I saw this back when you did it the first time, and it still holds up. Elfman's score as a whole is so much better, but I do love this Silvestri cue. The horns at the zoom-up of the hook onto the train is the best.
I love Silvestri's music here and it makes the otherwise really phony looking sequence a lot more exciting than I felt Elfman was able to. I never felt Elfman was a good fit for the movie, but I'm in the minority.