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Both got a crack at a big Summer Sci-Fi movie and for me, one dropped the ball completely, while the other got it bang-on.
I thought Djawadi nailed the PACIFIC RIM score, giving it the Remote Control when needed, but also delivering some BIG ORCHESTRAL MONSTER MUSIC!!!, a memorable Main Theme, an enjoyable mock-Russian anthem and some nice introspective and intimate moments.
Jablonsky, on the other hand, failed to deliver anything that added to the ENDER'S GAME experience, phoning in the usual chord progressions and sustains that make for the wallpaper we expect nowadays. Such a shame, as the film was way, way above the average, which made for a pleasant surprise these days.
I find these two films are fine examples of how the current trend can and cannot work in supporting their films.
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Both got a crack at a big Summer Sci-Fi movie and for me, one dropped the ball completely, while the other got it bang-on.
I thought Djawadi nailed the PACIFIC RIM score, giving it the Remote Control when needed, but also delivering some BIG ORCHESTRAL MONSTER MUSIC!!!, a memorable Main Theme, an enjoyable mock-Russian anthem and some nice introspective and intimate moments.
Jablonsky, on the other hand, failed to deliver anything that added to the ENDER'S GAME experience, phoning in the usual chord progressions and sustains that make for the wallpaper we expect nowadays. Such a shame, as the film was way, way above the average, which made for a pleasant surprise these days.
I find these two films are fine examples of how the current trend can and cannot work in supporting their films.
Loved the Pacific Rim score. Played many times.  Ender's Game... is okay. Nothing great, but not the worst thing I have ever heard (Anything by Tyler Bates gets that award).
Speaking of Djawadi... love his music for PERSON OF INTEREST.
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In a general comparison, I think Jablonsky is much more talented and enjoyable as a composer. I've always been a huge Jablonsky fan, but even though Djawadi impressed me years ago he hasn't really seemed to grow or refine his skills at the rate Jablonsky has. On a purely subjective level, I just dig Jablonsky's music and output more.
For me, Djawadi only really impresses on the small screen: Person of Interest and Prison Break. His film scores, outside of Mr. Brooks, haven't really captivated me despite having a few kickass tracks here and there.
I feel like Jablonsky has grown considerably lately; his scores for Pain and Gain and Gangster Squad showcased fun shades to his talent, and for me personally Ender's Game delivered on his style and sound and was better than Battleship. Helping Ender's Game stand out on Jablonsky's resume were some excellent sci-fi tracks evoking the magic and wonder of the future and space, and some poignant, more subdued moments which nicely countered the bombast.
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In a general comparison, I think Jablonsky is much more talented and enjoyable as a composer. I've always been a huge Jablonsky fan, but even though Djawadi impressed me years ago he hasn't really seemed to grow or refine his skills at the rate Jablonsky has. On a purely subjective level, I just dig Jablonsky's music and output more.
For me, Djawadi only really impresses on the small screen: Person of Interest and Prison Break. His film scores, outside of Mr. Brooks, haven't really captivated me despite having a few kickass tracks here and there.
I feel like Jablonsky has grown considerably lately; his scores for Pain and Gain and Gangster Squad showcased fun shades to his talent, and for me personally Ender's Game delivered on his style and sound and was better than Battleship. Helping Ender's Game stand out on Jablonsky's resume were some excellent sci-fi tracks evoking the magic and wonder of the future and space, and some poignant, more subdued moments which nicely countered the bombast.
I do have to admit... Ender's Game will be the type of Jablonsky score that grows on me over time. Which, of course, will make me think more highly of it. Happens all the time. You know how I operate...
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I am going to have to say a tie. Each has written some entertaining scores but most are not that good.
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Djawadi. I've enjoyed his work since before I even knew where his training originated. Prison Break rulz. And Mr. Brooks. And Clash of the Titans (seriously, give it a chance if you haven't; it's a lively score).
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Djawadi. I've enjoyed his work since before I even knew where his training originated. Prison Break rulz. And Mr. Brooks. And Clash of the Titans (seriously, give it a chance if you haven't; it's a lively score).
I forgot about Prison Break! Don't sleep on Game of Thrones, either, which I think is, consistently, his best work.
It's a shame his score for the first Iron Man movie was so uninspired.
I haven't heard Game of Thrones. The show doesn't interest me but I will certainly check out the tunes. Iron Man...I have the CD but only recall one or two tracks that were memorable.
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In a general comparison, I think Jablonsky is much more talented and enjoyable as a composer. I've always been a huge Jablonsky fan, but even though Djawadi impressed me years ago he hasn't really seemed to grow or refine his skills at the rate Jablonsky has. On a purely subjective level, I just dig Jablonsky's music and output more.
For me, Djawadi only really impresses on the small screen: Person of Interest and Prison Break. His film scores, outside of Mr. Brooks, haven't really captivated me despite having a few kickass tracks here and there.
I feel like Jablonsky has grown considerably lately; his scores for Pain and Gain and Gangster Squad showcased fun shades to his talent, and for me personally Ender's Game delivered on his style and sound and was better than Battleship. Helping Ender's Game stand out on Jablonsky's resume were some excellent sci-fi tracks evoking the magic and wonder of the future and space, and some poignant, more subdued moments which nicely countered the bombast.
I agreed with you!, i like both.
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Djawadi. I've enjoyed his work since before I even knew where his training originated. Prison Break rulz. And Mr. Brooks. And Clash of the Titans (seriously, give it a chance if you haven't; it's a lively score).
Like I said before... Love his work on Person Of Interest. And, side note... love the fact Sarah Shahi and Amy Acker have become regular cast members this season. Terrific series.
And, yes... Clash of the Titans has grown on me over the years.
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Jablonsky for me. Pain And Gain, Transformers and The Island are really good. I haven't really heard much of Djawadi.
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And, yes... Clash of the Titans has grown on me over the years.
Clash of the Titans is one of his best works, not the best of the best, but is really good, i think the one i liked (and listen multiple times) is Safe House, great theme
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Clash of the Titans is one of his best works, not the best of the best, but is really good, i think the one i liked (and listen multiple times) is Safe House, great theme
Ah yes! Forgot about Safe House. Probably my favorite Djawadi film score next to Mr. Brooks. Very catchy with some great orchestral action!
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