Name at least two BAD scores for ONE new title. They GOT to be shitty scores because otherwise it would be all too easy to come up with stuff and I think it's more funny and rewarding, especially because it might lead to fiercy flames as well .
Keep in mind, the result has to make sense and the titles of the crap scores must be revealed in shame anyway, not sure about the relevance of the composer(s), but it looks more serious in my example below .
My contribution:
CRIMINAL BASEBALL (Criminal Law/Mr. Baseball - Jerry Goldsmith)
Of course, when you hate a certain composer output more like Barney the Dinosaur , it's really easy to create new titles in few seconds .Well, but Reznor wrote not that much scores, did he?
(did I say "composer"? well, maybe sound designer...)
Name at least two BAD scores for ONE new title. They GOT to be shitty scores because otherwise it would be all too easy to come up with stuff and I think it's more funny and rewarding, especially because it might lead to fiercy flames as well .
I'm going to come over all Thor and ask who decides what constitutes a bad score . One man's meat is another man's poison, to use an old saying.
I try to find the value in most scores that I listen to, and I have to say that I can't really name one score that I find "bad." I'll list these two, which I find to be pretty overrated and among the composer's lesser scores.
I'm not that keen on the score to the film based on the Martin Cruz Smith novel about murders in the Moscow green space named after Maxim Gorky, nor Goldsmith's other "General" score. Together they make...
. 
. One man's meat is another man's poison, to use an old saying.
