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Posted: |
Oct 17, 2014 - 5:36 PM
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By: |
serifiot
(Member)
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CDDM264
IL MORALISTA, Carlo Savina
Soundtrack:?Only a 45rpm EP (Cetra SP 611) was recorded for this film, with the main score written by Franco Migliacci and Carlo Savina and performed by Fred Buscaglione. Nothing had been previously released from the instrumental OST, but thanks to the mono master tapes it was possible to release all of Savina’s background music, which recalls the instrumental leitmotif and alternates between a dance tune and a romantic love theme. This CD (54:15 minutes) contains the song from the opening credits (a fanfare in music hall style during the beginning and ending credits), and a single with a different intro.Director and Cast:?Directed by Giorgio Bianchi in 1959. Starring Alberto Sordi, Vittorio De Sica, Franca Valeri, Franco Fabrizi, Piera Arico, Nando Angelini, Mimo Billi, Renzo Cesana, Liana Del Balzo, Anna Filippini, Ciccio Barbi, Mara Berni, Gina Mattarolo, Christiane Nielsen, Alberto Plebani, Maria Perschy, Lidia Simoneschi, Leopoldo Trieste, Vincenzo Talarico, Enzo Tarascio.Plot:?Agostino (Sordi) is an impeccable and unintelligent secretary-general of OIMP who seems like a bureaucrat with morals so high it’s almost absurd, but in reality is a shady individual who attempts to play up to the influential president of the organization and woo his daughter (Valeri). Although he is eventually found out, he takes revenge by pillorying the foibles of the president.Notes about the film:?According to some cinema historians, the screenwriters were inspired by the lawyer Agostino Greggi when choosing the name for the character played by Alberto Sordi. Greggi was an influential spokesperson for the most conservative Catholics of the Christian Democrats. He became famous for his campaigns to set high moral values (but unlike the character in the movie, he was honest).?According to others, the character was based on a young Oscar Luigi Scalfaro (president of Italy from 1992-1999) who was accused of reprimanding a woman in public for taking off her jacket and exposing her shoulders (il caso detto “del prendisole”).?When the movie was released, it was prohibited to minors because of some scenes with excessive profanity. Nowadays it would not be considered excessive.?Mara Berni’s crazy mother was played by Lydia Simoneschi who was considered the queen of Italian dubbing. Her voice was used to dub over 5000 movies between 1935 and 1975. Vera Serni , who played Mara Berni, was considered one of the most beautiful actresses of Italian cinema.?Gina Mattarolo, who played the secretary Eleonora, was an excellent acting teacher but only starred in 5 movies during her career.?Ciccio Barbi, born in 1919, had become famous at the time because of a well-known advertisement for Fiuggi water.?Liana Del Balzo was one of the most loved Italian actresses at the time.?Sylvia Lopez died the same year the film came out from Leukemia at the age of 23.?This film was the debut for Maria Perschy (1938-2004), an attractive Austrian actress who died poor and alone.
01. IL MORALISTA (seq.1 - Titoli versione film) 2:00
02. IL MORALISTA (seq.2) 0:52
03. IL MORALISTA (seq.3) 0:55
04. IL MORALISTA (seq.4) 1:07
05. IL MORALISTA (seq.5) 1:13
06. IL MORALISTA (seq.6) 2:00
07. IL MORALISTA (seq.7) 0:54
08. IL MORALISTA (seq.8) 1:58
09. IL MORALISTA (seq.9) 2:08
10. IL MORALISTA (seq.10) 1:01
11. IL MORALISTA (seq.11) 1:38
12. IL MORALISTA (seq.12) 1:16
13. IL MORALISTA (seq.13) 2:30
14. IL MORALISTA (seq.14) 1:50
15. IL MORALISTA (seq.15) 1:19
16. IL MORALISTA (seq.16) 1:18
17. IL MORALISTA (seq.17) 4:34
18. IL MORALISTA (seq.18) 2:07
19. IL MORALISTA (seq.19) 2:49
20. IL MORALISTA (seq.20) 1:31
21. IL MORALISTA (seq.21) 0:58
22. IL MORALISTA (seq.22) 2:00
23. IL MORALISTA (seq.23) 1:46
24. IL MORALISTA (seq.24) 1:22
25. IL MORALISTA (seq.25) 1:44
26. IL MORALISTA (seq.26) 1:30
27. IL MORALISTA (seq.27) 1:56
28. IL MORALISTA (seq.28) 1:27
29. IL MORALISTA (seq.29 - finale) 2:02
30. IL MORALISTA (seq.30 - Titoli versione alternativa) 2:30
CDDM267
IL DIAVOLO A SETTE FACCE, Stelvio Cipriani
For the first time on CD, Digitmovies has released the OST by Stelvio Cipriani for the film “The Devil Has Seven Faces” (aka “Il Diavolo a 7 facce”), complete and in full stereo.
