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 Posted:   Aug 6, 2018 - 5:53 AM   
 By:   OnyaBirri   (Member)

You wear that badge with pride mate.

Yes, I am a big fan of "Catch Me If You Can" and have often stated so.

 
 
 Posted:   Aug 6, 2018 - 6:02 AM   
 By:   OnyaBirri   (Member)

"Escapades," which I posted above, seems to contain material not in the film, particularly the byzantine sax and vibes lines playing against the material heard in the film. Has this been commercially released?

 
 
 Posted:   Aug 6, 2018 - 6:11 AM   
 By:   jenkwombat   (Member)

...I am a big fan of "Catch Me If You Can" and have often stated so.

As am I. Maybe we should just agree to that when it comes to Williams.

 
 
 Posted:   Aug 6, 2018 - 6:18 AM   
 By:   TerraEpon   (Member)

"Escapades," which I posted above, seems to contain material not in the film, particularly the byzantine sax and vibes lines playing against the material heard in the film. Has this been commercially released?

https://www.amazon.com/Catch-Me-If-You-Can/dp/B00GZDG6RM

Escapades is fantastic though the actual score to Catch Me if You Can doesn't quite do it for me.

(Rest of the CD is good too, of course...)

 
 
 Posted:   Aug 6, 2018 - 7:52 AM   
 By:   Hurdy Gurdy   (Member)

Actually Onya, have you heard The BFG?
Lots of that sounds like Lost In Space.

 
 Posted:   Aug 6, 2018 - 8:18 AM   
 By:   Shaun Rutherford   (Member)

Actually Onya, have you heard The BFG?
Lots of that sounds like Lost In Space.


In that there are instruments?

 
 Posted:   Aug 6, 2018 - 9:49 AM   
 By:   SchiffyM   (Member)

Actually Onya, have you heard The BFG?
Lots of that sounds like Lost In Space.


In that there are instruments?


It's hard to hear the opening and closing of the Overture and not hear "Lost in Space" (though much of the score diverges from that sound, yes).

 
 Posted:   Aug 6, 2018 - 10:41 AM   
 By:   Shaun Rutherford   (Member)

Actually Onya, have you heard The BFG?
Lots of that sounds like Lost In Space.


In that there are instruments?


It's hard to hear the opening and closing of the Overture and not hear "Lost in Space" (though much of the score diverges from that sound, yes).


Crazy, I had never made that connection. It's still a stretch for me, but maybe I'm listening to the wrong notes (it's in the flutes, right?).

 
 
 Posted:   Aug 6, 2018 - 3:06 PM   
 By:   OnyaBirri   (Member)

Actually Onya, have you heard The BFG?
Lots of that sounds like Lost In Space.


I listened to the samples on Amazon. I didn't pick up on any Lost in Space - based on the samples - but it does feature some nice impressionistic orchestrations!

 
 
 Posted:   Aug 6, 2018 - 4:04 PM   
 By:   OnyaBirri   (Member)

This is the only post-"Jaws" Williams score that I own, and the only Spielberg score I own other than "Duel." I guess the law of averages had to kick in at some point.

Forgot that "Jaws" was Spielberg. I have that one too.

 
 
 Posted:   Aug 6, 2018 - 6:26 PM   
 By:   villagardens553   (Member)

I'm going to chime in here, because I've lived through the soundtracks of the sixties up to the present and have opinions. So this is my opinion, and I speak only for me.

John Williams is a great film composer and undoubtedly the most popular. His scores for the Star Wars films, Harry Potter, Superman, Indiana Jones, E.T., and so on are generally perfect for those films and I don't think anybody could have done them any better.

But, apart from the films, I don't enjoy those scores as much. There are two reasons. One: Generally, in his more popular films, Williams favors a more energetic, busy sort of a neo-Korngold approach that doesn't get me emotionally. Two: Most of those films are family entertainment. Very well done, but family entertainment. I started thinking about my favorite scores, and most if not all of them deal with adults and adult themes: The Ghost and Mrs Muir, To Kill a Mockingbird, Chinatown, The Lion in Winter, In Cold Blood, La Dolce Vita, Once Upon a Time in the West, Cool Hand Luke, and so on. I love John Barry, and his better scores are for films like Midnight Cowboy, The Last Valley, Walkabout, The Whisperers, Body Heat, Dances With Wolves, Out of Africa, and so on. So for me it's just a preference in style, approach, and choice of film.

My favorite Williams scores, by the way, are Jane Eyre, The Reivers, The Long Goodbye, Images, The Fury, Schindler's List, and Close Encounters.

 
 Posted:   Aug 6, 2018 - 7:36 PM   
 By:   Shaun Rutherford   (Member)

There are plenty of “adult” scores by Williams that should more than float your non-popcorn boat.

 
 
 Posted:   Aug 6, 2018 - 7:44 PM   
 By:   villagardens553   (Member)

Yes, as stated above.

 
 
 Posted:   Aug 7, 2018 - 4:16 AM   
 By:   leagolfer   (Member)

You wear that badge with pride mate.

Yes, I am a big fan of "Catch Me If You Can" and have often stated so.


You like CMIYC coz of the 60s film style & it being more jazzy, an earlier period of Williams career, didn't know this score till recently listening to the cool breezy orchestration & jazzy motifs that intertwine so perfectly too a Mancini style, the instruments play off each other in an amazing display of compositional skills that Williams is renowned for, JW is cool in any era.

 
 Posted:   May 21, 2022 - 4:54 AM   
 By:   orbital   (Member)

In light of the recent D.E. of PRESUMED INNOCENT I wonder if there's a chance for a new release of CATCH ME IF YOU CAN...?

I have no idea about the rights situation and what's what and Schiffy has stated that Williams recorded just over 50 minutes of score, of which 44 are on the (now 20 years old, original) CD... but I would really love to see a new/"expanded" release from one of the specialty labels.

 
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