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Posted: |
May 28, 2012 - 5:18 PM
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By: |
CH-CD
(Member)
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This is the only 65mm shot film I've never seen. I don't even recall seeing any publicity about it in 1959. As far as I can establish it wasn't shown in London in 70mm (was it shown at all?). Reviewers described it as plodding and too reverential but nevertheless it would be interesting to see it so that I can cross that one off my unseen list! "The Big Fisherman" DID play in London. I don't have the exact starting date, but it followed "Solomon & Sheba" into the Astoria, Charing Cross Road - opening either at the end of April, or start of May, 1960. It ran there until July 6th, 1960. As you can see from this ad, it was shown on a continuous performance basis, and was billed as Panavision....although the small print in another listing states "Camera 65 - Panavision". The only time I saw it was during it's one week run in our city (Sheffield), and I can't remember if it had Overture,Intermission,etc.
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Posted: |
May 28, 2012 - 9:59 PM
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By: |
Doug Raynes
(Member)
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This is the only 65mm shot film I've never seen. I don't even recall seeing any publicity about it in 1959. As far as I can establish it wasn't shown in London in 70mm (was it shown at all?). Reviewers described it as plodding and too reverential but nevertheless it would be interesting to see it so that I can cross that one off my unseen list! "The Big Fisherman" DID play in London. I don't have the exact starting date, but it followed "Solomon & Sheba" into the Astoria, Charing Cross Road - opening either at the end of April, or start of May, 1960. It ran there until July 6th, 1960. As you can see from this ad, it was shown on a continuous performance basis, and was billed as Panavision....although the small print in another listing states "Camera 65 - Panavision". The only time I saw it was during it's one week run in our city (Sheffield), and I can't remember if it had Overture,Intermission,etc. Thanks CH-CD. I knew I could rely on you to have UK information. The ad says continuous performances so it wasn't a road show. It's not listed as being shown in 70mm in a complete list I have of all London 70mm showings.
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Malotte's BF is a pleasant score, but I believe the film really needed something much more powerful and dramatically effective to put the story over. I don't know if it could have made the film into any more of a hit (the competition of "Ben-Hur" at the box office that year may have been overwhelming at any rate), but a better score could have helped make up for some shortcomings, particularly in the writing department, IMHO.
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