Might I inquire as to why FSM Online has not even deigned to review Joel McNeely's fun score for A MILLION WAYS TO DIE IN THE WEST? (Especially while running a four star review for Richard Band's SHIVER, an obscure score if ever there was one.)
Do you really think it's temp love in this case, though? It seems like all the references to classic western scores were all intentional. You could maybe call it "pastiche" but it's not like McNeely is pretending that the music is wholly original and without precedent.