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 Posted:   Sep 22, 2014 - 2:52 AM   
 By:   Quartet Records   (Member)

A PRAYER FOR THE DYING
Music Composed and Conducted by Bill Conti
Limited Edition of 1000 units
Release date: 09/29/2014



Quartet Records and MGM present the world premiere release of an original score by renowned composer Bill Conti (Rocky, The Right Stuff, For Your Eyes Only, The Karate Kid). The 1987 dramatic thriller A Prayer for the Dying starred Mickey Rourke, Liam Neeson, Sami Davis, Bob Hoskins and Alan Bates, and was directed by Mike Hodges.

The film is about Martin Fallon (Rourke), an IRA bomber who tries to blow up a troop truck but instead kills a busload of school children. Losing heart, he quits the movement and goes to London, where he tries to leave the U.K. and start a new life. The IRA wants him back (he knows too much) and the local crime boss, Meehan, will only help him if he performs one last hit, on a rival crime boss. When Fallon performs the hit, he is seen by a Catholic priest. He refuses to kill another innocent and must find a way to escape the police without killing the priest who can identify him.

Bill Conti wrote one of his most beautiful and melodic scores for the film, incorporating Irish reminiscences, a wonderful love theme, and a good amount of suspense and action music.

Assembling the score for a CD release has been a great challenge. A set of stereo mixes was incomplete; a set of 24-track masters was also incomplete. Putting them together, there were still some cues missing, but thanks to the -also incomplete- stereo music stem provided by MGM (thankfully the film was mixed in stereo), we were able to complete the puzzle, except for a couple of short cues.

The package includes a 20-page full-color booklet with liner notes by Daniel Schweiger, including new interviews and comments from Bill Conti, producer Peter Snell, and composer John Scott (whose initial score for the film was rejected by the producers).

For more info and listen audio samples, please visit www.quartetrecords.com
This item are now available on pre-order. We expect to ship from next Monday 29th

 
 
 Posted:   Sep 22, 2014 - 2:57 AM   
 By:   Hurdy Gurdy   (Member)

WTF!!!!
What a stunningly great surprise!!
And a new Pino too!

smile smile smile smile smile

 
 
 Posted:   Sep 22, 2014 - 8:57 AM   
 By:   bobbengan   (Member)

LOVE this score and can't wait to get it and toss the b**t! As much as I love John Scott and regard him as one of the most gifted symphonic composers to ever live, Conti's effort here outpaces Scott's own by leagues and leagues. Gorgeous melancholic classicism on display here!

 
 
 Posted:   Sep 22, 2014 - 9:23 AM   
 By:   Hurdy Gurdy   (Member)

Yeah. I played the Scott rejected score last week and assume that more spare and intimate style was what the director originally wanted.
I cannot believe Conti and Scott were given the same brief, based on the respective outcomes of the music.
I have no doubt in Scott's abilities to write something as large, thematic, beautiful and melancholy as the Conti replacement was/is.

 
 Posted:   Sep 22, 2014 - 9:23 AM   
 By:   Jason LeBlanc   (Member)

Paging henry!

 
 
 Posted:   Sep 22, 2014 - 10:39 AM   
 By:   henry   (Member)

I'm very excited and grateful to Quartet for this release, it's one of my all time favorites, just beautiful!smile

 
 
 Posted:   Sep 22, 2014 - 11:38 AM   
 By:   Jim Bailey   (Member)

AWESOME - absolutely loving all these lesser known 80's scores Quartet has been releasing of late! Keep 'em coming!!

 
 
 Posted:   Sep 22, 2014 - 11:51 AM   
 By:   bobbengan   (Member)

Yeah. I played the Scott rejected score last week and assume that more spare and intimate style was what the director originally wanted.
I cannot believe Conti and Scott were given the same brief, based on the respective outcomes of the music.
I have no doubt in Scott's abilities to write something as large, thematic, beautiful and melancholy as the Conti replacement was/is.


I know, right? It makes the difference between the two scores all the stranger. Point of fact, I'd argue Conti's score here sound more like a John Scott effort from this time period than it does a Conti score, and vice versa with Scott's sounding more like a Conti effort.

Very strange!

