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I do have the Donnie Brasco CD - and really enjoyed the film - but it's a CD I haven't played that much (twice tops, maybe).
I suppose it's the polar opposite of something like Carlito's Way, which is fast and furious and openly dramatic (typical for a DePalma score) while Donnie is quiet and subtle and understated.
I will have to pay it another visit with my ears adjusted.
I love it in the film, but really the only cues I listen to are the Main Title (the last track is basically the MT, right?) and the music for Pacino's face on the boat, after he's been shit on yet again.
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It's well worth to play the entire CD when one is in a more reflective mood.
Many Doyle score are no-brakes ravishing drama and swirling emotions (like the over-the-top FRANKENSTEINn, or DEAD AGAIN), indeed, DONNIE BRASCO is more introspective, particularly for Doyle. It is an excellent movie, too.
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I suppose it's the polar opposite of something like Carlito's Way, which is fast and furious and openly dramatic (typical for a DePalma score) while Donnie is quiet and subtle and understated.
Yep, that's about it. Both scores are very good in their ways.
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Which reminds me: I should really get Doyle's score for CARLITO'S WAY. I like that De Palma movie a lot, too, and Doyle's score is excellent, I just never picked it up.
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Which reminds me: I should really get Doyle's score for CARLITO'S WAY. I like that De Palma movie a lot, too, and Doyle's score is excellent, I just never picked it up.
PICK IT UPPPPPPPPPPPPP!
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For me:
- CARLITO´S WAY
- MUCH ADO ABOUT NOTHING
- DEAD AGAIN
- MARY SHELLEY´S FRANKENSTEIN
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