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Just saw a listing on SAE for a new Tadlow CD of OBSESSION. Since I already own MBR's excellent 2 disc release, what discerns both releases? Just out of curiosity.
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Just saw a listing on SAE for a new Tadlow CD of OBSESSION. Since I already own MBR's excellent 2 disc release, what discerns both releases? Just out of curiosity. I believe the Tadlow release is simply a re-recording of the source material, as opposed to the original recorded score. Both would be great to add to your collection.
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The thread title suggests an adversarial relationship between the two recordings. There's no "versus" about it. If you love the OBSESSION score, you need both. In my humble opinion.
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I agree that this doesn't need to become adversarial, but I also agree that we should simply replace the term re-recording with new recording. That works for classical music, and new recordings of show tunes. And that's what this is, an all-new recording. As many have noted, new recordings inevitably shine a new and different light on the music. That is I think the primary appeal, except for those scores that have never been released. But my question is why are we bothering with a new thread on the same subject when the other thread is already going? All it takes is reading the thread titles to find it.
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The thread title suggests an adversarial relationship between the two recordings. There's no "versus" about it. If you love the OBSESSION score, you need both. In my humble opinion. Oh, what the hell. I have the Intrada NORTH BY NORTHWEST and the Varese Club re-recording. If one has to double-dip, it may as well be for Herrmann. It's not "double-dipping", since they are two different recordings. I see this in the same light that I own more than one recording of Brahms' Requiem or Dvorak's Ninth Symphony.
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