Soundtrack:
For the making of this CD (38:25 minutes), we were able to use the stereo master tapes from the original recording session. Stelvio Cipriani composed a cheerfully elegant main score with a touch of rock and Nora Orlandi on vocals. The score is heard in different versions and alternates with dramatic music during the dramatic scenes where the female protagonist finds herself in a sticky situation.
Director and Cast:
Directed in 1971 by Osvaldo Civirani. Starring George Hilton, Carroll Baker, Stephen Boyd, Carla Mancini, Lucrezia Love, Roberto Messina, Luciano Pigozzi, Maria Ricotti, Gianni Pulone, Franco Ressel, Ivano Staccioli, Daniele Vargas.
Plot:
Worried about the disappearance of her twin sister Mary, Julie Harrison (Baker) asks for help from a lawyer, Dave Barton (Boyd), after being followed by a strange man on the streets of Amsterdam. Mary, however, has not disappeared but has instead joined a gang of dangerous criminals who intend to gain possession of “the devil has seven faces,” a precious diamond belonging to an Indian maharajah. Mary hides the jewel in a pack of cigarettes, which is later found by Barton. Mary and Dave leave for London together, promising to sell the diamond and share the earnings. However they don’t realize that the jewel in their possession is a fake.
01. IL DIAVOLO A SETTE FACCE –seq.1 Titoli 3:35
02. IL DIAVOLO A SETTE FACCE –seq.2 2:37
03. IL DIAVOLO A SETTE FACCE –seq.3 0:58
04. IL DIAVOLO A SETTE FACCE –seq.4 3:07
05. IL DIAVOLO A SETTE FACCE –seq.5 1:15
06. IL DIAVOLO A SETTE FACCE –seq.6 2:06
07. IL DIAVOLO A SETTE FACCE –seq.7 1:34
08. IL DIAVOLO A SETTE FACCE –seq.8 2:05
09. IL DIAVOLO A SETTE FACCE –seq.9 1:47
10. IL DIAVOLO A SETTE FACCE –seq.10 2:02
11. IL DIAVOLO A SETTE FACCE –seq.11 1:27
12. IL DIAVOLO A SETTE FACCE –seq.12 2:17
13. IL DIAVOLO A SETTE FACCE –seq.13 1:26
14. IL DIAVOLO A SETTE FACCE –seq.14 1:41
15. IL DIAVOLO A SETTE FACCE –seq.15 2:09
16. IL DIAVOLO A SETTE FACCE –seq.16 Finale 7:38
DPDM017
SODOMA E GOMORRA, Miklós Rózsa
Digitmovies is truly proud to present – after having produced numerous CDs dedicated to great Italian musicians – the first reissue in digipack format of the CD dedicated to the important international musician Miklós Rózsa releasing in a double CD BOX de-luxe edition of the full stereo original motion picture score from the 1962 movie “SODOM AND GOMORRAH” directed by Robert Aldrich (and Sergio Leone as second unit director). This double-disc set also celebrates the 52nd anniversary of the movie and its musical score. Miklós Rózsa’s name is closely linked to hundreds of scores for romantic and dramatic cinema exploding effectively during the Golden Age of Hollywood. Miklós Rózsa’s cinematic debut is connected to the 1937 British production by compatriot Sándor Korda. In fact “Knight without armor” (“La contessa Alessandra”) was the movie that brought both Korda and Dr. Rózsa to Hollywood, where Rózsa scored a row “The four feathers” (“Le quattro piume”) in 1937 and the wonderful Colossal Fantasy “The jungle book” (“Il libro della giungla”) in 1942, both movies directed by Zoltán Korda, brother of the known producer. Rózsa also scored one of the great fantasy films, “The Thief of Bagdad” (“Il ladro di Bagdad”) directed in 1940 by Ludwig Berger and Michael Powell. After his first Hollywood works Miklós Rózsa primarily specialized in writing scores for the “noir” genre, scoring such classical movies as “Double indemnity” (“La fiamma del peccato”) directed by Billy Wilder in 1945, “Spellbound” (“Io ti salverò”) by Alfred Hitchcock in 1946, “A double life” (“Doppia vita”) by George Cukor in 1947 (for his scores for these last two movies Rózsa won two of his three Oscars), “The strange love of Martha Ivers” (“Lo strano amore di Marta Ivers”) by Milestone in 1946, “The killers” (”I gangsters”) in 1946 and “Criss Cross” (“Doppi giochi”) in 1949, both directed by Robert Siodmark, “Brute force” (“Forza bruta”) in 1947 and “The naked city” (“La città