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 Posted:   Apr 7, 2014 - 3:19 PM   
 By:   Jon Broxton   (Member)

It's difficult to know what you mean and what you don't, Bruce.

 
 Posted:   Apr 7, 2014 - 4:26 PM   
 By:   Mr. Marshall   (Member)

It's difficult to know what you mean and what you don't, Bruce.

I didn't read your interview but I am sure it was just fine!

I slag ALL AWARDS - except The Razzies - cuz I just dont like 'em.
Nuthin' personal.

regards
bruce

 
 
 Posted:   Apr 7, 2014 - 5:27 PM   
 By:   joan hue   (Member)

I loved your interview, Jon. At first I thought the interviewer kind of put you on the defensive, but I see that he is a IFMCA member; I also see that he asked questions that “inquiring minds” would want to know.

I hope all of the FSMers read it. Many questions we may have had are answered. I was delighted to read that the IFMCA awards may have impacted budding careers, especially in Europe because the awards drew attention to certain composers.

I didn’t have a clue that there were no “guilds” for composers. Maybe they should form a guild.

I was glad to read that the Oscars and Globes don’t dictate your winners. Of course, I did see that sometimes they may mesh. I liked the fact that all the judges pulled in smaller, lesser known works. At the same time, your group didn’t turn deaf ears to mainstream greats like John Williams.

Lots of great information!! Thanks.

 
 
 Posted:   Dec 21, 2014 - 5:23 PM   
 By:   Jon Broxton   (Member)

Another article and video, this time for Conrad Pope winning Best Documentary Score for "Tim's Vermeer".

Article with photos: http://filmmusiccritics.org/2014/12/conrad-pope-receives-ifmca-award-for-tims-vermeer/
Video: http://youtu.be/em0NRPVh3Uc

Jon

 
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