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 Posted:   Nov 20, 2014 - 4:51 PM   
 By:   beth   (Member)

Sony Classical to Release Original Motion Picture Soundtrack
From Director Ridley Scott’s Exodus: Gods and Kings
Available Digitally on December 9 and on CD December 16

Composed by Multiple Academy Award® Nominee Alberto Iglesias

For the upcoming epic action-adventure Exodus: Gods and Kings acclaimed director Ridley Scott (Alien, Blade Runner, Gladiator) has recruited three-time Academy Award nominee Alberto Iglesias to compose the film score. The soundtrack will be from Sony Classical digitally on December 9 and on CD on December 16. 20th Century Fox releases Exodus: Gods and Kings in theaters everywhere on December 12.

When it came to the music for his visually stunning movie, Ridley Scott has opted as much for delicate arrangements as orchestral bombast – a noteworthy decision considering the truly monumental production. Strings, choir, featured soloists and soulful vocals complement Iglesias trademark composing style in this breathtaking score. Iglesias provides the biblical material a historic yet modern feel. Given the challenge of maintaining the upper hand in such a large project, the highly versatile Iglesias skillfully masters the gap between subtle emotion and martial brutality.

The recording of Exodus: Gods and Kings took place at the legendary Abbey Road Studios, where John Williams recorded the "Star Wars" saga and Howard Shore his epic The Lord of the Rings.

While primarily known for his European scores for the past 20 years and for his work with arthouse favorite Pedro Almodovar, Iglesias has received Academy Award nominations for his scores for Tinker Taylor Soldier Spy, The Constant Gardener and The Kite Runner. Iglesias also received BAFTA nominations for all three scores and a Golden Globe nomination for The Kite Runner. Among his many works with Almodovar, Iglesias won Best Score at the European Film Awards and the World Soundtrack Award for Composer of the Year for Volver. With The Skin I Live In, Iglesias became the all-time leading Goya recipient in the history of Spanish Cinema and was honored with Composer of the Year Award at the 2011 Hollywood Film Festival.

Iglesias has proven his unique skill for creating smart, authentic and cleverly designed thriller scores on many occasions. His music is sophisticated, richly detailed and emotionally compelling all at once. He is also a master at adding elements of world music into a more traditional musical context. Iglesias manages to seamlessly bring dramatic ideas together to an overwhelmingly emotional whole and is extremely gifted at composing music that is both complex and emotional in effect.

Exodus: Gods and Kings is the story of one man’s daring courage to take on the might of an empire. Using state of the art visual effects and 3D immersion, Scott brings new life to the story of the defiant leader Moses (Christian Bale) as he rises up against the Egyptian Pharaoh Ramses (Joel Edgerton), setting 400,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.

For more information, please visit www.exodusgodsandkings.com.

Sony Masterworks comprises Masterworks, Okeh, Portrait, Sony Classical, RCA Red Seal, and Masterworks Broadway imprints. For email updates and information please visit www.SonyMasterworks.com.


For more information contact cinemediapromo@yahoo.com or @cinemediapromo on Twitter

 
 
 Posted:   Nov 20, 2014 - 8:26 PM   
 By:   bondo321   (Member)

Looking forward to the Harry Gregson-Williams parts razz

 
 
 Posted:   Nov 20, 2014 - 8:40 PM   
 By:   Bond1965   (Member)

http://youtu.be/DZ_ET07Quh4

I am hoping this is a fake because it sounds like a cheap synth mock up.


James

 
 
 Posted:   Nov 21, 2014 - 2:11 AM   
 By:   Thor   (Member)

http://youtu.be/DZ_ET07Quh4

I am hoping this is a fake because it sounds like a cheap synth mock up.


James


The track listing is correct, but the track itself is fake. Probably an amateur fanboy who sees his opportunity to get his music out there through the 'guise' of a famous score.

 
 
 Posted:   Nov 21, 2014 - 6:42 AM   
 By:   CédricD   (Member)

Just listened to the album. Fantastic score, sounds like Stargate and The Mummy with big brass and choir (Nick Dodd orchestrates), plenty of peplumesque lyricism and furious action tracks. Score of the year.

 
 
 Posted:   Nov 24, 2014 - 5:02 AM   
 By:   Bond1965   (Member)

Yes that previous link was indeed a fake.