nuda”) in 1948, both directed by Jules Dassin. For the cinema of Epic genre Miklós Rózsa composed and conducted original scores that are considered as milestones of cinema history. In 1951 MGM hired him for the super colossal “Quo Vadis” directed by Mervyn LeRoy, followed by “Ivanhoe” in 1952, “Knights of the round table” (“I cavalieri della tavola rotonda”) in 1953, both directed by Richard Thorpe, “Young bess” (“La regina vergine”) by George Sidney in 1953, “Julius Caesar” (“Giulio Cesare”) by Joseph L.Mankiewicz in 1953, “The king’s thief” (“Il ladro del re”) by Robert Z.Leonard in 1955, “Diane” (“Diana la cortigiana”) by David Miller in 1956, “Ben-Hur” by William Wyler in 1959, “King of kings” (”Il re dei re”) by Nicholas Ray in 1961, “El Cid” by Anthony Mann in 1961 and last but not least “Sodom and Gomorra” (“Sodoma e Gomorra”). Among the other musical comment by Miklós Rózsa the following scores are to be mentioned: “Lust for life” (”Brama di vivere”) directed by Vincent Minelli in 1956, “The world, the flesh and the devil”(”La fine del mondo”) by Ronald McDougall in 1959,“The private life of Sherlock Holmes”(“Vita privata di Sherlock Holmes”) by Billy Wilder in 1970 (director Wilder realized this movie after having the sensational experience while listening to Rózsa’s “Concerto per violino”, a piece on which the score is based). In the last years of his fabulous career M° Rózsa returned to his most beloved genres: to the Epic/Fantasy “The golden voyage of Sinbad” (“Il viaggio fantastico di Sinbad”) directed by Gordon Hessler in 1974, to the dramatic movies like “Providence” by Alain Resnais in 1977 and “Fedora” by Billy Wilder in 1978, the science fiction “Time after time” (“L’uomo venuto dall’impossibile”) by Nicholas Meyer in 1979, the noir movies “Last embrace” (“Il segno degli Hanna”) by Jonathan Demme in 1979, “Eye of the needle” (“La cruna dell’ago”) by Richard Marquand in 1981 and the last movie he scored “Dead men don’t wear plaid” (“Il mistero del cadavere scomparso”) by Carl Reiner in 1982, a comedy but with noiresque touch that recalls the tradition of great American classics for which Rózsa had been the musical soul. Sadly Dr. Rózsa passed away on the 27th july of 1995 in Los Angeles. “Sodom and Gomorrah” (“Sodoma e Gomorra”) from the year 1962 is a splendid production by Goffredo Lobardo for Titanus that continues the tradition of the epic cinema of Hollywood. An international cast was hired for this mega production: Stewart Granger (who was not a newcomer for the epic genre since he had already acted in movies like “Scaramouche” from 1952, “Salomè” from 1953 and “Beau Brummell” from 1954) in the role of Loth, head of an Jewish nomad tribe led by him through the desert to the twin cities Sodom and Gomorrah, famous for the lasciviousness and dominated by Bera, a queen of lust for power (Anouk Aimee), Ildith (Pier Angeli), the wife of Loth who becomes a pillar
of salt, Astaroth (Stanley Baker), Shuah (Rossana Podestà), Tamara (Scilla Gabel) and other characters interpreted by illustrious names of the Italian Cinema: Ishmael (Giacomo Rossi-Stuart), Melchior (Rik Battaglia), the Captain (Anthony Steffen), Lieutenant (Gabriele Tinti), Arlok (Mimmo Palmara), Maleb (Claudia Mori) and the dancer twins (Hellen & Alice Kessler). Enormous scenery both of interiors and exteriors of the colossal cities, exotic locations, including the special effects for the destruction of the sinner cities by divine hand: all this realization was done following the approved rules of the Hollywodian cinema. Rumoured is that originally composer Dimitri Tiomkin was called, but he was not available that time because of health problems and therefore he had been replaced by Miklós Rózsa to compose and conduct an original symphonic score for orchestra and choir to cover two third parts of the 155 minute movie. The score was recorded in the studio “A” of RCA in Rome in June 1962. Rózsa has always been a researcher specialized in world music history.
