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 Posted:   Dec 10, 2014 - 9:27 AM   
 By:   Heath   (Member)

Looking at page one of this general discussion forum list, there isn't anyone really talking about Goldsmith. This seems to be increasingly the case. I remember when some folks moaned that there was nothing BUT Jerry Goldsmith threads. Long time ago.

I have to be honest - seeing as Goldsmith's music is magnitudes better in its invention, stylistic breadth, and sheer technique than most, if not all, of the scores that ARE being discussed, I find this situation a bit saddening.

Anyway....

 
 
 Posted:   Dec 10, 2014 - 9:36 AM   
 By:   Rnelson   (Member)

Don't worry. Things will cycle back. A lot of those threads were related to the onslaught of Goldsmith releases at the time. It will happen again.

 
 
 Posted:   Dec 10, 2014 - 9:46 AM   
 By:   Thor   (Member)

No reason to create new ones when there are about 3.5 million threads on him here already. I tell ya -- sometimes, you'd get the impression this was actually a Jerry Goldsmith Fan Forum.

I love the man's music, but MAN....

 
 
 Posted:   Dec 10, 2014 - 9:49 AM   
 By:   Last Child   (Member)

reminds me of those "where did the FSM members go?" threads, as if the rest of us dont count. In this case, as if other composers dont count.

 
 Posted:   Dec 10, 2014 - 9:49 AM   
 By:   Thomas   (Member)

I have to be honest - seeing as Goldsmith's music is magnitudes better in its invention, stylistic breadth, and sheer technique than most, if not all, of the scores that ARE being discussed, I find this situation a bit saddening.

Good to see you've started a Goldsmith thread about nothing in particular. Feel free to chime in on one of the Barry threads going. Makes a pleasant change I say.

 
 
 Posted:   Dec 10, 2014 - 10:20 AM   
 By:   Hurdy Gurdy   (Member)

Maybe they're all feeling a bit insecure right now.

 
 Posted:   Dec 10, 2014 - 10:23 AM   
 By:   Grecchus   (Member)

Let's just hope one of the labels lets the Jerry out of the bottle soon. They have all done so extensively and quite consistently, too.

I'm more than a little surprised Tora, Tora, Tora has not sold out at La La Land. Or, how about Seven Days In May over at Intrada? There's loads to discuss just over these two scores in terms of similarity and congruity of ideas. The problem is it takes some degree of effort to analyse music, especially when one is far from being an expert.

 
 
 Posted:   Dec 10, 2014 - 10:23 AM   
 By:   Francis   (Member)

"Jerry is dead" -Nietzsche

 
 
 Posted:   Dec 10, 2014 - 10:23 AM   
 By:   Rnelson   (Member)

So anyway. Everyone is gravitating towards this thread while some of the other threads aren't getting very much action. Maybe it's also that any Thread with Goldsmith in the title gets more notice.

 
 
 Posted:   Dec 10, 2014 - 10:39 AM   
 By:   Spymaster   (Member)

You just wait until January... ;-)

 
 
 Posted:   Dec 10, 2014 - 10:39 AM   
 By:   Spymaster   (Member)

Double post.

 
 
 Posted:   Dec 10, 2014 - 10:40 AM   
 By:   Morricone   (Member)

I love Goldsmith to death, like Morricone (talk about someone with invention, stylistic breadth, and sheer technique) but if there isn't a new release out there, which this forum feeds on, naturally there is not that much discussion. A couple labels have mentioned they will fill that gap just around the corner so there will not be that much downtime. In the mean time I enjoy some of the newer fellows with abilities (for me Alexandre Desplat and Roques Banos) and there is a new Delerue out and his modern offshoot Rombi. I don't have to live and breath Jerry Goldsmith, Ennio Morricone, Elmer Bernstein and John Williams, who are my kings, even though I will turn back to them consistently. And, of course, bubblegum composers who do a lot of comic book scores will be the most popular and that has never bothered me. My top guys have done that type of score and showed them how it is done.

 
 
 Posted:   Dec 10, 2014 - 2:13 PM   
 By:   Dan Hobgood   (Member)

Here's what makes me sad:

There aren't many bona fide record stores anymore, but, when Jerry was alive, the Soundtrack section was littered with his musical footprint.

The next time you're in one, see if you find anything besides Rudy--if that.

