Film Score Monthly
FSM HOME MESSAGE BOARD FSM CDs FSM ONLINE RESOURCES FUN STUFF ABOUT US  SEARCH FSM   
Search Terms: 
Search Within:   search tips 
You must log in or register to post.
  Go to page:    
 Posted:   Dec 21, 2013 - 2:42 PM   
 By:   Justin Boggan   (Member)

"A Personal Journey with Martin Scorsese Through American Movies" has very little score. It has an opening titles set to black screen and white text, with a little drawing of Martin. Then short cues for chapters where he film would tell different aspects. And a closing credits piece.

I'd say there's about 3:35 of score in there (mainly piano; couldn't be more than ten players, at most). I think two cues were repeated. At least one cue I didn't count, because I think it was tracked. The end credits reads: "Add'l Music provided by Bescol Productions Capitol/OGM Production Music. I suspect that cue was from there.

Most of it sounds like a related cousin to his rejected score to "I Love Trouble". I could make a suite of it if anybody is interested.

 
 
 Posted:   Dec 21, 2013 - 2:53 PM   
 By:   JEC   (Member)

All versions of ZULU DAWN are missing one cue, that precedes "The Hunt" in the film.

 
 Posted:   Dec 22, 2013 - 4:01 AM   
 By:   Justin Boggan   (Member)

I found this on the website of the composer mentioned:
Rod Abernethy is founder and creative director of Rednote Audio. Hiswork in video games began with a collaboration with veteran film com-poser Elmer Bernstein on the scores for the video game Wild Wild West,The Steel Assassin.

A couple videos on Youtube from the game suggest a synth computer game score, with an opening that might be orchestral.

But he also suggests on his site collaborations with other film composers on video games based upon films, including Debney, Zimmer, and Gregson-Williams.

I suspect some creative resume enchancement has occured. He probably used themes from the films and got blessing and maybe some info' from the compsoers on their scores, but that no real collaboration occured.

 
 
 Posted:   Jan 8, 2014 - 2:29 PM   
 By:   James MacMillan   (Member)

"A Personal Journey with Martin Scorsese Through American Movies" has very little score. It has an opening titles set to black screen and white text, with a little drawing of Martin. Then short cues for chapters where he film would tell different aspects. And a closing credits piece.

I'd say there's about 3:35 of score in there (mainly piano; couldn't be more than ten players, at most). I think two cues were repeated. At least one cue I didn't count, because I think it was tracked. The end credits reads: "Add'l Music provided by Bescol Productions Capitol/OGM Production Music. I suspect that cue was from there.

Most of it sounds like a related cousin to his rejected score to "I Love Trouble". I could make a suite of it if anybody is interested.




Bernstein's music for the Saul Bass-designed title sequence is on Youtube -

http://www.youtube.com/watch?v=AYLpEUETIT8

 
 Posted:   Jan 9, 2014 - 1:46 AM   
 By:   Justin Boggan   (Member)

Here's all the original score I found in it:
http://www.youtube.com/watch?v=BcF3kyf6PyY

 
 
 Posted:   Jan 9, 2014 - 10:47 AM   
 By:   James MacMillan   (Member)

Here's all the original score I found in it:
http://www.youtube.com/watch?v=BcF3kyf6PyY


Nice bit of editing. Well done and thank you for that.

- JMM.

 
 
 Posted:   Jan 9, 2014 - 11:11 AM   
 By:   pierrefrance   (Member)

The magnificent seven complete and in stereo or a re-recording from Tadlow

 
 Posted:   Jan 9, 2014 - 11:15 AM   
 By:   gsteven   (Member)

Unreleased, but long overdue: THE INCREDIBLE SARAH!

 
You must log in or register to post.
  Go to page:    
© 2014 Film Score Monthly. All Rights Reserved.