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 Posted:   Sep 9, 2013 - 5:26 AM   
 By:   spielboy   (Member)

get a life

 
 
 Posted:   Sep 9, 2013 - 5:50 AM   
 By:   OnyaBirri   (Member)

I do think the OP or the moderators should change the thread title. It implies Ennio Morricone.

 
 Posted:   Sep 9, 2013 - 7:04 AM   
 By:   Shaun Rutherford   (Member)



Let me ask you something: If you were Danny Elfman, and you really cared to disprove this rumor for the sake of internet fans, how exactly would you go about doing that? Would you compose a piece of music live in front of us?


I love this section.

Ordinarily, I wouldn't care much about rumors like this, especially about Elfman, because we've been down that road before, but even though I wasn't the original poster, the fact that our own Morricone is the one throwing around these cryptic comments is why I'm so curious. commacommacomma

 
 
 Posted:   Sep 9, 2013 - 7:21 AM   
 By:   Thor   (Member)

I think Henry is getting a kick out of this thread! smile

 
 
 Posted:   Sep 9, 2013 - 9:38 AM   
 By:   facehugger   (Member)


Let me ask you something: If you were Danny Elfman, and you really cared to disprove this rumor for the sake of internet fans, how exactly would you go about doing that?

....

Of course, John Williams was a jazz pianist, Howard Shore was bandleader for "Saturday Night Live," John Barry was an arranger and trumpet player, and yet somehow they all became film composers, too. There's no magic to it. Everybody was something before he was a film composer. But being a rocker who moves to orchestral writing is apparently just too suspicious.



Gee I wonder why there is no rumor of "Howard Shore can't compose his own music!"

Maybe because Howard Shore explicitly puts "Composed, orchestrated and conducted by Howard Shore" on the CDs of his music.

So why doesn't Elfman do the same? Maybe when he composes a concert symphony, when he does not have the usual "time pressure of film scores" excuse, he could compose entirely on his own, and prove that he could compose on his own?

--Oh wait...

The sad fact is, even when Elfman composed Serenada Schizophrana, he had to rely on Steve Bartek etc. for his orchestration.

And you can't blame people for being curious. It's not like their curiosity is baseless.

Hell, they made a freakin' movie called Anonymous about whether Shakespeare actually wrote his stuff.

 
 Posted:   Sep 9, 2013 - 10:10 AM   
 By:   mstrox   (Member)

The modern greats have orchestrators, including the likes of John Williams, Jerry Goldsmith, and James Horner. Shore has orchestrators on the next two installments of "The Hobbit." I don't think it's fair to single this out as a fault of Elfman's.

And being a conductor isn't a prerequisite of composition either; those are two seperate arts. Sometimes the composer conducts. Sometimes the composer does not. Again using Shore as an example, I believe there were times during the LOTR score recording that Shore participated in the session remotely.

 
 
 Posted:   Sep 9, 2013 - 10:16 AM   
 By:   Vermithrax Pejorative   (Member)

I think his absence from this thread - his meaning Henry as I believe Morricone is also known - speaks volumes!

 
 Posted:   Sep 9, 2013 - 10:47 AM   
 By:   other tallguy   (Member)

I think his absence from this thread - his meaning Henry as I believe Morricone is also known - speaks volumes!

I must be hard of hearing. What does it say?

Like most conspiracy theories, this one is boring. Just because the stated truth seems much more likely.

 
 Posted:   Sep 9, 2013 - 10:50 AM   
 By:   Jeff Bond   (Member)

This again? I think the answer to this has always been, if someone else writes Danny Elfman's music, why doesn't he just go off and have Danny Elfman's career and leave Elfman in the lurch? Steve Bartek does have his own career composing music, but he doesn't have Danny Elfman's career.
I got to interview MANY people when I did the book on Danny but the one that stood out for me was Philip Glass, one of the most honored and high-profile concert composers working today--he had nothing but great things to say about Elfman and particularly praised Serenada Schizophrenia. Now what motivation would Philip Glass have to praise Elfman on that level if he thought he didn't write his own music? I think Elfman's process is probably different than John Williams' process and he's been fairly forthright about that. But I think Elfman has the final product of what he wants very clearly in mind from the beginning and works like a dog to get the music to sound exactly the way he wants it to sound.