You can stream the whole album for one week here:

http://www.cinemamusica.de/1812/exodus-2014-exclusive-first-listen

James

 
 
 Posted:   Nov 24, 2014 - 6:30 AM   
 By:   scoreman   (Member)

Unfortunately it sounds like generic library music. Nothing particularly distinctive or original.

 
 Posted:   Nov 24, 2014 - 6:35 AM   
 By:   No Respectable Gentleman   (Member)

Seems awfully uninspiring to me too. Nothing Elmer Bernstein would lose any sleep over, were he still alive. Or Jerry Goldsmith for that matter (at times it sounds like a poor man's MUMMY).

The best track is "I Need a General", and that's clearly based on Wagner's Das Rheingold.

Not sure why Sir Ridley doesn't just hire Harry Gregson-Williams and be done with it.

 
 
 Posted:   Nov 24, 2014 - 6:54 AM   
 By:   scoreman   (Member)

What a missed opportunity and disappointment.. We have all heard this type of music countless times before. Sounds totally drab. Depressing. What has film music come to ?

 
 
 Posted:   Nov 24, 2014 - 8:01 AM   
 By:   Thor   (Member)

There are some smokin' tracks here, though, like "Into the Water".

 
 Posted:   Nov 24, 2014 - 8:56 AM   
 By:   TM   (Member)

There are some smokin' tracks here, though, like "Into the Water".

Except I can't get over that 3:30 is a direct quote from Lion, Witch & Wardrobe...sigh.

 
 
 Posted:   Nov 24, 2014 - 9:52 AM   
 By:   MattyT   (Member)

This is pretty much how I expected it to be. It does sound generic and not nearly as engaging as Kingdom of Heaven, but there are some great moments in it as well, especially "Into the Water." I wish they would have used that theme more in the score.

 
 
 Posted:   Nov 24, 2014 - 11:22 AM   
 By:   Zooba   (Member)

I'm glad the wailing stopped after the first 1:20.

 
 
 Posted:   Nov 24, 2014 - 12:15 PM   
 By:   bobbengan   (Member)

Yea, this did nothing for me either.

Imagine what the scores of other young-ish talented composers out there could have done. Or just use classical pieces, a la 2001, to underscore the weight of the story.

But THIS...?

Pass.

 
 
 Posted:   Nov 24, 2014 - 12:23 PM   
 By:   scoreman   (Member)

Just compare this tepid music with what a Jerry Goldsmith , John Williams , Miklos Rozsa, Alfred Newman, Bernard Herrman, Alex North ( Elmer Bernstein already composer a classic score to this story ) would have written and you realise the dire state of current film music . Its all music sound design . Where are the strong themes ?

 
 
 Posted:   Nov 24, 2014 - 12:23 PM   
 By:   scoreman   (Member)

Just compare this tepid music with what a Jerry Goldsmith , John Williams , Miklos Rozsa, Alfred Newman, Bernard Herrman, Alex North ( Elmer Bernstein already composer a classic score to this story ) would have written and you realise the dire state of current film music . Its all music sound design . Where are the strong themes ?

 
 
 Posted:   Nov 24, 2014 - 12:49 PM   
 By:   Thor   (Member)

Indeed. Everything used to be so much better back in the old days.

In all seriousness, though, I have a feeling the score will work like gangbusters in the movie, given Scott's visual style. Can't wait untill December 16th for the film -- and to hear the score in context.

 
 Posted:   Nov 24, 2014 - 1:43 PM   
 By:   Jon Broxton   (Member)

What a predictable set of responses. So generic. Seriously, none of these responses can hold a candle to the responses people had 10-20 years ago.

 
 Posted:   Nov 24, 2014 - 1:44 PM   
 By:   Jon Broxton   (Member)

Just compare this tepid music with what a Jerry Goldsmith , John Williams , Miklos Rozsa, Alfred Newman, Bernard Herrman, Alex North ( Elmer Bernstein already composer a classic score to this story ) would have written and you realise the dire state of current film music . Its all music sound design . Where are the strong themes ?

In other, better scores.

 
 
 Posted:   Nov 24, 2014 - 5:29 PM   
 By:   RM Eastman   (Member)

What a missed opportunity and disappointment.. We have all heard this type of music countless times before. Sounds totally drab. Depressing. What has film music come to ?


Totally agree, I felt a bit depressed after listening to this type of junk film music. There is not one iota of themes or a good melody, for that matter no melody at all.

 
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