ian Cabot notice that a band of Chiricahua warriors trail them and Yates decides to negotiate some beeves with the leader: Jacob Yellow-Sun. Later on, both men agree to work side by side to lead the herd when Pawnee warriors ambush them. At first, the Chiricahuas refuse to participate in a fight against a rival tribe and Yellow-Sun changes his mind and helps the cowboys to win. Unfortunately Quadero, Yellow Sun's second-in-command, kills his leader because of his treason. Yates retaliates.

It's a peculiar Indian tribe working with Yates' outfit and we witness the tense relations between two sides: see the veiled reference to John Ford's The Searchers throughout the behaviors of Yates' outfit, especially from Wishbone. Featuring Ian Cabot who recites Shakespeare's The Two Gentlemen of Verona. Actor Clint Eastwood plays as dry as in the future The Outlaw Josey Wales.

Shores' score foreshadows "The Night of the Firebrand" in the fight scenes. When Shores met Morton Stevens in 1965 at CBS, his music took a new turn that bred his dynamic output for The Wild Wild West and Hawaii Five-O but also The Man from UNCLE at NBC. And 'that' Rawhide score is the key to that transformation. Notice both Sparr and Shores on the credits!


 
 Posted:   Jun 23, 2014 - 5:16 AM   
 By:   CindyLover   (Member)

"Escort To Doom" wouldn't be the last time Richard Shores scored a Western-esque episode of a CBS show not called The Wild Wild West, since he also did Hawaii Five-O's "We Hang Our Own" (also written by Walter Black) - the composer's farewell to the show and thankfully one of the better episodes he did (as was another episode penned by Walter Black, "Draw Me A Killer").

 
 
 Posted:   Jun 24, 2014 - 2:32 AM   
 By:   Rollin Hand   (Member)

Episode #6: Hostage for Hanging
written by Walter Black
directed by Herman Hoffman
music composed and conducted by John Green
guest: Mercedes McCambridge, Warren Oates, Robert Blake, Sharon Farrell

Yates rides to the Gufler farm to get the fresh horses he used to partly pay for. When Yates realizes the horses are lousy, Jesse, one of the sons of Mrs. Gufler, hits him in the rear. She sends her son Max to the camp to claim a ransom of $3,000. The men from the outfit will do their best to free Yates and to save him from hanging.

It's a semi funny degenerate pecker wood family ransom plot and a solo Yates adventure; Yates tries to escape from the evil family but he fails to be branded by Jesse (actor Warren Oates). Both actors Warren Oates and Robert Blake return from season 7. John Green's score is strong.

 
 
 Posted:   Jun 24, 2014 - 3:44 AM   
 By:   paulhickling   (Member)

Here comes the season 8 opening credits for actor Clint Eastwood.



Can't help thinking Eastwood's hat in this credit illustration looks much more like the styles used in the Italian westerns he was to become a trail blazer for in the very near future...

Certainly doesn't remind me of the Rowdy Yates look.

 
 
 Posted:   Jun 24, 2014 - 4:33 AM   
 By:   Rollin Hand   (Member)

Here comes the season 8 opening credits for actor Clint Eastwood.



Can't help thinking Eastwood's hat in this credit illustration looks much more like the styles used in the Italian westerns he was to become a trail blazer for in the very near future...

Certainly doesn't remind me of the Rowdy Yates look.




Keep in mind that DePatie and Freleng freely reinterpreted any series they tackled: see how they envisioned James West in their artwork for The Wild Wild West.
Watch the 'above' opening titles for "The Night of the Inferno" as a reference.

