... oui know what you mean, Vin and the intensity of its reciprocal power to shock is that - once you study the sequence - it's so damn SIMPLE in its theatrical staging and, especially, Gene Milford's exemplary editing.
Mr. Milford (1902-1991) had a long and illustrious career, having edited nearly a hundred mo'om pitchers, garnering Oscars for the original "Lost Horizon" and "On the Waterfront" (also collaborating on Mr. Kazan's "A Face in the Crowd".
Hell, he shoulda copped at least a nutritious Nomination just for THAT sequence alone ...