In the case of “Sodom and Gomorrah” he had performed deep research into Yemeni and Babylonian Jewish music so as to create the dances and prayer songs for choir in their original language. Thence the orchestral themes of pure fantasy are combined with motifs that have antique origins. For what concerns the OST discography of “Sodom and Gomorrah”, this score has been issued on 33 rpm long-playing record by RCA in different countries all over the world (Usa: Rca Victor LSO 1076 – Spain: Rca Cinematres NL 43755 – Japan: Rca CR 10023 – Usa: Citadel CT MR 1, album produced by composer Rózsa-expert Tony Thomas, containing six selections coupled with the score from 1968 movie “The power”). The first CD release of this OST in mono sound was issued on Cambria CD 1050 then the original American LP was reissued on the CD BMG special products/collectables COL-CD-6480 (DRCI-2634) in stereo. The first complete and stereo version was issued in 1986 on a double LP set (Legend DLD 1-2). The realization of our double CD Box de-luxe edition was made possible – once again – thanks to the generous help of C.A.M. authorizing this reissue (with a total playing time of 111’38”) of this memorable OST including the 6 rare bonus tracks discovered on the original session master tapes: 5 alternative choral pieces and a Jewish dance piece that were recorded during the 1962 session but not used in the final version of the movie. Despite careful digital restoration and remastering some anomalies pre-existing on the original sources remain.
DISC 1
01. OUVERTURE 4:34
02. PRELUDIO 2:21
03. IL DESERTO 2:17
04. L'INCONTRO 0:35
05. LE PORTE DI SODOMA 2:19
06. TORTURA DI TAMARA 2:54
07. MUSICA PER LIRA 1:15
08. LA FAVORITA DELLA REGINA 1:30
09. IL GIORDANO 3:02
10. IL POPOLO ELETTO 2:40
11. GIOCO BAMBINI 1:39
12. IL PREZZO DELLA LIBERTÀ 2:35
13. LA SCONFITTA DI ASTAROTH 2:31
14. PREGHIERA 0:44
15. RISPOSTA AD UN SOGNO 2:39
16. LA DIGA 1:06
17. LETTURA DELLA MANO 1:47
18. MARCIA DEGLI ELAMITI 1:07
19. IL BAGNO DELLA REGINA 0:24
20. LA MINACCIA DI LOT 1:34
21. PASTORALE DEL FIUME 4:40
22. ILDITH HA PAURA 0:55
23. MATRIMONIO 1:30
24. L'ADDIO 1:17
25. TRANELLO 1:28
26. LA BATTAGLIA DELLA DIGA 4:35
27. MARCIA DELLA VITTORIA 0:38
28. IL BENVENUTO DI SODOMA 1:22
DISC 2
01. INTERMEZZO 5:07
02. ENTRO LE MURA DI SODOMA I:29
03. LA VOLONTA' DI JEHOVAH 1:46
04. GELOSIA 2:49
05. DANZA DELLE GEMELLE 3:56
06. DANZA DEI PECCATORI 2:32
07. FUGA DEGLI SCHIAVI 1:03
08. LA DISFATTA DI ASTAROTH 2:29
09. PRIGIONE 1:07
10. MESSAGGERI DI GEOVA 2:15
11. NUOVAMENTE LIBERO 0:42
12. LA MISSIONE DI LOT 1:58
13. ESODO 1:32
14. DISTRUZIONE DI SODOMA 4:17
15. STATUA DI SALE 3:37
16. EPILOGO 2:03
?Archives Bonus tracks- previously unreleased
?17. PREGHIERA (unused take 1) 2:44
18. PREGHIERA (unused take 2) 2:27
19. PREGHIERA (unused take 3) 2:33
20. DANZA (unused take 4) 1:31
21. PREGHIERA (unused take 5) 2:10
22. PREGHIERA (unused take 6) 2:30
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