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Y’know, not since the (Then) initially-mystifying casting in this
has anything even remotely equaled (tho definitely exceeded) the definitively-decisive extremes (Now) the above elicited. And it’s fundamentally fair to say it’s not gonna abate any, uh, EON soon so tis probably best to simply Agree a substantial number of us are Always – In All Ways – not agree on anything connected with it – and still be open enuff to have friendly drinks about it, anyway.
That such impassioned perspectives are routinely the rich result of everyone’s involvement with this franchise only testifies again to the passion we all still derive from it.
“You’re More’n Welcome” Department:
As for your kind compliment, Richard, we’re gobsmacked in the extremis (coming from you) - and considering the now comical-conflict with which we both entered each other’s life – we consider it something we don’t take lightly. We’ve also a suspicion amounting to a quiet certainty we may have more in common – or at least stimulating viewpoints to share – than not, so if’n tyme, opportunity and inclination arise, please feel free to drop us a non-matrix line at theyearoftheone@hotmail.com.
And may all your upcoming projects achieve your highest hopes, also …
 
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That Jill would give such a memorable performance on "The Big Valley" as well as the "Batman" pilot episode, where she had top billing over lead guest villain Frank Gorshin, is a testament to her remarkable willingness in the 1960s to do TV guest shots even *after* she had already established herself as a bona fide movie leading lady. I honestly can't think of another of her contemporaries in that period who was able to effortlessly go back and forth between big film roles and big TV guest shots in that period.
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Only this week I saw her on TV in an episode of Batman where she played Riddler's assistant, as you say, opposite Frank Gorshin. She was a stunning lady even then but always thought she looked her best in Diamonds and Tony Rome.
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how the heck did Robert Wagner let that go!!!!??????
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NOT IMPRESSED.
next film:
KATIE MCGRATH
it's SO obvious!
BRUCE
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The Craig films have made so many nods to GOLDFINGER, what with the dead girl "painted" in black oil and two appearances of an antique Astin Martin, I think they should bring back Shirley Eaton for Bond 24.
She could play an elder VIP, and Bond is charged with getting her safely across London during rush hour. Along the way, they fall in love and have an October-December romance.
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Astute analysis there, HooRaq
"Oh noooooo, not a rerun of that Other Feller from the film before 
" ).
