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Oh Jeez. My favourite scores after Gil Mellé's THE ORGANIZATION. Divorced again. I haven't had this craving since I gave up chocolate. I know a lot of microbrews that go well with chocolate.
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By the way, that's ROBERT Pine, not RICHARD Pine being initiated as a brother. Pine, of course, later went on to play the C.H.P. chief in "CHiPS". "Chief"? You mean Sergeant Getraer!
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I remember "Soundtrackman" and me both taping these Goldsmith treats off TV with our trusty reel-to-reels back in the day. This was the same year that CROSSCURRENT showed up as THE CABLECAR MURDERS. It's going to be a real treat hearing these in pristine clean mono without all the dialogue and efx. I also hope this means that CBS is open to further releases in the future. There's a ton of great Morton Stevens and things like John Andrew Tartaglia's punchy score from POWDERKEG, the pilot that sired THE BEARCATS with Rod Taylor and Dennis Cole (????)
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Well, maybe people just don't feel it's as important as other work, or are not that obsessive about owning every last thing by Jerry. I mean, is it in the same class as Capricorn One? Boys From Brazil? Not in a million years. When I saw it come up, I hovered. On the one hand, I'm not a Goldsmith completist and it did kinda feel like I'd be entering "bottle cap" territory. On the other hand, I figured (a) Goldsmith is my 2nd favourite composer, (b) Contract On Cherry Street was great, and (c) it might go quick. So I bought. And ... honest truth? Yeah, it's perfectly fine and nothing wrong with it, but on the other hand it doesn't do anything for me either. In the end, my honest conclusion is I'd never have particularly missed this if it'd never come out. Am I glad it came out? Sure. Not so much for me, but because I feel for my fellow soundtrack collectors. But I can understand why it wasn't an instant sell out. Cheers
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