 
 
 Posted:   Jun 25, 2014 - 3:48 AM   
 By:   Rollin Hand   (Member)

Episode #7: The Vasquez Woman
written by Boris Ingster and Louis Vittes
directed by Bernard McEveety
music by Richard Shores
guest: Cesare Romero, Carol Lawrence, IMF Malachi Throne, IMF Robert Phillips and Sam Jeffe (uncredited), IMF Victor French (uncredited), William Bryant (uncredited)

Jed Colby, Jim Quince and Simon Blake are having lunch when the Mexican army shows up and their leader named Colonel Vasquez offers to buy their 200 heads. Colby is compelled to accept the deal and pockets 40,000 new pesos which is monkey money. Colby wants to know the value of this currency and rides to the nearest Mexican town where he meets a former mercenary named Baker that is now the leader of the Revolutionary 'Rurales' who holds the wife of Vasquez prisoner.

It's an interesting Mexican civil war-oriented episode served by Bernie McEveety's film-making that plays like a Wild Wild West one from season 3 a la "The Night of Jack O'Diamonds/The Night of the Assassin". Actor Clint Eastwood is absent and therefore John Ireland is the center of this adventure that ends up as a tragic love story. Actor Malachi Throne returns from the season 7 "El Hombre Bravo". Shores' Latin score is in the vein of The Wild Wild West with various percussions, bass and a brass section. This episode features a number of uncredited actors: Robert Phillips and Sam Jeffe as soldiers of Vasquez, Victor French as a bartender, William Bryant as a drover.




 
 
 Posted:   Jun 25, 2014 - 12:04 PM   
 By:   Rollin Hand   (Member)

¶ Find the review from DVD Talk but I don't agree with it.
http://www.dvdtalk.com/reviews/64064/rawhide-eighth-final-season/

¶ The reviewer wrote wrong facts. He asserted that the DVD had no subtitles.

 
 
 Posted:   Jun 26, 2014 - 1:33 AM   
 By:   Rollin Hand   (Member)

Disc #3

Episode #8: Clash at Broken Bluff
written by Lou Vittes
story by Lou Vittes and Ed Adamson
directed by Charles Haas
edited by Robert Sparr
music composed by Billy May
guest: IMF Ron Randell, Nancy Gates, IMF Warren Stevens, L.Q. Jones (again), Elisabeth Fraser, Lyn Edgington

Yates is refused the right to cross the land of Mr. Webster with his herd. The current mayor Mal Thorner of Broken Bluff and his hatchet man Talbot offer free supplies and free drinks if the outfit of Yates vote for him. Entering into town, the outfit of Yates discovers a bunch of suffragettes marching and demonstrating. The current mayor try to do his best to beat the suffragettes. Who is going to win the election at Broken Bluff?

It's a corny political episode about suffragettes on campaign. It's the second entry after "The Vasquez Woman" centered around the fate of a woman and the interesting side is that the leading suffragette Cassie Webster is chased by two men: Rowdy Yates and Mal Thorner. It's also a Ian Cabot entry with the recurring drover Pee Jay from "Six Weeks to Bent Fork" that is wasted and un-necessary.

 
 Posted:   Jun 26, 2014 - 7:17 AM   
 By:   chriss   (Member)

Gilbert left C.B.S as their West Coast Music Director because of corporate meddling, and didn't score a feature film until 1969 ("Sam Whiskey"). The end title theme was actually a new arrangement of the music composed by Russell Garcia that opened every episode in the previous seasons.

I think filmusicnow is referring to season 8 in his posting above.




I double-checked and I found it was during the first three seasons under Warren Marquis and the fourth season under Bohem. Now the question is: who re-arrange Garcia's theme during season 8? Morton Stevens?


Is that end title somewhere on YouTube?

 
 
 Posted:   Jun 27, 2014 - 2:42 AM   
 By:   Rollin Hand   (Member)

Episode #9: The Pursuit
written by John Dunkel
directed by Justus Addiss
edited by Robert Sparr
music composed and conducted by Bernard Herrmann
guest: Ralph Bellamy, Jim Davis

Jed Colby stops his horse to fill up his canteen when a mysterious sniper takes a potshot at him and forces him to leave right away and reports his predicament to the outfit. At night, Yates finally catches the sniper which happens to be US Marshal Dickson on his way to catch a wanted murderer: Jed Colby known as James Crothers. Later on, Yates warns Colby about his criminal status and let him flee. The Marshal arrests Yates to have helped a criminal.

