The film is appalling. Worst than number 2. But it was shocking to hear orchestral music in a modern movie. In fact it sounded weird to the point I wondered why I was not listening to some generic rock, synth, string bullshit.
The film is appalling. Worst than number 2. But it was shocking to hear orchestral music in a modern movie. In fact it sounded weird to the point I wondered why I was not listening to some generic rock, synth, string bullshit.
Maybe Luc Besson had something to do with the decision to go more symphonic here? A number of his films have very cleverly and effectively merged traditional symphonic scores with more modern and "edgy" European stuff. LEON is a perfect example of this.