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 Posted:   Oct 22, 2014 - 10:20 PM   
 By:   Lokutus   (Member)

Original Motion Picture Soundtrack

NIGHT AT THE MUSEUM: SECRET OF THE TOMB

Music Composed by
ALAN SILVESTRI
(The Croods, Cosmos, Captain America)

The greatest discovery in 3,000 years will uncover the origin of a secret power and lead history’s greatest heroes where they've never gone before.

Get ready for the wildest and most adventure-filled Night at the Museum ever as Larry (Ben Stiller) spans the globe, uniting favorite and new characters while embarking on an epic quest to save the magic before it is gone forever. The film also stars Robin Williams, Owen Wilson, Steve Coogan, Ricky Gervais, Dan Stevens, Rebel Wilson and Ben Kingsley.

Composer Alan Silvestri (The Mummy Returns) returns for the third round of the popular family franchise with his most epic work yet.

20th Century Fox will release NIGHT AT THE MUSEUM: SECRET OF THE TOMB nationwide on December 19.

Varese Sarabande Catalog # 302 067 320 8
Release Date: 12/16/14



http://www.varesesarabande.com/servlet/the-1210/Night-At-The-Museum-cln-/Detail

 
 Posted:   Oct 23, 2014 - 12:14 AM   
 By:   scoringsessions   (Member)

Nice - they haven't even started scoring it yet!

 
 Posted:   Oct 23, 2014 - 4:49 AM   
 By:   DeputyRiley   (Member)

Cool?,?should?be?a?very?enjoyable?CD?.

 
 
 Posted:   Oct 23, 2014 - 5:09 AM   
 By:   bobbengan   (Member)

Cool?,?should?be?a?very?enjoyable?CD?.

?Let's?Hope?

 
 
 Posted:   Oct 23, 2014 - 6:25 AM   
 By:   CobraBubbles   (Member)

Finally, I'm really interested to hear what Silvestri has cooked up this time around!

 
 Posted:   Nov 26, 2014 - 6:30 AM   
 By:   Lokutus   (Member)

Delayed until January 6th (for now).

 
 Posted:   Dec 4, 2014 - 3:12 AM   
 By:   Lokutus   (Member)






1. The Ahkmnerah Expedition (3:34)
2. Performance Prep (2:02)
3. LOL (2:22)
4. The Grand Re-Opening (3:13)
5. “The End Will Come” (2:19)
6. Sneak And Greet (3:25)
7. Sir Lancelot (3:33)
8. Where Are Jed And Octavius? (2:50)
9. Main Hall (3:24)
10. Xiangliu (3:46)
11. Male Bonding (2:15)
12. The Legend Of The Tablet (3:11)
13. The Escher Fight (3:45)
14. Camelot (3:49)
15. The Quest (2:35)
16. “Seeing Your Boy Become A Man” (3:14)
17. Laaa Love (1:53)
18. A Farewell Kiss (2:40)
19. Teddy’s Goodbye (3:02)

 
 Posted:   Dec 15, 2014 - 1:04 PM   
 By:   Jason LeBlanc   (Member)

It's up for sale on US iTunes now:

https://itunes.apple.com/us/album/night-at-museum-secret-tomb/id947997354

 
 
 Posted:   Dec 15, 2014 - 1:06 PM   
 By:   Ado   (Member)

These are terrific score and pretty entertaining movies.

But Ben Stiller just kinda wings it through all of these pictures.

 
 
 Posted:   Dec 15, 2014 - 1:25 PM   
 By:   MattyT   (Member)

Samples sound promising. Similar to the other two scores, but I'm interested to hear more...

 
 
 Posted:   Feb 26, 2015 - 9:51 AM   
 By:   Hurdy Gurdy   (Member)

Not much chat about this one?
It is a bit Silvestri on auto-pilot.
Only Track 4 and the last 4 or 5 cues really stood out for me.
There's nowt wrong with the other cues, but they are a tad formulaic and feel a bit 'going through the motions'.
I heard some temp track love early on...Waterworld or Wyatt Earp by JNH got a look in.
I still think the first score is the best. Two had a nice Love Theme but covered similar ground to one.
It could be argued Silvestri on auto pilot slays most newbs working today.

 
 Posted:   Feb 26, 2015 - 9:58 AM   
 By:   Lokutus   (Member)

It's been a while since Silvestri really impressed with anything - the last score of his I really liked was probably Beowulf. Pretty much everything since seems a bit formulaic to me and doesn't really reach the emotions and energy of his better works until that point.
All three museum scores have their moments and if I really had to pick the favorite, it would be probably nr. 2 - especially for the Amelia relatated material. The first one suffered a bit by the short schedule and with way too many short cues. I will probably have to revisit all three since I've heard the 3rd one only once so far and while I liked it much more than 90% of JNH's recent output (who also seems to have lost his own sound and identity), it failed to made any lasting impression.
I am still curious what he will do with the next Robert Zemeckis movie.

 
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