Dan

 
 
 Posted:   Dec 10, 2014 - 2:15 PM   
 By:   Francis   (Member)

Here's what makes me sad:

There aren't many bona fide record stores anymore, but, when Jerry was alive, the Soundtrack section was littered with his musical footprint.

The next time you're in one, see if you find anything besides Rudy--if that.

Dan


Over here, there aren't any soundtrack sections anymore, you're lucky to find a CD section in media stores (!).

 
 
 Posted:   Dec 10, 2014 - 2:27 PM   
 By:   Rnelson   (Member)

Here's what makes me sad:

There aren't many bona fide record stores anymore, but, when Jerry was alive, the Soundtrack section was littered with his musical footprint.

The next time you're in one, see if you find anything besides Rudy--if that.

Dan


Dan, the demise of the brick and mortar record shopping experience is a thread unto itself. Many hours of my life back in the day were spent at Rose Records in Chicago leisurely browsing the racks. It was like a treasure hunt. "I love the smell of vinyl in the morning... it smells like VICTORY."

 
 
 Posted:   Dec 10, 2014 - 9:06 PM   
 By:   Howard L   (Member)

Oh you have brought back a wonderful feeling of a bygone era.

 
 Posted:   Dec 11, 2014 - 2:44 AM   
 By:   Stephen Woolston   (Member)

I find this a strange post.

This forum is generally so dominated by Jerry Goldsmith talk and needy Jerry Goldsmith fans that I sometimes think it should be renamed the Jerry Goldsmith Forum.

Personally, I think it's nice that other film music gets talked about too.

It's the same way with CD releases too. Personally, I think the most recent Varese Club release set is one of the best they've had for a long time. And yet all some people could see was that there was no Goldsmith.

Jerry Goldsmith is already the most talked about composer, with the most fans and the most CD releases. There's no need to bemoan that's still not good enough.

My apologies is that seemed a little rough.

Cheers


 
 
 Posted:   Dec 11, 2014 - 2:46 AM   
 By:   Thor   (Member)

I'm with you, Stephen.

 
 Posted:   Dec 11, 2014 - 10:24 AM   
 By:   Heath   (Member)

I find this a strange post.

This forum is generally so dominated by Jerry Goldsmith talk and needy Jerry Goldsmith fans that I sometimes think it should be renamed the Jerry Goldsmith Forum.

Personally, I think it's nice that other film music gets talked about too.

It's the same way with CD releases too. Personally, I think the most recent Varese Club release set is one of the best they've had for a long time. And yet all some people could see was that there was no Goldsmith.

Jerry Goldsmith is already the most talked about composer, with the most fans and the most CD releases. There's no need to bemoan that's still not good enough.

My apologies is that seemed a little rough.

Cheers


It's not rough. It's just factually incorrect. My point is that this forum is not, as you say, generally dominated by Goldsmith talk. It WAS in the past somewhat skewed toward discussions of his music, but not anymore. Take a look. As of this writing, this is the only thread about Goldsmith I've seen here lately. By discussion of his music, I don't just mean the "collectors" chit chat about CD releases. How about some talk about how Goldsmith's music worked in the context of a film, or a scene - the actual purpose of film music.

There will be no more new Goldsmith scores. But that shouldn't stop discussions about the HUNDREDS of existing scores, many of which have received scant analysis. Sure, they weren't ALL masterpieces (that would be impossible from anyone), but even if you think they don't work, then say why you think they don't work... or do work. That would be interesting, wouldn't it?

Finally, I guess I just don't want his music to fade politely into the blur of history as has happened, arguably, with other wonderful composers.

There are trends and cycles, sure. But I get a little alarmed when I see loads of in-depth threads about Joe Schmo's latest epic score, and then, when you listen to a bit of it, it's just more of the same over-produced, generic, conservative (small c) ketchup that's poured over most contemporary films. This ketchup will be on the menu permanently unless the heat is kept up under the gold-standard of Jerry's work and that of a precious few others.

 
 Posted:   Dec 11, 2014 - 11:35 AM   
 By:   Justin Boggan   (Member)

There's only one place in my county with a section of soundtracks on CD (if it's still even there, mind you -- been about a year since I stopped by to browse) and you'd be lucky to find one Goldsmith. What you may find it a two or three Varese titles and some Star Wars, and maybe a Harry Potter. The rest are song soundtracks.

 
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