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Outbreak (I actually resold this one, and I normally just take my licks and move on) The Search for Bobby Fisher AI, in part There are more. I was on the fence about Intrada's new Robin Hood, Prince of Thieves. I expect to like it, but I also expect to find it too busy & long to get a lot of play (esp at bed time, when I tend to listen the most). Sky Captain and the World of Tomorrow. I know it's Edward Shearmur's favorite of his own work (and why), but there is other of his work I like more. Cleopatra Still haven't made it all the way through. I like North, but this is mountain too tall for me so far. The Fall of the Roman Empire I'm just not a Tiomkin fan. (I find Giant is overrated, too- the movie and the score) Damnation Alley Baby- Secret of the Lost Legend These scores are more interesting for their history than the content of the music. Baby may have been one of Goldsmith's favorites, but I'll still take Congo or The Ghost and The Darkness over this. Magic Link Again, I prefer Goldsmith's bolder horror scores.
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So many scores to hear, so little time in life to hear them and enjoy them again and again if you want. No time to watch all the shitty movies.
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A friend of mine praised Michael Kamen's Suspect up and down, describing it with "Imagine the score for Brazil, only without the 'Brazil' tune!" In fairness, he was right about one thing -- it didn't contain the "Brazil" tune (or any tune actually).
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