 
 Posted:   Sep 9, 2013 - 10:57 AM   
 By:   Bill Carson, Earl of Poncey   (Member)

something thats partly true 15 years ago may not be true now of course.

Even if somebody else did do orchestration or much of it, this wouldnt be the first or last "composer" who did only half the job. Nice when you can do the lot but i guess the final product, and the initial theme, are the vital parts.

For instance, as have said before, in the early years Italian Nico Fidenco would hum his themes for maestro giacomo del orso (Eddas husband) for him to write up the partitures and do the orchestration. I think his brother Gianni was also involved, and more recent CD releases finally correct this.

 
 Posted:   Sep 9, 2013 - 2:14 PM   
 By:   SchiffyM   (Member)

And you can't blame people for being curious. It's not like their curiosity is baseless.

If we spent our lives demanding people disprove anything that could theoretically be true, we would have no time for anything else. If there's an assertion to be made here, it should be made and backed up. So yes, I do blame people for being curious for no reason. If I told you to prove that you don't deep fry poodles and eat them, would you be so quick to defend my random curiosity?

The sad fact is, even when Elfman composed Serenada Schizophrana, he had to rely on Steve Bartek etc. for his orchestration.

"Rhapsody in Blue" was orchestrated by Ferde Grofé and conducted by Paul Whiteman. Does this make George Gershwin a sham? Of course, at the time, many insisted he was. They claimed that the piece could not have been composed by Gershwin, composer of popular songs, and was in fact Grofé's work (and besides, it wasn't any good anyway). But I don't think you'd find many people today (a few, yes) who'd contend that Gershwin wasn't a composer, and a genius of American music. In 1924, putting a song writer in the concert hall was sneered at, just as a rocker writing for an orchestra is sneered at in some film music circles today.

Hell, they made a freakin' movie called Anonymous about whether Shakespeare actually wrote his stuff.

And what of it? The same director made a film about the world ending in 2012. Does that constitute a reasonable curiosity that it might?

And ultimately, so what? If "Hamlet" were written by a man named Gordon Shumway, would it no longer be a work of genius? If it turned out that "Batman" was actually composed by my kid's gym coach, should I no longer like listening to it?

 
 
 Posted:   Sep 9, 2013 - 2:32 PM   
 By:   TheFamousEccles   (Member)

A dear friend of mine was the supervising orchestrator on Elfman's "Rabbit and Rogue" score, and also worked closely with him on the Serenada recording, and he and I have spent quite a lot of time talking about Elfman and his work methods - and, as many here have already said, Elfman really is the architect of his sound. His sketches and pieces are pretty detailed in their instrumentation indications and so forth, and much of the work Bartek, Simone, et al, do is smooth out any rough spots (if something is accidentally written out of an instruments range, etc.), suggest adjustments if any need to be made, and (at times, depending on the time crunch for a piece) work with the detailed mock-ups and things like that - but mainly they work to put the music into the full score for the copyists and conductor. To put the old rumor to rest (though I think it already has been) that Elfman can't read music or whatnot - having seen bits of music written in his own hand, I can assure you that that's categorically untrue.

Mostly though, I just wanted to comment on SchiffyM's post, and say that I would happily watch an entire series of films starring ALF as William Shakespeare. Perhaps we could even start having the 38 plays (I include "Queen Alexandra and Murray" here) performed in the original Melmacian.

 
 Posted:   Sep 9, 2013 - 2:43 PM   
 By:   Shaun Rutherford   (Member)



And what of it? The same director made a film about the world ending in 2012. Does that constitute a reasonable curiosity that it might?



He did kinda walk right into that one.

 
 
 Posted:   Sep 9, 2013 - 3:39 PM   
 By:   John Mullin   (Member)

The same director made a film about the world ending in 2012.

JESUS H. CHRIST!! The world's going to end in 2012?!

 
 Posted:   Sep 9, 2013 - 4:04 PM   
 By:   OnlyGoodMusic   (Member)

The modern greats have orchestrators, including the likes of John Williams, Jerry Goldsmith, and James Horner. Shore has orchestrators on the next two installments of "The Hobbit." I don't think it's fair to single this out as a fault of Elfman's.

