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Michael Convertino arrangement of Arvo Part's "Mirror in Mirror" from MOTHER NIGHT
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Marvin Hamlisch's adaptations of Scott Joplin's rags for THE STING.
Did he really do much "adapting"?
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Some examples that spring to mind:
I think Horner actually did a better job arranging the Romeo and Juliet segment in the cue "Stealing the Enterprise" from STIII: TSfS.
If we're not talking about classical music only and can talk score, I'm a fan of what Nile Rogers did on "Beverl Hills Cop 3". I think it's actually better than the first two film scores. I love what he did with the theme as an action piece; as I recall, it was two or three times in the film, with a nexample being when he was sneaking into the underground system at Wonderworld.
William Kidd did this nice orchestral score with some big moments, for the animated film "The King and I", based on the music by Richard Rogers. I don't think it's been released.
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If we're not talking about classical music only and can talk score, I'm a fan of what Nile Rogers did on "Beverl Hills Cop 3". I think it's actually better than the first two film scores. I love what he did with the theme as an action piece; as I recall, it was two or three times in the film, with a nexample being when he was sneaking into the underground system at Wonderworld.
I thought I was the only one who liked that orchestral version of 'Axel F'.
I would LOVE a release of BEVERLY HILLS COP 3, even ahead of the first two. I think the film is underrated as well.
In that spirit, Brian May's rendition of Charles Bernstein's NIGHTMARE ON ELM STREET theme in FREDDY'S DEAD is marvelous.
I like J. Peter Robinson's versions in NEW NIGHTMARE as well.
www.youtube.com/watch?v=K1y8O9VkIOQ
www.youtube.com/watch?v=TiFK-eBKH8Q
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