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 Posted:   Jul 14, 2013 - 8:24 PM   
 By:   Sirusjr   (Member)

99% is a conservative estimate, the real number (in blind testing!) would be closer to 100%. In NO blind testing that has ever been undertaken could the testees differentiate between lossless and high-grade mp3.

And you're still wrong. If you obtain lossless, you can convert it without further loss to every format you desire (mp3, alac, m4p, ogg). When you're being forced to buy lossy, every further conversion will result in a loss of quality.

THAT's the point. If I have to pay almost as much as I would have had for the actual, physical CD (printed cover, pressed CD and all), THEN I WANT IT LOSSLESS!!!!!!!!!!!!!!!!!!!!!!!!

Exactly. I've done a few blind tests myself as close as possible. I couldn't tell the difference on headphones. Perhaps once I upgrade my speakers I might be able to but for now not so much.

I think the difference is you can't always trust that the mp3s are properly encoded. There are some instances where watermarks on the music degrade the sound in a way that is noticeable. If that same music is converted from CD to mp3 you can get it without watermarks.

 Posted:   Jul 16, 2013 - 5:57 PM   
 By:   David-R.   (Member)

And I'm kind of surprised there's a back cover, seeing as it's digital-only...

Track List:

1. Evidence (4:16)
2. Check The Tape (4:08)
3. The Blowtorch (2:40)
4. Rewind (1:31)
5. I Am God (1:45)
6. Just a Game (2:40)
7. I’ve Been Waiting For You (2:09)
8. No More Video (4:13)
9. That’s Not Our Driver (1:03)
10. Luck Of The Irish (6:09)
11. Finding Fleishman (:48)
12. Case Closed (2:45)
13. Deleted Scenes (3:12)

 Posted:   Jul 16, 2013 - 6:00 PM   
 By:   Traveling Matt   (Member)

Interesting. Perhaps it was originally intended for release on disc...

 Posted:   Jul 16, 2013 - 8:40 PM   
 By:   CindyLover   (Member)

Funny how Robert Townson's name isn't on this one.

 Posted:   Jul 16, 2013 - 8:43 PM   
 By:   Ford A. Thaxton   (Member)

Funny how Robert Townson's name isn't on this one.

There are other people who work at that company...

Ford A. Thaxton

 Posted:   Sep 23, 2013 - 5:28 AM   
 By:   DeputyRiley   (Member)

Listening to this score. I love it!!!

The score is a cross between Brian Tyler's Brake and M83's Oblivion, but very distinctly Orvarssonian too. Anyone who enjoys those two scores might really like Evidence. Might just be my favorite Orvarsson score since The Fourth Kind! This director really knows how to bring out the best in his composer. The Mortal Instruments is one of my favorites too, but Orvarsson brings out his more experimental, electronic side with Evidence and creates a very moody, propulsive, modern and kind of eerie tone here. I feel like it has great structure and inventive sound design.

Can't wait to hear Colette and A Single Shot next. After Evidence and The Mortal Instruments too, 2013 is a stellar and kickass year for Orvarsson!

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