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 Posted:   Jan 19, 2015 - 5:14 PM   
 By:   Dave Norris   (Member)

Wow! Both Jerry Goldsmith's complete powerhouse score and Maurice Jarre's dynamic unused score together in exciting 2-CD set! Under director Curtis Hanson, Meryl Streep becomes sensational action heroine with husband David Strathairn, son Joseph Mazzello battling killers Kevin Bacon, John C. Reilly plus whitewater rapids, violent waterfalls shot on spectacular locations of Montana, southern Oregon. Incredible opportunity for listeners to hear two Academy Award-winning, top-drawer composers at peak of their craft, both commanding large orchestras - with two dramatically contrasting approaches to thrilling tale! Jarre approaches with epic, majestic David Lean-style main theme, numerous dramatic variants, culminating in powerful action finale with spectacular array of percussion in the spotlight. Jarre then allows room for traditional "The Water Is Wide" before wrapping with rich statement of his own main theme plus fortissimo coda. 50-minute score is presented plus more than 20-minutes of additional cues and alternates. After producers deleted entire effort by Jarre, Goldsmith enters project with his own dynamic score. His thematic approach relies on traditional melody, given emotional resonance courtesy soaring solo trumpet quotes over expressive string harmonies. Once established, theme gives way to one of Goldsmith's best nineties devices: not just one but two important thematic ideas take over, competing for control through remainder of score. First is surging minor-key "water" theme with imposing chords for dangerous currents. Second is five-note motif that becomes all-important Rambo-style action theme, usually connected with Strathairn as mild-mannered businessman who springs into action during second part of film. How this tiny idea grows in importance, now as solitary melodic percussion figure, now as soaring French horn melody, now as solo clarinet line, now as rhythmic ostinato against soaring minor-key "water" theme becomes just one compelling aspect of knockout score! Also commanding attention is 10-minute action cue "Vacation's Over", amongst composer's all-time greatest. Original RCA release offered just 30 minutes of score. New Intrada release not only premieres entire Jarre score but also doubles the amount of Goldsmith music with a half hour of previously unreleased score plus another 16-minutes of unused alternates. Jarre score recorded by Shawn Murphy at Sony Pictures Scoring, Goldsmith score recorded by Bruce Botnick at Todd-AO Scoring Stage. Entire 2-CD set presented from complete digital scoring session masters preserved by Universal in pristine condition and released courtesy Universal, RCA and Sony. Maurice Jarre, Jerry Goldsmith conduct. Intrada Special Collection release available while quantities and interest remain!


CD 1 (ORIGINAL MOTION PICTURE SOUNDTRACK)
01. Practice (2:24)
02. The Field (1:25)
03. Let’s Go Boys (1:26)
04. Here We Go (1:01)
05. No Favors (1:32)
06. Graffiti (1:38)
07. My Life (0:45)
08. Wade’s Over (3:20)
09. Same Old Story (2:13)
10. All Is Well (0:47)
11. Get The Drinks (4:00)
12. Stand Off (0:48)
13. Run Maggie (0:41)
14. Pictures (1:54)
15. Maggie’s Back (1:02)
16. Secrets (2:03)
17. Where Are You? (2:34)
18. Anything I Want (1:10)
19. The Raft (Original) (3:41)
20. Go, Mom (2:11)
21. What Happened? (2:41)
22. Do It! (2:53)
23. Ballast (Revised #1) (1:43)
24. Vacation’s Over (10:05)
25. One Left (Revised #1) (0:35)
26. Family Reunion (End Title)
Contains Edited Version of “The Water Is Wide” (Traditional)
Performed by Cowboy Junkies Produced by Michael Timmins (5:46)
Total Score Time: 62:06

The Extras
27. The Gun (Pizzicato Hits) (1:52)
28. The Raft (Revised) (3:42)
29. Now What? (Original) (1:44)
30. Ballast (Original) (1:18)
31. Ballast (Revised #2) (1:19)
32. One Left (Original) (0:36)
33. One Left (Revised #2) (0:37)
34. Great Timing (Original) (1:59)
35. “The Water Is Wide” (Electric Violin Version)
(Adapted and Arranged by Jerry Goldsmith) (2:58)
Total Extras Time: 16:18
Total CD Time: 78:52