 
 
 Posted:   Sep 22, 2014 - 12:40 PM   
 By:   Hurdy Gurdy   (Member)

Listening to those samples again (and I do have the boot), I think this is easily Top 5 Conti for me.
There aren't many other scores by him I like as much as this.
It's like a Karate Kid Spaghetti Western.
That Love Theme in the End Title might just be the greatest thing I've ever heard Conti write (and I'm a major Conti fan who adores a lot of his stuff).

 
 
 Posted:   Sep 22, 2014 - 12:42 PM   
 By:   soundtracksi   (Member)

A must have
been waiting years for this great score,
not seen the movie in ages have to dig out the old video for a watch i seem to remember half the cast of Mona Lisa being in it

 
 Posted:   Sep 22, 2014 - 12:51 PM   
 By:   Traveling Matt   (Member)

AWESOME - absolutely loving all these lesser known 80's scores Quartet has been releasing of late! Keep 'em coming!!

Agreed. Go Quartet! smile

 
 
 Posted:   Sep 22, 2014 - 1:11 PM   
 By:   slint   (Member)

AWESOME - absolutely loving all these lesser known 80's scores Quartet has been releasing of late! Keep 'em coming!!

Agreed. Go Quartet! smile


Well sorry to differ or hijack this thread (there should be a "Requests for Quartet" thread) but I'm hoping for some European classics soon!

How about continuing the Gaslini series with "Le tue mani sul mio corpo"? Or some more Cinevox classics like Umiliani's "I Fidanzamento"? or some other expanded Piccioni giallo's!

 
 
 Posted:   Sep 22, 2014 - 2:03 PM   
 By:   Michael_McMahan   (Member)

Very excited about this release!! Thanks Quartet -

 
 Posted:   Sep 22, 2014 - 3:02 PM   
 By:   LEONCIO   (Member)

And I thought that this would end up being release soundtrack later or earlier, for intrada, American record label that has released a handful of titles Bill Conti and the release a record label of my own country, Spain, and is the first title that edit of Bill Conti. What things have life!!! Bravo Quartet Records!!!

 
 
 Posted:   Sep 22, 2014 - 3:45 PM   
 By:   Quartet Records   (Member)

AWESOME - absolutely loving all these lesser known 80's scores Quartet has been releasing of late! Keep 'em coming!!

Agreed. Go Quartet! smile


Well sorry to differ or hijack this thread (there should be a "Requests for Quartet" thread) but I'm hoping for some European classics soon!

How about continuing the Gaslini series with "Le tue mani sul mio corpo"? Or some more Cinevox classics like Umiliani's "I Fidanzamento"? or some other expanded Piccioni giallo's!


We have "Le tue mani sul mio corpo" in the papeline for three years ago, or so. In fact we have the master, booklet, everything ready, but due the poor sales of "Le sorelle" and "La pacifista", this title are still waiting.

 
 Posted:   Sep 22, 2014 - 3:53 PM   
 By:   edwzoomom   (Member)



Thank you soundtrack goddess! (and Quartet too of course).

 
 Posted:   Sep 22, 2014 - 7:21 PM   
 By:   spielboy   (Member)

" there were still three cues missing, but thanks to the stereo music stem provided by MGM (thankfully the film was mixed in stereo), we were able to complete the puzzle"

3 cues with FX and volume changes in the middle of the album?

 
 Posted:   Sep 22, 2014 - 10:14 PM   
 By:   Yavar Moradi   (Member)

There's no mention of FX -- it's the "music stem," not "music and effects." And I presume the volume changes were correctable.

Yavar

 
 Posted:   Sep 22, 2014 - 11:48 PM   
 By:   SchiffyM   (Member)

I cannot believe Conti and Scott were given the same brief, based on the respective outcomes of the music.

Well, the notes may clear this up. But it's quite possible they weren't given the same brief at all. For all I know, Scott didn't give the producers what they asked for. But it's quite possible he gave them exactly what they asked for, and they realized what they asked for wasn't what they really needed. (Or the studio intervened.) Happens all the time. All a director or producer can do is guess what's going to work. Sometimes, once it's put together, it doesn't work the way it worked in theory.

 
 
 Posted:   Sep 23, 2014 - 1:17 AM   
 By:   Quartet Records   (Member)

There's no mention of FX -- it's the "music stem," not "music and effects." And I presume the volume changes were correctable.

Yavar


Right, the music stem don't contains FX and the ups and downs has been corrected as possible.

And only about 05:53 (tracks 6 and 7) from more than 50 minutes of the entire CD has been taken from the stem.

 
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