It's a good fugitive on the run intrigue combined with a diehard revenge subplot. The gravitas of Jed Colby is highlit in this entry. The score by Herrmann is beautiful and haunting.


 
 
 Posted:   Jun 28, 2014 - 3:23 AM   
 By:   Rollin Hand   (Member)

Episode #10: Duel at Daybreak
written by Robert Bloomfield and 'story editor' Herman Miller
story by Robert Bloomfield
directed by Sutton Roley
guest: Charles Bronson, Jill Haworth, Larry Gates, Brendon Boone

After delivering 750 heads at the ranch of southerner Mason Woodruff, a young and un-experienced drover named Roman Bedford helps his daughter Vicki and therefore is provoked by fast gunner Del Lingman who is the right-hand man of the proprietor. Later on, Jed Colby learning the predicament of Bedford rushes to the ranch to face Lingman but Yates intervenes. At night, Yates, Colby and Bedford have diner with the Woodruffs when Lingman pops-up and a showdown is organized.

It's a fine tragic love affair and a torn-inside family drama amplified by the film-making of Sutton Roley. The performance of Charles Bronson is noteworthy. Ian Cabot is absent. The start of the prologue is recycled footages from the early seasons under Warren Marquis. Besides, we can notice a blooper because the background highlight the electric posts of the prairie. Find some stock music from The Twilight Zone.

 
 
 Posted:   Jun 28, 2014 - 3:38 AM   
 By:   Rollin Hand   (Member)

Hugo Friedhoffer's "Six Weeks to Bent Fork" into the stock music
of The Wild Wild West.


"The Night of the Freebooters" at 13:50

 
 
 Posted:   Jun 28, 2014 - 4:02 AM   
 By:   Rollin Hand   (Member)

I'm listening now to Hugo Friedhofer's "Six Weeks to Bent Fork".
It's conducted by Morton Stevens in August 24, 1965.
The 12:24 score has five cues:

• "The Big Push"
• "Meet Sheriff Keeley"
• "Rowdy's Move"
• "A Mean Motha"
• "Rowdy Goes to Town"
• "Lash Quits"

Fantastic score, very versatile, very Sixties, very Man from UNCLE.
It's from the Film Music Society CD entitled Music from CBS Westerns.

"Rowdy's Move" is a powerful rythmic cue.

 
 
 Posted:   Jun 29, 2014 - 2:26 AM   
 By:   Rollin Hand   (Member)

Disc #4

Episode #11: Brush War at Buford
written by Mort R. Lewis
directed by Thomas Carr
stock music by Bernard Herrmann ("Encounter At Boot Hill")
guest: IMF Robert Middleton, Richard Carlson, IMF Skip Homeier, Tim McIntire, Robert Sorrells, Harry Lauter (again), IMF Mort Mills (uncredited)

Yates rides by the the property of Bar B U Ranch and suddenly rushes to cut the bonds of a stock inspector ground-drugged fast by a young rider named Court Buford. Later on, Yates and Colby go meeting proprietor Buford to take his steers with them. A band of stock inspectors search the herd of Yates to track down illegal beeves but the drovers call into question the actions of the officials, especially Colby. Later on, Yates and Colby go talk to Duke Aberdeen—the leader of the County Cattleman's Association—about their previous inspection and their right to cross the land with Buford's steers.

It's a large scale economical/political war. There's a civil war backdrop between southerner Court Buford and a yankee drover named McCabe. As in "Encounter at Boot Hill", find a hanging "but" performed by officials of the State (gunmen turned into stock inspectors). Actor Mort Mills is uncredited and plays Drago Santee, the foreman of Major Buford that happens to be a two-faced crooked brand artist and ends up hanged high. Actor Robert Sorrells returns from the season 7 "Damon's Road". Actor Harry Lauter returns from "Ride a Crooked Mile" and from previous seasons.