CD 2 THE UNUSED SCORE
01. The Bridge (2:59)
02. We All Go (3:58)
03. Wade Overboard (4:27)
04. The Stakes Just Got Higher (5:02)
05. Tom Lost (3:46)
06. The Cliff (2:32)
07. Ranger Danger (1:00)
08. Raft In Trouble (2:32)
09. Gail Strikes Back (1:30)
10. Hold On (4:28)
11. The Gauntlet (9:29)
12. Final Fight (2:06)
13. Reunion And End Title (6:33)
Contains “Mandolin Mix” of “The Water Is Wide” (Traditional)
Performed by Cowboy Junkies Produced by Michael Timmins
Total Score Time: 50:36

The Extras
14. Racing Victory (0:44)
15. Racing Victory - Alternate 1 (0:35)
16. Racing Victory - Alternate 2 (0:29)
17. Gail Leads - Alternate (0:13)
18. Maggie, Too (0:36)
19. Maggie, Too - Revised (0:36)
20. First Baggage (0:36)
21. First Baggage - Revised (0:28)
22. Rock Symbols (0:55)
23. Baggage Again (0:28)
24. Gail’s Advice (0:50)
25. Wade Shows The Gun (0:36)
26. Terry Hesitates (0:44)
27. Threats (0:18)
28. Wade And Terry Argue (0:34)
29. Tom’s Plan – Revised (0:22)
30. Twigs And Leaves (0:47)
31. Raft In Trouble - Revised (2:30)
32. Tom And Maggie (0:30)
33. Untie Us (0:43)
34. Final Fight – Revised (2:06)
35. Reunion - Version 2 (2:00)
36. Reunion - Version 3 (1:59)
37. Reunion - Version For Album (2:02)
38. Reunion – Version 4 (0:10)
39. “The Water Is Wide” (Traditional)
Performed by Cowboy Junkies
Produced by Michael Timmins (3:10)
Total Extras Time: 25:26
Total CD Time: 76:06


 
 
 Posted:   Jan 19, 2015 - 5:35 PM   
 By:   Bond1965   (Member)

What did I tell you?

James

 
 
 Posted:   Jan 19, 2015 - 5:37 PM   
 By:   jfallon   (Member)

Damn that Goldsmith score boasts some great action music. Looking forward to hear how Jarre tackled it as well.

 
 
 Posted:   Jan 19, 2015 - 5:39 PM   
 By:   jfallon   (Member)

Damn that Goldsmith score boasts some great action music. Looking forward to hear how Jarre tackled it as well.

 
 
 Posted:   Jan 19, 2015 - 5:40 PM   
 By:   jfallon   (Member)

grrr sorry triple post. Wish this board would fix this.

 
 
 Posted:   Jan 19, 2015 - 5:46 PM   
 By:   Thgil   (Member)

Damn that Goldsmith score boasts some great action music. Looking forward to hear how Jarre tackled it as well.

 
 
 Posted:   Jan 19, 2015 - 5:50 PM   
 By:   jfallon   (Member)

Well said Nicholas.

 
 
 Posted:   Jan 19, 2015 - 6:00 PM   
 By:   Peter Greenhill   (Member)

After all the Moonraker excitement. I'm definitely up for this one. I always enjoy the film and love Jerry's score but also look forward to hearing Jarre's take as well.

 
 
 Posted:   Jan 19, 2015 - 6:31 PM   
 By:   connorb93   (Member)

Wonderful! I can't wait!

Also, this may be a dumb question, but the revised cues are the final film versions, correct?

 
 Posted:   Jan 19, 2015 - 6:49 PM   
 By:   The Mutant   (Member)

Totally awesome. Thanks, Intrada! Keep 'em coming.