"Orchestrator" can mean VERY different things.

 
 Posted:   Sep 9, 2013 - 4:07 PM   
 By:   OnlyGoodMusic   (Member)

And ultimately, so what? If "Hamlet" were written by a man named Gordon Shumway, would it no longer be a work of genius? If it turned out that "Batman" was actually composed by my kid's gym coach, should I no longer like listening to it?

The fact that it turned out that the "Man with the Golden Helmet" wasn't actually painted by Rembrandt meant a GREAT deal concerning the painting's monetary value.

 
 
 Posted:   Sep 9, 2013 - 5:05 PM   
 By:   OnyaBirri   (Member)



"Orchestrator" can mean VERY different things.


I've tried to make that point here for years.

 
 
 Posted:   Sep 9, 2013 - 7:28 PM   
 By:   facehugger   (Member)


If we spent our lives demanding people disprove anything that could theoretically be true, we would have no time for anything else. If there's an assertion to be made here, it should be made and backed up. So yes, I do blame people for being curious for no reason. If I told you to prove that you don't deep fry poodles and eat them, would you be so quick to defend my random curiosity?


Nobody is demanding anybody to "prove" anything. Elfman clearly doesn't give a damn what his "fans" think. So why are you acting as his personal crusader?

Why not just treat these inquiries along the same lines of "Was Queen Elizabeth really a virgin queen?" and "Did the U.S. really know of Japan's plan to attack Pearl Harbor in advance?" --You know, history discussions?

For a bunch of film music nerds, I say it's pretty legitimate for them to be interested in film music historical inquiries.
--------------------
"Rhapsody in Blue" was orchestrated by Ferde Grofé and conducted by Paul Whiteman. Does this make George Gershwin a sham? ...

Would you stop equating "inquiries into who wrote what" with "condemning the actual music 'produced' under the Elfman label" please?

People have known for years that Arnold and Dodd collectively wrote their stuff, and I've yet to see one person dismiss the quality of Independence Day based solely on that fact.

------------------

And what of it? The same director made a film about the world ending in 2012. Does that constitute a reasonable curiosity that it might?


Hint, you need to distinguish the historical dramas and fantasies made by the same director.

 
 
 Posted:   Aug 20, 2014 - 7:42 PM   
 By:   Smaug   (Member)

Personally I love this topic. It's gets to the heart of the wildly different ideas people have about what orchestrators do. Nowadays, with composing software basically all the orchestrations are done by the composers. Gone are the days of 'composers writing out of the range of certain instruments'. In Elfman's case it's clear from his orchestrators comments on the issue that all they do is edit and properly notate his ideas I.e. They make the orchestra play exactly what he wants. He'd probably be the first to tell you that notation isn't the way he thinks when writing things. His way is absolutely no less valid a way of generating musical thought.

"So why doesn't Elfman do the same? Maybe when he composes a concert symphony, when he does not have the usual "time pressure of film scores" excuse, he could compose entirely on his own, and prove that he could compose on his own? "

I waited for this day too. I was somewhat surprised to see Edgardo Simone and Bartek in the program at Carnegie Hall. Guess what, some famous concert composers have told me that they wished they had help or could have someone copy out stuff for them. "Help" just means getting it on paper. As Aaron Copland (who used orchestrators on his film scores) said, "if you dictate a letter to someone does it make it any less your letter?" Does it make it any less your feelings or thoughts?

Maybe Octetenarians like Williams or Philip Glass still write by hand, but almost no one else does anymore. Even classical composers like John Adams writes with a computer. And classically trained composers who work in film like Goldenthal and Corigliano often use orchestrators. Previn uses orchestrators on his concert works and operas. Why is he beyond reproach? Gershwin made such a public effort after the success of Rhapsody in Blue to be sure to orchestrate the Second Rhapsody himself. Guess what? It's not as good musically as Rhapsody in Blue. Elfman could have orchestrated Rhapsody in Blue and it would have been amazing.

This whole thing is a dead issue but one that is fun to delve into.

 
 Posted:   Aug 21, 2014 - 12:49 AM   
 By:   Loren   (Member)

You may want to consider changing the title. I thought you were talking about Ennio Morricone.

LOL me too smile



and me too (without LOL though)

 
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