 
 
 Posted:   Jun 29, 2014 - 3:22 PM   
 By:   Rollin Hand   (Member)

Episode #12: The Testing Post
written by John Hawkins and Ward Hawkins
directed by Gerd Oswald
stock music by Hugo Friedhoffer ("Six Weeks to Bent Fork"), Lyn Murray ("Crossing at White Feather") and Robert Drasnin ("The Night of the Casual Killer")
guest: Rory Calhoun, Burt Brinckerhoff, Dick Foran, Eddie Firestone, Robert Donner, IMF Lew Brown (uncredited)

After refusing to deliver 100 herds to a young and arrogant Lt. Walker willing to pay later, Yates shoots down the officer in self-defense and wounds him in the arm. Later on, Lt. Walker retaliates in front of his superior officer Captain Masters and his entire garrison. Masters asks the 100 heads and give a requisition document to get pay in gold at Camp Broxton. After recovering from his wound, Yates rushes to the military camp to get his payment but the major informs he has no gold because the shipment was stolen. Yates decides to investigate at the hideout of Captain Masters to find the truth. We learn from both officers they're the Denner brothers with a criminal master plan.

It's the only blue soldier adventure and above all, it's a good mystery with thieves-impostors posing as militaries and it plays like "The Night of the Red-Eyed Madmen" and "The Night of the Freebooters"—both include stock music from "Six Weeks to Bent Fork". Rowdy Yates acts more and more like the wild rider from the Sergio Leone films and eventually guns down the runaway phony Lt. Walker and it looks subversive enough. The film editor over-uses optical zooming. It features stock music from Robert Drasnin's "The Night of the Casual Killer" from The Wild Wild West during the prologue and the Acts.

 
 
 Posted:   Jun 30, 2014 - 1:28 AM   
 By:   Rollin Hand   (Member)

Episode #13: Crossing at White Feather
written by Robert Bloomfield
directed by Richard Whorf
music composed and conducted by Lyn Murray
guest: Albert Dekker, Johnny Crawford, IMF Barry Atwater, IMF Russell Thorson (uncredited)

A drunk father named Jonas Bolt and his son work as scouts for Yates. Later on and at night, Yates discovers a bottle of liquor and fires Jonas. The son Aaron begs Yates to work as a guide to test a lethal river while Jonas makes a devious deal with businessman Sam Clayton and sells one thousand beeves branded J.B. that doesn't belong to him. The real trouble starts from here…

It's a low class family drama centered around the issue of alcoholism and the question of childhood through the son of Bolt that mirrors Yates' past: see the evocative epilogue. Unfortunately the story is never developed. Actor Clint Eastwood as Yates is particularly ruthless during his social intercourses with Jonas Bolt. It's the last one with Englishman rider Ian Cabot who is under used. Actor Albert Dekker returns from the season 7 "Josh" and acts the same way: the old looser stereotype. Actor Barry Atwater appears in two season 7 entries.


 
 
 Posted:   Jun 30, 2014 - 1:58 PM   
 By:   Rollin Hand   (Member)

BEST SEASON 8
“Six Weeks to Bent Fork”
“The Testing Post”
“The Vasquez Woman”
“The Pursuit”
“Duel at Daybreak”
“Encounter at Boot Hill”
“Escort to Doom”

Notes
The finest entries feature the supporting character of Ian Cabot (“Encounter at Boot Hill”, “Six Weeks to Bent Fork”, “Escort to Doom”) and the input of director Sutton Roley (“Encounter at Boot Hill”, “Duel at Daybreak”). The character of Jed Colby shines in “The Vasquez Woman” and “The Pursuit”. Actor Clint Eastwood displays his persona in the subversive “The Testing Post”.

 
 
 Posted:   Jul 4, 2014 - 2:48 PM   
 By:   Rollin Hand   (Member)

Here comes the season 8 opening credits for actor John Ireland.


 
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