 
 Posted:   Jan 19, 2015 - 7:17 PM   
 By:   Steve H   (Member)

This one 's a beauty. Ive always loved this score. I even wrote a ridiculously gushing letter to FSM praising it back in the day. So many great action cues here and we get all of it. All of it! Intrada, You've done it again!

 
 Posted:   Jan 19, 2015 - 7:57 PM   
 By:   Solium   (Member)

This is pretty much what I expected from a 90’s score. A major theme and repetitive action motifs. Really indistinguishable from his other efforts during this time period. Though I admit that theme is gorgeous. Jarre's music at least sounds fresh to me. I'll get it eventually if it sticks around.

 
 Posted:   Jan 19, 2015 - 8:10 PM   
 By:   Maleficio   (Member)

Most definitely ordered!

 
 Posted:   Jan 19, 2015 - 8:29 PM   
 By:   Mike Esssss   (Member)

One of my favorite releases in a long time!

Random observation: I noticed the spine uses the key art font for the film title, which I think may be unique among ISC releases?

 
 Posted:   Jan 19, 2015 - 8:32 PM   
 By:   CindyLover   (Member)

Inexplicably missing from the OP:

http://store.intrada.com/s.nl/it.A/id.9198/.f

 
 
 Posted:   Jan 19, 2015 - 10:28 PM   
 By:   jb1234   (Member)

I'm always up for more Goldsmith, especially if it has the potential to make me re-evaluate in complete form a score I've never really cared for. The samples for the Jarre unused score also sound very interesting.

 
 Posted:   Jan 19, 2015 - 10:47 PM   
 By:   Sirusjr   (Member)

This is pretty much what I expected from a 90’s score. A major theme and repetitive action motifs. Really indistinguishable from his other efforts during this time period. Though I admit that theme is gorgeous. Jarre's music at least sounds fresh to me. I'll get it eventually if it sticks around.

If the theme wasn't so familiar and also considered a hymn then I might be more interested in this. I can't help but feel I'm in church everytime I hear the theme. It makes me consider this theme as not as good as other Goldsmith efforts. I love the use of existing themes but when that is the primary theme it seems lazy to me. Especially when it is so clearly recognizable like the one here.

 
 Posted:   Jan 19, 2015 - 11:23 PM   
 By:   Shaun Rutherford   (Member)

Yeah, but come on, it's not like he can pull another Rudy out his ass when he has to deliver the score less than a month before the movie's coming out.

 
 Posted:   Jan 20, 2015 - 12:11 AM   
 By:   Dana Wilcox   (Member)

This is pretty much what I expected from a 90’s score. A major theme and repetitive action motifs. Really indistinguishable from his other efforts during this time period. Though I admit that theme is gorgeous. Jarre's music at least sounds fresh to me. I'll get it eventually if it sticks around.

If the theme wasn't so familiar and also considered a hymn then I might be more interested in this. I can't help but feel I'm in church everytime I hear the theme. It makes me consider this theme as not as good as other Goldsmith efforts. I love the use of existing themes but when that is the primary theme it seems lazy to me. Especially when it is so clearly recognizable like the one here.


If I recall correctly, Goldsmith was told to use "The Water Is Wide" as a primary theme for this score (by director Curtis Hanson perhaps?). This is one of JG's most energetic scores ever, with amazing action cues synced perfectly to the visuals. Lazy? The DVD about Goldsmith (Film Music Masters) shows him recording this music with the orchestra, and it's totally masterful -- score and performance pulsating, and anything but lazy! It's a lovely theme and works beautifully in the film as far as I'm concerned.

 
 
 Posted:   Jan 20, 2015 - 1:57 AM   
 By:   Francis   (Member)

Time restraint should be no issue for Goldsmith as he did Chinatown in under two weeks. Even so his score to The River Wild is highly effective in the movie, even with that existing theme which complements the river and the scenery so well. Looking forward to hearing double as much as the album (!) and then there's still the bonus stuff. Excellent!

I already heard cues from the Jarre and it's not my thing, but I will undoubtedly compare approaches when I get the chance to.

 
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