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Regardless of what happened the fact that you're being honest about this is pretty awesome. Stuff happens and we can't control that, but that's alright. Another surprising, but awesome fact is that big companies like Warner Bros going out of there way to help see these scores released in the first place. Businesses are ran on money, sometimes you gotta do something that'll suck in order to save your money, this is one of those times. Either way, all the releases have been pretty amazing, so thanks to all involved for that.
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So who keeps the master elements (final perfected audio, artwork files) for a company like FSM? Does it all go back to the studios and records companies (to be vaulted and forgotten again), or does FSM get-/have- to archive the material?
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So who keeps the master elements (final perfected audio, artwork files) for a company like FSM? Does it all go back to the studios and records companies (to be vaulted and forgotten again), or does FSM get-/have- to archive the material? All physical assets always go back to the studio. We keep hard drives of our work in Pro Tools, typically. Lukas
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Posted: |
Feb 25, 2012 - 10:28 AM
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By: |
James Corry
(Member)
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I'm 60 years old now and I've been collecting soundtracks for at least 45 years. The advent of FSM, Rhino, Intrada, MMM, Tribute, BYU, LaLa Land, Kritzerland, Varese-Sarabande and others have given to me things which, 40-odd years ago I never would have thought in my wildest dreams would ever happen. I'm VERY grateful for what I've gotten. J.
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